The 22nd achtung berlin film festival came to a close with the awards ceremony on Wednesday, April 22, at the Babylon cinema. The feature film jury honored two actresses with the Best Acting Award, sponsored by UCM.ONE and its Berlin-based film label Darling Berlin: Lana Cooper for her role in “Das Glück der Tüchtigen” (directed by Franz Müller) and Celina Scharff for her title role in “Luisa” (directed by Julia Roesler). For Lana Cooper, this brings things full circle in Berlin after ten years—she had already received an acting award here in 2016, back then as “Best Actress.”
The Evening at the Babylon
On Wednesday evening, April 22, the awards ceremony for the 22nd edition of the achtung berlin film festival took place in Theater 1 of the Babylon cinema on Rosa-Luxemburg-Platz. Actress Franziska von Harsdorf hosted the evening. In total, the new berlin film awards were presented in fourteen categories, with a total value of nearly 30,000 euros—donated by a number of partners from the Berlin and German film industry.

Festival directors Regina Kräh and Sebastian Brose summed up the 22nd edition in their closing message: They could not be “more satisfied” than with the “response we had hoped for—with this very special mix of film-loving cinema-goers and the Berlin film industry, including both young filmmakers and established filmmakers alike.” They continued: “This year’s lineup featured wonderful actors to discover, but also many young filmmakers who have found their own cinematic language, in a wide variety of forms and genres, extending all the way into the competitions for medium-length and short films. Almost always very bold, innovative, and stylistically conscious, and often diverse and inclusive as well.”

The Award for Best Acting — shared equally between two winners

For the eleventh consecutive year, UCM.ONE and its Berlin film label Darling Berlin sponsored the Best Acting Award. It is endowed with 1,000 euros in cash, which is divided equally—500 euros each—between two actors. This year’s feature film jury, consisting of director and writer Christoph Hochhäusler, actress Christina Große, and producer Mariam Shatberashvili, decided on the award. This year, Lana Cooper and Celina Scharff were honored.

Celina Scharff in „Luisa”
Celina Schaerff © Hingst | ABFF 2026

The award went to Celina Scharff for her title role in “Luisa” (directed by Julia Roesler; screenplay by Julia Roesler and Silke Merzhäuser; produced by werkgruppe2 Filmproduktion and Hanfgarn & Ufer in co-production with ZDF — Das kleine Fernsehspiel). The film tells the story of a young woman who lives in a residential group for people with disabilities on the outskirts of a small German town, and whose daily life of parties, flirting, and part-time jobs is turned upside down one day when she becomes pregnant without realizing it. What follows is an investigation that the film does not resolve, but leaves open: in what kind of environment sexual violence occurs, who sees it, who overlooks it, and what responsibility an institution bears that cares for both sides. For Celina Scharff, this is her debut in a leading role—and, as those close to the director put it, “the film’s captivating powerhouse.” The fact that the feature film jury also honored “Luisa” in the categories of Best Screenplay, Best Production, and Best Costume Design underscores the film’s cohesive impact.

The jury’s statement:
The actress plays a young woman who experiences a sexual assault in a residential group for people with disabilities. The way she conveys her strength, cheerfulness, curiosity, and zest for life in just a few scenes at the beginning of the film, and then draws us into her inability to comprehend, inability to grasp or make sense of what is happening to her, how she falls out of her life but finds her way back to self-determination and fights her way back into her life—is incredibly powerful and moving, performed with depth, honesty, directness, and precision. The award for Best Performance in a Leading Role goes to Celina Scharff in the film LUISA.

Lana Cooper in „Das Glück der Tüchtigen”
(fltr.) R.Zimmermann (UCM.ONE), Lana Cooper, T.Frede (UCM.ONE ©Hingst | ABFF 2026

The award also went to Lana Cooper for her role in “Das Glück der Tüchtigen” by Franz Müller (screenplay by Franz Müller and Marcus Seibert; produced by 2Pilots Filmproduktion and Mizzi Stock Entertainment in co-production with WDR/arte). The story follows Mira—wife, mother, and, most recently, manager of a supermarket—whose carefully balanced life begins to unravel due to a single moment of dishonesty. Alongside Katharina Derr in the lead role, Cooper plays a character who adheres to Mira’s version of events until the question of how much truth a close relationship can withstand becomes her own yardstick

The jury’s statement:
The actress portrays a very special character whose longing, lightheartedness, and playful capacity for love—despite all her sense of loss—continue to resonate with us long after the performance ends. We were enchanted by the spontaneity of her performance, with all its subtle inner and outer movements, and by her precise and direct tone. The award for Best Supporting Actress goes to Lana Cooper.

For Lana Cooper, the award has its own history at the same venue. In 2016, Cooper was already honored once for her work at the 12th edition of the achtung berlin filmfestival—at that time in the separate category “Best Actress” for her leading role in “Looping” by Leonie Krippendorff. Ten years later, she receives the acting award from the same festival again, but in a category whose name and structure have changed in the meantime. The difference between “Best Actress 2016” and “Best Performance 2026” is not primarily a biographical entry, but rather a brief journey through time in the country’s award culture.

“Best Performance,” not “Best Actress”: a category that has changed
The fact that the award is presented jointly to two actors—rather than being divided into the categories “Best Actress” and “Best Actor,” as has long been the custom—is part of a shift that the 2021 Berlinale brought to light: It was the first A-list festival to abolish gender-segregated acting awards and replace them with gender-neutral awards for leading and supporting roles. This move reflects a departure from an award logic that categorizes acting performance according to heteronormative binary gender roles. Acting is tied to the character, not to the gender of the performer. The achtung berlin filmfestival has also implemented this change in coordination between the festival management and UCM.ONE / Darling Berlin as the award sponsor. In 2018, Eva Löbau was honored for Reise nach Jerusalem and Jonas Dassler for Lomo – The Language of Many Others in separate categories. Today, there is a single category, “Best Acting,” in which two performers are honored—regardless of gender and beyond any gender-stereotyped proportional representation logic, based solely on the jury’s decision.

What is remarkable is the personal touch that Lana Cooper brings to this transformation. In 2021, as part of #actout, she publicly identified as queer in SZ-Magazin alongside 184 other actors and actresses. The manifesto’s core statement—“We are actors and actresses. We don’t have to be what we play”—aligns with the spirit of the award category in which Cooper and Scharff are now being honored together: It recognizes an achievement, not an identity. That the two coincide here is one of the quieter undertones of this award ceremony.

For Cooper, the award at the Berlin International Film Festival also has its own history. As early as 2016, she was honored there for her leading role in Looping by Leonie Krippendorff — at that time still in the separate category “Best Actress.” Ten years later, she receives the same award in a category whose name and structure have changed.

The fact that Lana Cooper is standing on this stage holds special significance for UCM.ONE and Darling Berlin. Since Love Steaks (2013, directed by Jakob Lass)—one of the first defining films from Darling Berlin—her work has been a central part of the label’s milestones: Beat Beat Heart (2016, directed by Luise Brinkmann), which won the Günter Rohrbach Film Prize for Cooper in 2017 and later served as the opening film of achtung berlin, then Kim hat einen Penis (2018, directed by Philipp Eichholtz), another Darling Berlin title and also the festival opener in 2019.

This trend continues into the summer: On August 6, 2026, Ascend” (German Title: “Flieg Steil”) (2024, directed by Martina Schöne-Radunski and Lana Cooper) will be released nationwide in theaters by UCM.ONE under the Darling Berlin label.

Eleventh Partnership

The connection between UCM.ONE, Darling Berlin and the achtung berlin filmfestival dates back to 2016. Since then, the label has supported the festival as the sponsor of the Best Acting Award and as a close partner. This year, UCM.ONE was also represented in the feature film competition with Plan F (2026, directed by Ina Balon) and in the panel discussion Breaking the Stigma at the Volksbühne’s Grüner Salon.

Winners of the 22nd Achtung Berlin Film Festival

The Award Ceremony at BabylonWednesday, April 22, 2026 · Kino Babylon, Theater 1 · Hosted by Franziska von Harsdorf
Date Wednesday, April 22, 2026, 8:30 p.m.
Venue Kino Babylon, Theater 1, Rosa-Luxemburg-Straße 30, 10178 Berlin
Host Franziska von Harsdorf (Actress)
Festival Direction Regina Kräh and Sebastian Brose
Scope 15 awards across 14 categories, total value nearly €30,000
Feature Film Jury Christoph Hochhäusler (Director and Writer), Christina Große (Actress), Mariam Shatberashvili (Film Producer)
Documentary Jury Esther Buss (Film Critic), Alexander Ghorghiu (Cinematographer), Uli Decker (Director)
Medium-Length and Short Film Jury Franziska von Stenglein (Director), Dela Dabulamanzi (Actress), Romana Janik (Producer)
Screenplay Jury Michael Fetter Natansky (Screenwriter and Director), Franziska Müller (Dramaturge and Screenwriter), Stephanie Bogon (Dramaturge and Editor)
Production & Costume Design Jury Freya Herrmann (Costume Designer), Heike Hütt (Costume Designer), Veronika Grosse (Production Designer), Max Schönborn (Production Designer)
Ecumenical Jury Monika Klapczynski (Head of Media Education, Archdiocese of Berlin), Paula Nowak (Director of Studies for Religious Education and Media Didactics, EKBO), Charlotte Kühn (Religious Education Teacher, Media Educator and Curator), Nir Ferber (Lecturer and Curator)
Best Feature Film€2,000 cash · sponsored by Ziegler Film
Film SOLO SHOW (Switzerland 2025)
Director Julius Weigel
Screenplay Julius Weigel, Julia Rose Gostynski
Cast Konstantin Schumann, Adriana Möbius, Saladin Dellers, Reinhold G. Moritz, Katharina Hoffmann
Production Motor Productions in co-production with Zürcher Hochschule der Künste (ZHdK)
Best Documentary€1,000 cash · sponsored by Shoot’n’Post
Film ACTIVE VOCABULARY (Germany 2025)
Director Yulia Lokshina
Production Yulia Lokshina, Oficina de Objetos Perdidos
Best Cinematography DocumentaryEquipment voucher valued at up to €2,500 · 25p *cine support
Recipient Jacob Kohl
Film TASTE OF SALT (Germany 2025)
Director Raaed Al Kour
Production Viktor Schimpf Filmproduktion, Hochschule für Fernsehen und Film München
Best Screenplay€1,500 cash · sponsored by Deutscher Drehbuchverband (DDV), Master School Drehbuch and individual screenwriters
Recipients Julia Roesler and Silke Merzhäuser
Film LUISA (Germany 2025)
Director Julia Roesler
Cast Celina Scharff, Dennis Seidel, Trixi Strobe, Katharina Bromka, Peter Lohmeyer, Eva Löbau, Bernd Hölscher, Melanie Lux, Michael Schuhmacher, Martin Schnippa
Production werkgruppe2 Filmproduktion, Hanfgarn & Ufer in co-production with ZDF – Das kleine Fernsehspiel
Best ProductionPostproduction color grading prize valued at €5,000 · PHAROS – The Post Group
Recipients Andrea Ufer, Gunter Hanfgarn (Hanfgarn & Ufer), Silke Merzhäuser, Julia Roesler and Insa Rudolph (werkgruppe2), as well as ZDF – Das kleine Fernsehspiel
Film LUISA (Germany 2025, Director Julia Roesler)
Best DirectorPostproduction sound or color grading valued at €5,000 · Basis Berlin Postproduktion
Recipient Julius Weigel
Film SOLO SHOW (Switzerland 2025)
★ Best Performance€1,000 cash, split equally (€500 each) · sponsored by UCM.ONE / Darling Berlin

For the eleventh consecutive year, UCM.ONE and its Berlin film label Darling Berlin sponsored the Best Performance award. The Feature Film Jury — Christoph Hochhäusler, Christina Große, and Mariam Shatberashvili — selected the recipients.

Recipient 1: Lana Cooper
Film DAS GLÜCK DER TÜCHTIGEN (Germany 2025)
Director Franz Müller
Screenplay Franz Müller, Marcus Seibert
Cast Katharina Derr, Alex Brendemühl, Leonidas Emre Pakkan, Lana Cooper, Marie-Lou Sellem
Production 2Pilots Filmproduktion, Mizzi Stock Entertainment in co-production with WDR/arte
Recipient 2: Celina Scharff
Film LUISA (Germany 2025; title role, screen debut)
Director Julia Roesler
Screenplay Julia Roesler, Silke Merzhäuser
Production werkgruppe2 Filmproduktion, Hanfgarn & Ufer in co-production with ZDF – Das kleine Fernsehspiel
Best Cinematography Feature Film»One Good Shot« valued at up to €3,000 · Arri Rental Berlin
Recipient Rafael Graf
Film SOLO SHOW (Switzerland 2025)
Best Production Design€500 cash · VSK, supplemented by the achtung berlin Freund:innenkreis
Recipients Martha Brenner and Felicitas Püls
Film BABYSTAR (Germany 2025)
Director Joscha Bongard
Screenplay Nicole Rüthers, Joscha Bongard
Cast Maja Bons, Bea Brocks, Liliom Lewald, Joy Ewulu, Maximilian Mundt, Verena Altenberger
Production LiseLotte Films in co-production with ZDF – Das kleine Fernsehspiel
Special Mention Stephanie Zurstegge and Joan Besch for BABYSTAR
Best Costume Design€500 cash · VSK, supplemented by the achtung berlin Freund:innenkreis
Recipient Anna-Leena Rieger
Film LUISA (Germany 2025, Director Julia Roesler)
Best Medium-Length FilmVoucher for a shooting location valued at €5,000 · Flatliners
Film THE PLANT FROM THE CANARIES (66 min.)
Director Ruan Lan-Xi
Special Mention EIN KLEINES JAGDLIED by Leon Stanislawski (29 min.)
Best Short Film (ex aequo)€600 cash · sponsored by Shoot’n’Post
Award 1 (ex aequo)
Film DER 6. SOMMER (17 min.)
Directors Rosa Lembeck and Paula Weber
Award 2 (ex aequo)
Film MOTHER OF A SON (20 min.)
Director Kevin Koch
Best Documentary Medium-Length | ShortAG DOK membership (1 year) + 2 seminars valued at €600 · AG DOK
Film VARIATIONS ON HOW TO FARM A CITY (29 min.)
Director Mónica Martins Nunes, in artistic collaboration with Deniz Şimşek
Special Mention ICH ATME DIE GANZE ZEIT by Rosa Gocht (34 min.)
Ecumenical Jury Prize€2,000 cash · Archdiocese of Berlin and Evangelical Church of Berlin-Brandenburg-Silesian Upper Lusatia
Film SECHSWOCHENAMT (Germany 2025)
Director & Screenplay Jacqueline Jansen
Cast Magdalena Laubisch, Gerta Gormanns, Lola Klamroth, Olga Prokot, Suzanne Ziellenbach, Marc Fischer, Markus Forg-Thelen, Patrick Joswig, Julia Schmitt, Wolfgang Klein, Ulrike Marx, Bettina Kaminski, Nicole Marischka, Petra Welteroth, Petra Zembka
Production Filmweh Produktion
Special Mention SCHWARZE HÄUSER by Katrin Sikora (Germany 2026; Tondowski Films in co-production with ZDF – Das kleine Fernsehspiel)
SteinbrennerMüller AwardPress strategy valued at €2,000 · SteinbrennerMüller Kommunikation · out of competition, presented as part of the achtung berlin film pitch
Recipient Ulrich Krischtan
Project Feature film project BAUMARKT

22nd achtung berlin film festival (Festival Trailer)

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