Festival directors Regina Kräh and Sebastian Brose summed up the 22nd edition in their closing message: They could not be “more satisfied” than with the “response we had hoped for—with this very special mix of film-loving cinema-goers and the Berlin film industry, including both young filmmakers and established filmmakers alike.” They continued: “This year’s lineup featured wonderful actors to discover, but also many young filmmakers who have found their own cinematic language, in a wide variety of forms and genres, extending all the way into the competitions for medium-length and short films. Almost always very bold, innovative, and stylistically conscious, and often diverse and inclusive as well.”


The Award for Best Acting — shared equally between two winners
For the eleventh consecutive year, UCM.ONE and its Berlin film label Darling Berlin sponsored the Best Acting Award. It is endowed with 1,000 euros in cash, which is divided equally—500 euros each—between two actors. This year’s feature film jury, consisting of director and writer Christoph Hochhäusler, actress Christina Große, and producer Mariam Shatberashvili, decided on the award. This year, Lana Cooper and Celina Scharff were honored.

The award went to Celina Scharff for her title role in “Luisa” (directed by Julia Roesler; screenplay by Julia Roesler and Silke Merzhäuser; produced by werkgruppe2 Filmproduktion and Hanfgarn & Ufer in co-production with ZDF — Das kleine Fernsehspiel). The film tells the story of a young woman who lives in a residential group for people with disabilities on the outskirts of a small German town, and whose daily life of parties, flirting, and part-time jobs is turned upside down one day when she becomes pregnant without realizing it. What follows is an investigation that the film does not resolve, but leaves open: in what kind of environment sexual violence occurs, who sees it, who overlooks it, and what responsibility an institution bears that cares for both sides. For Celina Scharff, this is her debut in a leading role—and, as those close to the director put it, “the film’s captivating powerhouse.” The fact that the feature film jury also honored “Luisa” in the categories of Best Screenplay, Best Production, and Best Costume Design underscores the film’s cohesive impact.

The award also went to Lana Cooper for her role in “Das Glück der Tüchtigen” by Franz Müller (screenplay by Franz Müller and Marcus Seibert; produced by 2Pilots Filmproduktion and Mizzi Stock Entertainment in co-production with WDR/arte). The story follows Mira—wife, mother, and, most recently, manager of a supermarket—whose carefully balanced life begins to unravel due to a single moment of dishonesty. Alongside Katharina Derr in the lead role, Cooper plays a character who adheres to Mira’s version of events until the question of how much truth a close relationship can withstand becomes her own yardstick
For Lana Cooper, the award has its own history at the same venue. In 2016, Cooper was already honored once for her work at the 12th edition of the achtung berlin filmfestival—at that time in the separate category “Best Actress” for her leading role in “Looping” by Leonie Krippendorff. Ten years later, she receives the acting award from the same festival again, but in a category whose name and structure have changed in the meantime. The difference between “Best Actress 2016” and “Best Performance 2026” is not primarily a biographical entry, but rather a brief journey through time in the country’s award culture.
What is remarkable is the personal touch that Lana Cooper brings to this transformation. In 2021, as part of #actout, she publicly identified as queer in SZ-Magazin alongside 184 other actors and actresses. The manifesto’s core statement—“We are actors and actresses. We don’t have to be what we play”—aligns with the spirit of the award category in which Cooper and Scharff are now being honored together: It recognizes an achievement, not an identity. That the two coincide here is one of the quieter undertones of this award ceremony.
For Cooper, the award at the Berlin International Film Festival also has its own history. As early as 2016, she was honored there for her leading role in Looping by Leonie Krippendorff — at that time still in the separate category “Best Actress.” Ten years later, she receives the same award in a category whose name and structure have changed.
The fact that Lana Cooper is standing on this stage holds special significance for UCM.ONE and Darling Berlin. Since Love Steaks (2013, directed by Jakob Lass)—one of the first defining films from Darling Berlin—her work has been a central part of the label’s milestones: Beat Beat Heart (2016, directed by Luise Brinkmann), which won the Günter Rohrbach Film Prize for Cooper in 2017 and later served as the opening film of achtung berlin, then Kim hat einen Penis (2018, directed by Philipp Eichholtz), another Darling Berlin title and also the festival opener in 2019.
This trend continues into the summer: On August 6, 2026, “Ascend” (German Title: “Flieg Steil”) (2024, directed by Martina Schöne-Radunski and Lana Cooper) will be released nationwide in theaters by UCM.ONE under the Darling Berlin label.
Eleventh Partnership
The connection between UCM.ONE, Darling Berlin and the achtung berlin filmfestival dates back to 2016. Since then, the label has supported the festival as the sponsor of the Best Acting Award and as a close partner. This year, UCM.ONE was also represented in the feature film competition with Plan F (2026, directed by Ina Balon) and in the panel discussion Breaking the Stigma at the Volksbühne’s Grüner Salon.
Winners of the 22nd Achtung Berlin Film Festival
The Award Ceremony at Babylon
| Date | Wednesday, April 22, 2026, 8:30 p.m. |
| Venue | Kino Babylon, Theater 1, Rosa-Luxemburg-Straße 30, 10178 Berlin |
| Host | Franziska von Harsdorf (Actress) |
| Festival Direction | Regina Kräh and Sebastian Brose |
| Scope | 15 awards across 14 categories, total value nearly €30,000 |
| Feature Film Jury | Christoph Hochhäusler (Director and Writer), Christina Große (Actress), Mariam Shatberashvili (Film Producer) |
| Documentary Jury | Esther Buss (Film Critic), Alexander Ghorghiu (Cinematographer), Uli Decker (Director) |
| Medium-Length and Short Film Jury | Franziska von Stenglein (Director), Dela Dabulamanzi (Actress), Romana Janik (Producer) |
| Screenplay Jury | Michael Fetter Natansky (Screenwriter and Director), Franziska Müller (Dramaturge and Screenwriter), Stephanie Bogon (Dramaturge and Editor) |
| Production & Costume Design Jury | Freya Herrmann (Costume Designer), Heike Hütt (Costume Designer), Veronika Grosse (Production Designer), Max Schönborn (Production Designer) |
| Ecumenical Jury | Monika Klapczynski (Head of Media Education, Archdiocese of Berlin), Paula Nowak (Director of Studies for Religious Education and Media Didactics, EKBO), Charlotte Kühn (Religious Education Teacher, Media Educator and Curator), Nir Ferber (Lecturer and Curator) |
Best Feature Film
| Film | SOLO SHOW (Switzerland 2025) |
| Director | Julius Weigel |
| Screenplay | Julius Weigel, Julia Rose Gostynski |
| Cast | Konstantin Schumann, Adriana Möbius, Saladin Dellers, Reinhold G. Moritz, Katharina Hoffmann |
| Production | Motor Productions in co-production with Zürcher Hochschule der Künste (ZHdK) |
Best Documentary
| Film | ACTIVE VOCABULARY (Germany 2025) |
| Director | Yulia Lokshina |
| Production | Yulia Lokshina, Oficina de Objetos Perdidos |
Best Cinematography Documentary
| Recipient | Jacob Kohl |
| Film | TASTE OF SALT (Germany 2025) |
| Director | Raaed Al Kour |
| Production | Viktor Schimpf Filmproduktion, Hochschule für Fernsehen und Film München |
Best Screenplay
| Recipients | Julia Roesler and Silke Merzhäuser |
| Film | LUISA (Germany 2025) |
| Director | Julia Roesler |
| Cast | Celina Scharff, Dennis Seidel, Trixi Strobe, Katharina Bromka, Peter Lohmeyer, Eva Löbau, Bernd Hölscher, Melanie Lux, Michael Schuhmacher, Martin Schnippa |
| Production | werkgruppe2 Filmproduktion, Hanfgarn & Ufer in co-production with ZDF – Das kleine Fernsehspiel |
Best Production
| Recipients | Andrea Ufer, Gunter Hanfgarn (Hanfgarn & Ufer), Silke Merzhäuser, Julia Roesler and Insa Rudolph (werkgruppe2), as well as ZDF – Das kleine Fernsehspiel |
| Film | LUISA (Germany 2025, Director Julia Roesler) |
Best Director
| Recipient | Julius Weigel |
| Film | SOLO SHOW (Switzerland 2025) |
★ Best Performance
For the eleventh consecutive year, UCM.ONE and its Berlin film label Darling Berlin sponsored the Best Performance award. The Feature Film Jury — Christoph Hochhäusler, Christina Große, and Mariam Shatberashvili — selected the recipients.
| Recipient 1: Lana Cooper | |
| Film | DAS GLÜCK DER TÜCHTIGEN (Germany 2025) |
| Director | Franz Müller |
| Screenplay | Franz Müller, Marcus Seibert |
| Cast | Katharina Derr, Alex Brendemühl, Leonidas Emre Pakkan, Lana Cooper, Marie-Lou Sellem |
| Production | 2Pilots Filmproduktion, Mizzi Stock Entertainment in co-production with WDR/arte |
| Recipient 2: Celina Scharff | |
| Film | LUISA (Germany 2025; title role, screen debut) |
| Director | Julia Roesler |
| Screenplay | Julia Roesler, Silke Merzhäuser |
| Production | werkgruppe2 Filmproduktion, Hanfgarn & Ufer in co-production with ZDF – Das kleine Fernsehspiel |
Best Cinematography Feature Film
| Recipient | Rafael Graf |
| Film | SOLO SHOW (Switzerland 2025) |
Best Production Design
| Recipients | Martha Brenner and Felicitas Püls |
| Film | BABYSTAR (Germany 2025) |
| Director | Joscha Bongard |
| Screenplay | Nicole Rüthers, Joscha Bongard |
| Cast | Maja Bons, Bea Brocks, Liliom Lewald, Joy Ewulu, Maximilian Mundt, Verena Altenberger |
| Production | LiseLotte Films in co-production with ZDF – Das kleine Fernsehspiel |
| Special Mention | Stephanie Zurstegge and Joan Besch for BABYSTAR |
Best Costume Design
| Recipient | Anna-Leena Rieger |
| Film | LUISA (Germany 2025, Director Julia Roesler) |
Best Medium-Length Film
| Film | THE PLANT FROM THE CANARIES (66 min.) |
| Director | Ruan Lan-Xi |
| Special Mention | EIN KLEINES JAGDLIED by Leon Stanislawski (29 min.) |
Best Short Film (ex aequo)
| Award 1 (ex aequo) | |
| Film | DER 6. SOMMER (17 min.) |
| Directors | Rosa Lembeck and Paula Weber |
| Award 2 (ex aequo) | |
| Film | MOTHER OF A SON (20 min.) |
| Director | Kevin Koch |
Best Documentary Medium-Length | Short
| Film | VARIATIONS ON HOW TO FARM A CITY (29 min.) |
| Director | Mónica Martins Nunes, in artistic collaboration with Deniz Şimşek |
| Special Mention | ICH ATME DIE GANZE ZEIT by Rosa Gocht (34 min.) |
Ecumenical Jury Prize
| Film | SECHSWOCHENAMT (Germany 2025) |
| Director & Screenplay | Jacqueline Jansen |
| Cast | Magdalena Laubisch, Gerta Gormanns, Lola Klamroth, Olga Prokot, Suzanne Ziellenbach, Marc Fischer, Markus Forg-Thelen, Patrick Joswig, Julia Schmitt, Wolfgang Klein, Ulrike Marx, Bettina Kaminski, Nicole Marischka, Petra Welteroth, Petra Zembka |
| Production | Filmweh Produktion |
| Special Mention | SCHWARZE HÄUSER by Katrin Sikora (Germany 2026; Tondowski Films in co-production with ZDF – Das kleine Fernsehspiel) |
SteinbrennerMüller Award
| Recipient | Ulrich Krischtan |
| Project | Feature film project BAUMARKT |
Weiteren Informationen zum Festival und dem Programm: achtung berlin
Weiteren Informationen über das Filmlabel: Darling Berlin

