Comments on the film (selection)
‘A DRIFTING, DREAMLIKE IRISH FABLE ABOUT ESCAPE – WITH A TOUCH OF KAFKA
It’s an experimental piece, drifting and dreamlike – though it refuses to say whether it’s a good dream or a bad one – shot in black and white, with little bursts of colour Super 8.’ (Peter Bradshaw, THE GUARDIAN) [October 10, 2022]
‘ROBERT MANSON’S HOLY ISLAND AS AN EXCITING CHANGE IN IRISH CINEMA
Robert Manson has created a powerful, compelling film with Holy Island. It is at once familiar and eerie. It is reminiscent of so many Irish films made before it, but is undoubtedly and decidedly unlike anything that has come before. It has avant-garde tendencies that have been under-utilised in Irish cinema. I have no doubt that this film will be well received internationally and I sincerely hope that domestic audiences will welcome it warmly as it marks an exciting shift in the direction of Irish film.’ (Rachel Gough, FILM Ireland Online) [December 16, 2021],
‘HOLY ISLAND: AN ENIGMATIC IRISH PICARESQUE
Holy Island is at its best when it indulges in absurdity and plays imaginatively with language. It’s a sometimes playful, sometimes twisted evocation of a culture with the gift of speech, and its verbal landscape is a potent purgatory for the uncommunicative David. Manson makes a contribution to the tradition of language as a site of modern adventurism and satire, which in Ireland stretches back to Joyce and O’Brien.’ (Ruairí McCann, British Film Institute) [November 02, 2022]