{"id":83825,"date":"2022-11-13T20:31:58","date_gmt":"2022-11-13T20:31:58","guid":{"rendered":"https:\/\/ucm.one\/before-sundown1956-by-gottfried-reinhardt-b-spree-classics\/"},"modified":"2023-01-30T07:48:04","modified_gmt":"2023-01-30T07:48:04","slug":"before-sundown","status":"publish","type":"page","link":"https:\/\/ucm.one\/en\/before-sundown\/","title":{"rendered":"Before Sundown (1956) by Gottfried Reinhardt | B-Spree Classics"},"content":{"rendered":"

[vc_row css=”.vc_custom_1561374765584{margin-top: 20px !important;}”][vc_column width=”3\/4″ css=”.vc_custom_1561378576831{padding-right: 30px !important;}”][vc_column_text]<\/p>\n

Bevor Sundown:<\/span><\/h1>\n

[\/vc_column_text][vc_column_text]Director Gottfried Reinhardt’s film Before<\/strong> Sundown<\/strong>, available on the B-Spree Classics<\/strong> film label, is an atmospheric drama starring Hans<\/strong> Albers<\/strong> and Annemarie<\/strong> D\u00fcringer<\/strong>. The film is based on a play by Gerhardt<\/strong> Hauptmann<\/strong> and describes the bittersweet romance between the aging Mathias Clausen and the young, beautiful Inken Peters.[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”80862″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”80871″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_column_text]Summary<\/span><\/p>\n

It is the 70th birthday of Matthias Clausen. He celebrates it with his family, whom he hates. He knows that everyone wants him to die soon and hopes that this birthday will mark the last stage in his life.<\/p>\n

Everyone is eagerly awaiting the great inheritance. Clausen, head of an automotive company and honorable citizen of his hometown, is showered with honors. In the evening, he is glad that the day is over. Clausen deeply resents his relatives, his daughter Ottilie and son-in-law Erich Klamroth, who heads the company, and his son Wolfgang Clausen. He distrusts them and reckons with all conceivable meanness. Only Egbert, the youngest in the family, meets him openly and without falsehood. Then Matthias meets a young woman, Inken Peters. She is fresh, sympathetic and accepts the old man as he is. He hires the young lady as his private secretary. This shakes the rest of the family badly. The fact that the old man might once again walk on his own two feet is out of the question. That would endanger the great inheritance for everyone. Now the hatred for the old man comes to the surface. So the family council has to meet, apart from Egbert, who does not take part in these intrigues. It is decided to have the old man incapacitated. Inken Peters is openly insulted as a legacy hunter. Matthias Clausen is outraged. His excitement leads to a heart attack, as his health is already failing. Inken begs him to leave this house full of envy, greed and hate as soon as possible. Before the two can put their plan into action, Matthias Clausen dies of another fainting spell. Inken is now faced with a shambles.[\/vc_column_text][vc_single_image image=”80859″ img_size=”full” onclick=”link_image”][vc_column_text]Production notes<\/span><\/p>\n

The material by Gerhart<\/strong> Hauptmann<\/strong> was already filmed in 1936 by Veit Harlan<\/strong>, starring Emil Jannings. This film, entitled “The<\/strong> Ruler<\/strong>,” had strong National Socialist tendencies. Today it is the property of the Friedrich Wilhelm Murnau Foundation<\/strong> and is considered a reserved film. It may not be shown to a wide audience.<\/p>\n

This remake was shot in 1956 in Berlin, St. Moritz and Vienna. It was directed by Gottfried<\/strong> Reinhardt<\/strong>, son of Max<\/strong> Reinhardt<\/strong>, the great theater entrepreneur, who had just returned from the USA. This also tipped the scales in favor of casting Annemarie<\/strong> D\u00fcringer<\/strong>, a high-profile theater actress, for the role of Inken Peters, although film stars such as Marianne<\/strong> Koch<\/strong>, Gertrud<\/strong> K\u00fcckelmann<\/strong>, Ulla<\/strong> Jacobsen<\/strong> or Maria Schell<\/strong> would have been available.
\n[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”80865″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”80868″ img_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_column_text]About Gottfried Reinhardt<\/span><\/p>\n

The son of theater entrepreneur Max<\/strong> Reinhardt<\/strong> and actress Else<\/strong> Heims<\/strong>, Gottfried<\/strong> Reinhardt<\/strong> was born in Berlin on March 20, 1913. After graduating from high school, he became an actor and director at the Deutsches<\/strong> Theater<\/strong> in Berlin<\/strong>, which was directed by his father. In 1932 Gottfried Reinhardt went to the USA for study purposes. After the Nazis seized power in early 1933, he did not return to Germany. Reinhardt looked for a job in order to have a livelihood in the USA. Director Ernst<\/strong> Lubitsch<\/strong>, who had also emigrated to the U.S., employed him as an assistant director. Later, he signed a contract with MGM<\/strong> as a production assistant. From 1940 he worked as a producer. In 1941 Gottfried Reinhardt, who had become a US citizen in the meantime, was drafted for military service. He remained in the US<\/strong> Army<\/strong> until the end of the war. In 1952 he made his directorial debut in the USA with the film “Geborgtes<\/strong> Gl\u00fcck<\/strong>“. He then made two more films in the U.S. and did not return to Germany until 1956.[\/vc_column_text][vc_column_text css=”.vc_custom_1649550880225{margin-bottom: -5px !important;}”]
\nFilmography (excerpt)<\/span>
\n[\/vc_column_text][vc_empty_space height=”16px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
1953<\/span><\/td>\nInvitation | Geborgtes Gl\u00fcck<\/span><\/td>\n<\/tr>\n
<\/td>\nThe Story of Three Loves | War es die gro\u00dfe Liebe<\/span><\/td>\n<\/tr>\n
1954<\/span><\/td>\nBetrayed | Verraten<\/span><\/td>\n<\/tr>\n
1956<\/span><\/td>\nBefore Sundown | Vor Sonnenuntergang<\/span><\/td>\n<\/tr>\n
1959<\/span><\/td>\nGrand Hotel) | Menschen im Hotel<\/span><\/td>\n<\/tr>\n
<\/td>\nFarewell to the Clouds <\/span>| Abschied in den Wolken<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
1960<\/span><\/td>\nSweetheart of the Gods | Liebling der G\u00f6tter<\/span><\/td>\n<\/tr>\n
1961<\/span><\/td>\nTown Without Pity | Stadt ohne Mitleid<\/span><\/td>\n<\/tr>\n
<\/td>\nEveryman | Jedermann<\/span><\/td>\n<\/tr>\n
1963<\/span><\/td>\nEleven Years and One Day | Elf Jahre und ein Tag<\/span><\/td>\n<\/tr>\n
1965<\/span><\/td>\nSituation Hopeless… But Not Serious | Lage hoffnungslos, aber nicht ernst<\/span><\/td>\n<\/tr>\n
1973<\/span><\/td>\nDer gro\u00dfe Zauberer | (lit.) The Great Magician<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]With his first directorial effort in Germany, the film adaptation of the drama “Vor<\/strong> Sonnenuntergang<\/strong>” (“Before<\/strong> Sunset<\/strong>“) based on a play by Gerhart<\/strong> Hauptmann<\/strong>, Reinhardt immediately succeeded in creating a real blockbuster. Today, the film is one of the best films produced in Germany in the post-war period. His other films shot in Germany were also highly acclaimed top productions. His 1961 courtroom film “Stadt<\/strong> ohne<\/strong> Mitleid<\/strong>” was particularly outstanding. After his last feature film “Situation<\/strong> hopeless<\/strong>, but not serious<\/strong>” with Sir Alec Guinness in 1965, he worked only for television. There he realized a documentary about his father Max Reinhardt under the title “The<\/strong> Great<\/strong> Magician<\/strong>“. This was a long cherished wish of his. Gottfried Reinhardt died on July 18, 1994 in Los Angeles.[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1561379511981{margin-top: 10px !important;margin-bottom: 30px !important;background-color: #efefef !important;}”][vc_single_image image=”80534″ img_size=”full” onclick=”link_image” css=”.vc_custom_1668371037183{padding-top: 15px !important;}”][vc_column_text css=”.vc_custom_1675064638118{margin-top: -10px !important;}”]Title<\/strong>: Before Sunset<\/p>\n

Original<\/strong> title<\/strong>: Vor Sonnenuntergang<\/p>\n

Director<\/strong>: Gottfried Reinhardt<\/p>\n

Book<\/strong>: Gerhart Hauptmann (play)<\/p>\n

Screenplay<\/strong>: Jochen Huth<\/p>\n

Actors<\/strong>: Hans Albers, Annemarie D\u00fcringer, Martin Held, Hannelore Schroth, Claus Biederstaedt, Maria Becker, Erich Schellow, Inge Langen, Wolfgang Preiss, Hans Nielsen, Johanna Hofer, Kurt Vespermann, Reinhold Pasch, Franz Weber<\/p>\n

Producer<\/strong>: Artur Brauner<\/p>\n

Executive<\/strong> producer<\/strong>: Wilhelm Sperber<\/p>\n

Camera<\/strong>: Kurt Hasse<\/p>\n

Technique<\/strong>: Arthur Grimm, Bob Klebig, Henry Rup\u00e9<\/p>\n

Sound<\/strong>: Erwin Sch\u00e4nzle<\/p>\n

Editing<\/strong>: Olivier Mauffroy<\/p>\n

Make<\/strong>–up<\/strong>: Sabine Brodt, Hans Dublies, Willi Nixdorf<\/p>\n

Costumes<\/strong>: Maria Brauner<\/p>\n

Music<\/strong>: Werner Eisbrenner<\/p>\n

 <\/p>\n

Production<\/strong> Company<\/strong>: Central Cinema Company Film (CCC)<\/p>\n

Production<\/strong> year<\/strong>: 1956<\/p>\n

Locations<\/strong>: CCC studio (Berlin-Spandau, Germany), St. Moritz (Canton Grisons, Switzerland), Vienna (Austria)<\/p>\n

Genre<\/strong>: Drama<\/p>\n

Country<\/strong>: Germany<\/p>\n

Language<\/strong>: German<\/p>\n

 <\/p>\n

Length<\/strong>: 103 min<\/p>\n

FSK<\/strong>: 12<\/p>\n

Aspect<\/strong> ratio<\/strong>: 1.33 : 1<\/p>\n

Color<\/strong>: black and white<\/p>\n

Sound<\/strong>: mono<\/p>\n

Resolution<\/strong>: Full-HD[\/vc_column_text][vc_separator color=”custom” accent_color=”#a0a0a0″][vc_column_text]Other titles:<\/em><\/p>\n

English<\/strong>: Before Sundown<\/p>\n

Finnish<\/strong>: Ennen auringonlaskua<\/p>\n

Norwegian<\/strong>: F\u00f8r solnedgang<\/p>\n

Hungarian<\/strong>: Naplemente el\u0151tt<\/p>\n

Russian<\/strong>: \u041f\u0435\u0440\u0435\u0434 \u0437\u0430\u0445\u043e\u0434\u043e\u043c \u0441\u043e\u043b\u043d\u0446\u0430<\/p>\n

Serbian<\/strong>: Pred zalazak sunca[\/vc_column_text][vc_separator color=”custom” accent_color=”#a0a0a0″][vc_column_text]Awards:<\/em><\/p>\n

1956 Berlinale<\/strong>: Audience Award “Golden Bear” -> Gottfried Reinhardt; also nominations for Claus Biederstaedt, Hans Albers and Annemarie D\u00fcringer each as Best Actor:in for the Silver Bear.<\/em><\/p>\n

1957 Golden Globe<\/strong>: Best Non-English Film -> Before Sunset[\/vc_column_text][vc_separator color=”custom” accent_color=”#a0a0a0″][vc_column_text]Filmlabel<\/strong>: B-Spree Classics<\/p>\n

 <\/p>\n

Theatrical start:<\/strong> July 06, 1956<\/p>\n

VHS<\/strong> release<\/strong>: November 12, 1988<\/p>\n

Mediabook release:<\/strong> November 11, 2022[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][vc_column_text]
\nAbout Hans Albers<\/span><\/p>\n

Hans Philipp August Albers<\/strong> was born on September 22, 1891, the son of a butcher in Hamburg St. Georg. He attended a secondary school in the Uhlenhorst district of Hamburg. When a teacher beat him up, he retaliated and sent him to the boards with a well-aimed hook to the chin. The consequence: expulsion from school. He also had similar problems at his new school in St. Georg. Beating teachers was something normal at the time, but for Hans Albers it was anathema. Albers fought back. His father sent Hans Albers to Frankfurt<\/strong> am<\/strong> Main<\/strong>, where he completed an apprenticeship as a merchant. He began his theater career at the local New<\/strong> Theater<\/strong>. At the same time he took acting lessons, which were secretly financed by his mother. His father was not allowed to know. In 1915 Albers was drafted into the military and had to fight in World War I on the Western Front. He was seriously wounded and was sent to a hospital in Wiesbaden. The loss of a leg was imminent. But the doctors were able to save it. After his recovery he appeared in Wiesbaden at the local theater in comedy plays and operettas.
\n[\/vc_column_text][vc_single_image image=”80798″ img_size=”full” onclick=”link_image”][vc_column_text]In 1917 he moved to Berlin, where he came into contact with the new medium of film. He appeared in over 100 silent films before getting his first sound film role in 1929 in the film “Die Nacht geh\u00f6rt uns<\/strong>“. The very next film made him finally known worldwide. “The<\/strong> Blue<\/strong> Angel<\/strong>” became a worldwide success and also a great success for Hans Albers. In the following years Albers took part in several top-class film productions. Films such as “The<\/strong> Man Who Was Sherlock Holmes<\/strong>,” “Munchausen<\/strong>,” “Water for Canitog<\/strong>a” and “Great<\/strong> Freedom<\/strong> No<\/strong>. 7<\/strong>” all became worldwide successes. Hans Albers, who had a very distanced relationship with the Nazi regime, stayed away from Nazi celebrities as much as he could. He never appeared in public with any of these people, even canceling the public acceptance of an acting award from the hand of Joseph<\/strong> Goebbels<\/strong>. Because of these cancellations and the fact that he was involved with the Jewish actress Hansi Burg,<\/strong> he suffered from reprisals. When it became dangerous for Hansi Burg in Germany in 1939, Hans Albers took her to England. Only after the war was she able to return to Albers’ domicile, Garatshausen on Lake Starnberg.[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”80804″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”80801″ img_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_column_text]Hans Albers was the big movie star of the 1930s and 1940s. Even after the war, that did not change. In films such as “Vor<\/strong> Sonnenuntergang<\/strong>” and “Der Mann im Strom<\/strong>,” he still showed his great art as a character actor. Albers also had cult status as a pop singer<\/strong>. He promoted his songs through his films very early on. His very big hits were “La<\/strong> Paloma<\/strong>“, “Flieger gr\u00fc\u00df mir die Sonne<\/strong>” , “Goodbye Johnny<\/strong>” and “Jawohl meine Herrn<\/strong>“. After the end of the shooting of his last film in 1960 “Kein<\/strong> Engel<\/strong> ist<\/strong> so<\/strong> rein<\/strong>“, he played theater in Vienna. During a performance of the operetta “Katharina<\/strong> Knie<\/strong>” in February 1960, Albers fell heavily on stage. The consequences of the fall were severe internal injuries. He was taken to a hospital in Berg am Starnberger See. He died there as a result of his accident on July 24, 1960, and was buried in the cemetery in Hamburg Ohlsdorf. Hans Albers was one of the greats of German cinema. He was a superstar and a heartthrob. However, he remained unmarried and was faithful to his great love Hansi Burg until his death.[\/vc_column_text][vc_column_text css=”.vc_custom_1649550880225{margin-bottom: -5px !important;}”]
\nFilmography (excerpt)<\/span>
\n[\/vc_column_text][vc_empty_space height=”16px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
1929<\/span><\/td>\nAsphalt<\/span><\/td>\n<\/tr>\n
<\/td>\nThe Night Belongs to Us | Die Nacht geh\u00f6rt uns<\/span><\/td>\n<\/tr>\n
1930<\/span><\/td>\nThe Blue Angel | Der blaue Engel<\/span><\/td>\n<\/tr>\n
1931<\/span><\/td>\nBombs on Monte Carlo | Bomben auf Monte Carlo<\/span><\/td>\n<\/tr>\n
1932<\/span><\/td>\nF.P.1 Doesn’t Respond | F. P. 1 antwortet nicht<\/span><\/td>\n<\/tr>\n
1934<\/span><\/td>\nPeer Gynt<\/span><\/td>\n<\/tr>\n
1937 <\/span><\/td>\nThe Man Who Was Sherlock Holmes | Der Mann, der Sherlock Holmes war<\/span><\/td>\n<\/tr>\n
1939<\/span><\/td>\nWater for Canitoga | Wasser f\u00fcr Canitoga<\/span><\/td>\n<\/tr>\n
1940 <\/span><\/td>\nTre<\/span>nck<\/span>, the Pandur<\/span><\/td>\n<\/tr>\n
1943<\/span><\/td>\nM\u00fcnchhausen<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
1944<\/span><\/td>\nGreat Freedom No. 7 | Gro\u00dfe Freiheit Nr. 7<\/span><\/td>\n<\/tr>\n
1947<\/span><\/td>\nAnd the Heavens Above Us | … und \u00fcber uns der Himmel<\/span><\/td>\n<\/tr>\n
1950 <\/span><\/td>\nThe White Hell of Pitz Palu | F\u00f6hn<\/span><\/td>\n<\/tr>\n
<\/td>\nChased by the Devil | Vom Teufel gejagt<\/span><\/td>\n<\/tr>\n
1954<\/span><\/td>\nOn the Reeperbahn at Half Past Midnight | Auf der Reeperbahn nachts um halb eins<\/span><\/td>\n<\/tr>\n
1956<\/span><\/td>\nBefore Sundown | Vor Sonnenuntergang<\/span><\/td>\n<\/tr>\n
1957<\/span><\/td>\nThe Mad Bomberg | Der tolle Bomberg<\/span><\/td>\n<\/tr>\n
<\/td>\nThe Copper | Der Greifer<\/span><\/td>\n<\/tr>\n
1958<\/span><\/td>\nMan in the River | Der Mann im Strom<\/span><\/td>\n<\/tr>\n
1960<\/span><\/td>\nKein Engel ist so rein | (lit.) No angel is so pure<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_single_image image=”80807″ img_size=”full” onclick=”link_image”][vc_column_text]
\nAbout Annemarie D\u00fcringer<\/span><\/p>\n

Annemarie D\u00fcringer<\/strong> was born on November 26, 1925 in Arlesheim in the canton of Basel (Switzerland). She grew up in Bern. After a commercial apprenticeship, she attended several acting schools in Paris and Vienna. In 1949 she was appointed to the Vienna<\/strong> Burgtheater<\/strong>, where she acted until shortly before her death. She repeatedly made guest<\/strong> appearances<\/strong> at theaters<\/strong> in Berlin<\/strong>, Munich<\/strong> and Salzburg<\/strong>. Annemarie D\u00fcringer was one of the very great theater actresses of the 20th century in the German-speaking world. Occasionally she also appeared in feature films, but she chose her roles carefully.
\n[\/vc_column_text][vc_column_text]
\nIn her native country, Switzerland, she often stood in front of the film camera, but these films are not very well known in Germany. In Germany, Annemarie D\u00fcringer appeared in very important films, such as “Nachts, wenn der Teufel kam<\/strong>“, “Vor<\/strong> Sonnenuntergang<\/strong>“, “Der<\/strong> 20<\/strong>. Juli<\/strong>” or “Der<\/strong> L\u00fcgner<\/strong>“. From the 1960s she also worked occasionally for television. Annemarie D\u00fcringer was highly decorated as a theater actress. She was the holder of the Alma Seidler Ring<\/strong>, the Hans Reinhart Ring<\/strong> and the Grand Decoration of Honor of the Republic of Austria<\/strong>, among a number of other awards. She received the Federal<\/strong> Film<\/strong> Award<\/strong> for her film role in “Nachts wenn der Teufel kam<\/strong>“. Annemarie D\u00fcringer died on November 26, 2014, her 89th birthday, in Baden near Vienna.
\n[\/vc_column_text][vc_row_inner css=”.vc_custom_1600112369599{margin-top: -12px !important;}”][vc_column_inner width=”1\/2″][vc_single_image image=”80810″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”80813″ img_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_column_text css=”.vc_custom_1649550880225{margin-bottom: -5px !important;}”]
\nFilmography (excerpt)<\/span>
\n[\/vc_column_text][vc_empty_space height=”16px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
1953<\/span><\/td>\nDu bist die Welt f\u00fcr mich | (lit.) You are the world for me<\/span><\/td>\n<\/tr>\n
1955<\/span><\/td>\nThe Plot to Assassinate Hitler | Der 20. Juli<\/span><\/td>\n<\/tr>\n
1956<\/span><\/td>\nBefore Sundown | Vor Sonnenuntergang<\/span><\/td>\n<\/tr>\n
1957<\/span><\/td>\nThe Devil Strikes at Night | Nachts, wenn der Teufel kam<\/span><\/td>\n<\/tr>\n
1961<\/span><\/td>\nThe Liar | Der L\u00fcgner<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n\n
1977<\/td>\nThe Lacemaker | Die Spitzenkl\u00f6pplerin<\/span><\/td>\n<\/tr>\n
1982<\/span><\/td>\nVeronika Voss | Die Sehnsucht der Veronika Voss<\/span><\/td>\n<\/tr>\n
2009<\/span><\/td>\nVision | Vision, aus dem Leben von Hildegard von Bingen<\/span><\/td>\n<\/tr>\n
2013<\/span><\/td>\nLovely Louise<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]About Martin Held<\/span><\/p>\n

Martin Erich Fritz Held<\/strong> was born in Berlin on November 11, 1908. After an apprenticeship as a precision mechanic with the Siemens company, Held studied performing arts at the Berlin University of the Arts<\/strong>. After graduating in 1931, Held acted in several theaters in northern and eastern Germany. In 1951 he returned to Berlin and became a permanent member of the ensemble of the Staatliche<\/strong> Schauspielb\u00fchne<\/strong>. Held remained a member of the ensemble there until his death. However, he had to largely cease his active stage work in 1985 due to his diabetes. He only appeared in small roles. He now worked increasingly as a narrator in radio play productions<\/strong> or gave poetry<\/strong> readings<\/strong>. Until his death, he took part in more than 120 radio play productions, making him one of the busiest radio play actors to this day. Martin Held was also a sought-after dubbing artist<\/strong>.[\/vc_column_text][vc_single_image image=”80817″ img_size=”full” onclick=”link_image”][vc_column_text]As a film actor, Martin Held appeared in front of the camera in some of the most important German films after World War 2. Martin Held played major roles in films critical of the times, especially in the 1950s. Well known are his portrayals of Reinhard Heydrich in “Canaris<\/strong>“, Erich Gimpel in “Spy<\/strong> for Germany<\/strong>“, the senior public prosecutor Wilhelm Schramm in “Roses for the Public Prosecutor<\/strong>“, as well as the mischievous retired senior court judge Herbert Z\u00e4nker in “The<\/strong> Gentlemen<\/strong> with<\/strong> the<\/strong> White<\/strong> Vest<\/strong>“. From 1955 Held also appeared in a large number of television productions. Martin Held received many honors and awards for his acting. Among many others, these were the “German<\/strong> Critics<\/strong> Award<\/strong>“, “Filmband<\/strong> in<\/strong> Gold<\/strong>“, “Bundesverdienstkreuz<\/strong> 1. Klasse<\/strong>“, as well as a “Golden<\/strong> Camera<\/strong>“. Martin Held died on January 31, 1992 in Berlin.[\/vc_column_text][vc_column_text css=”.vc_custom_1649550880225{margin-bottom: -5px !important;}”]
\nFilmography (excerpt)<\/span>
\n[\/vc_column_text][vc_empty_space height=”16px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
1951<\/span><\/td>\nDark Eyes | Schwarze Augen<\/span><\/td>\n<\/tr>\n
1954 <\/span><\/td>\nCanaris Master Spy | Canaris<\/span><\/td>\n<\/tr>\n
1955<\/span><\/td>\nAlibi<\/span><\/td>\n<\/tr>\n
1956<\/td>\nBefore Sundwon |Vor Sonnenuntergang<\/span><\/td>\n<\/tr>\n
<\/td>\nDer Hauptmann aus K\u00f6penick\u00a0 | Der Hauptmann von K\u00f6penick<\/span><\/td>\n<\/tr>\n
<\/td>\nSpy for Germany | Spion f\u00fcr Deutschland<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n\n
1959 <\/span><\/td>\nRoses for the Prosecutor | Rosen f\u00fcr den Staatsanwalt<\/span><\/td>\n<\/tr>\n
1960<\/span><\/td>\nThe Last Witness | Der letzte Zeuge<\/span><\/td>\n<\/tr>\n
1970<\/span><\/td>\nGentlemen in White Vests | Die Herren mit der wei\u00dfen Weste<\/span><\/td>\n<\/tr>\n
1973<\/span><\/td>\nNight Flight from Moscow | Die Schlange<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]
\nAbout Hannelore Schroth<\/span><\/p>\n

Hanne Lore Emilie K\u00e4te Grete Schroth<\/strong> was born in Berlin on January 10, 1922, the daughter of the acting couple Heinrich<\/strong> Schroth<\/strong> and K\u00e4the<\/strong> Haack<\/strong>. Her mother, already a top German star at the time, took her to the stage as a child. There she played small children’s roles. She completed an acting<\/strong> training<\/strong> in Lausanne<\/strong>. From 1938, at the age of 16, she starred in motion pictures and was cast in a number of top films. In between, Hannelore Schroth played the theater again and again. She appeared on all the major German stages.
\n[\/vc_column_text][vc_single_image image=”80827″ img_size=”full” onclick=”link_image”][vc_column_text]
\nShe became known to a wide audience through her television appearances from the early 1960s. She appeared in several episodes of the series “Derrick<\/strong>“, “Das<\/strong> Kriminalmuseum<\/strong>“, “Tatort<\/strong>“, as well as in various TV movies. Hannelore Schroth was in great demand as a dubbing<\/strong> artist<\/strong>. She gave her voice to big Hollywood screen stars such as Shirley<\/strong> MacLaine<\/strong>, Elizabeth<\/strong> Taylor<\/strong>, Gina<\/strong> Lollobrigida<\/strong> and Paulette<\/strong> Goddard<\/strong>. Hannelore Schroth died of heart failure in her Munich apartment on July 7, 1987, one year after her mother K\u00e4the Haack, at the age of 65.
\n[\/vc_column_text][vc_column_text css=”.vc_custom_1649550880225{margin-bottom: -5px !important;}”]
\nFilmography (excerpt)<\/span>
\n[\/vc_column_text][vc_empty_space height=”16px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n
1939<\/span><\/td>\nKitty and the World Conference | Kitty und die Weltkonferenz<\/span><\/td>\n<\/tr>\n
1940<\/span><\/td>\nFriedrich Schiller \u2013 The Triumph of a Genius | Friedrich Schiller, Trium<\/span>ph<\/span> eines Genies<\/span><\/td>\n<\/tr>\n
1945 <\/span><\/td>\nUnder the Bridges | Unter den Br\u00fccken<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n
1956<\/span><\/td>\nBefore Sundown | Vor Sonnenuntergang<\/span><\/td>\n<\/tr>\n
<\/td>\nThe Captain from K\u00f6penick | Der Hauptmann von K\u00f6penick<\/span><\/td>\n<\/tr>\n
1960<\/span><\/td>\nSweetheart of the Gods | Liebling der G\u00f6tter<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]About Claus Biederstaedt<\/span><\/p>\n

Claus<\/strong> Biederstaedt<\/strong>, born on June 28, 1928 in Stargard (Pomerania), grew up in a family of artists. His father was a teacher of music at the high school in Stargard, and his mother was a singer. The happy family life was destroyed by the turmoil of the 2nd World War. The father, being a reserve officer, had to go to war. Claus was also drafted into the Wehrmacht at the age of 15 and served as a flak helper. Afterwards he had to go to the Eastern Front. On the retreat, he was just able to escape the advancing Russian troops. His mother took her own life while fleeing from Pomerania, believing that her son Claus had been killed in action. After the war, Claus Biederstaedt met his father again and moved with him to Hamburg. There he caught up on his A-levels<\/strong> and began to study medicine<\/strong>, but dropped out after four semesters.[\/vc_column_text][vc_single_image image=”80837″ img_size=”full” onclick=”link_image”][vc_column_text]He met the actor Will<\/strong> Quadflieg<\/strong> and took acting lessons with him. After graduating, Biederstaedt went to the theater, first in Hamburg, and later at theaters in various German cities. He also worked as a theater director. His career in German cinema was very varied. Many films in which he participated were light and simple entertainment and music films for the general public. They were mainly films without any pretensions. However, a few films belong to the cream of post-war German cinema.[\/vc_column_text][vc_column_text css=”.vc_custom_1649550880225{margin-bottom: -5px !important;}”]
\nFilmography (excerpt)<\/span>
\n[\/vc_column_text][vc_empty_space height=”16px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n\n
1952<\/span><\/td>\nThe Great Temptation | Die gro\u00dfe Versuchung<\/span><\/td>\n<\/tr>\n
1954 <\/span><\/td>\nThe Life of Surgeon Sauerbruch | Sauerbruch, das war mein Leben<\/span><\/td>\n<\/tr>\n
1955<\/span><\/td>\nChildren, Mother, and the General | Kinder, M\u00fctter und ein General<\/span><\/td>\n<\/tr>\n
<\/td>\nThree Men in the Snow | Drei M\u00e4nner im Schnee<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n\n
1956<\/span><\/td>\nCharley’s Aunt | Charleys Tante<\/span><\/td>\n<\/tr>\n
<\/td>\nBefore Sundown | Vor Sonnenuntergang<\/span><\/td>\n<\/tr>\n
1965<\/span><\/td>\nHotel der toten G\u00e4ste | (lit.) Hotel of dead guests\u00a0<\/span><\/td>\n<\/tr>\n
1974<\/span><\/td>\nSchwarzwaldfahrt aus Liebeskummer | (lit.) Black forest trip for love sorrow<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]For his film debut “Die<\/strong> gro\u00dfe<\/strong> Versuchung<\/strong>” (The Great Temptation), he immediately received the Federal Film Award as best young actor. From the early 1960s to the mid-1990s, Biederstaedt worked a great deal for German television. He appeared in around 60 television productions during these years. His last television appearance was in 2011 in the documentary<\/strong> about the revue dancer Germaine Damar<\/strong>. Claus Biederstaedt fell seriously ill with cancer and had to stop all his activities. On June 18, 2020, he died as a result of his cancer in Eichenau (Upper Bavaria), just 10 days before his 92nd birthday.[\/vc_column_text][vc_column_text]About Wolfgang Preiss<\/span><\/p>\n

Wolfgang<\/strong> Preiss<\/strong> was born in Nuremberg on February 27, 1910. Among other things, he studied theater and took acting lessons on the side. From 1932 to the war year 1941 Preiss played<\/strong> at<\/strong> different<\/strong> German<\/strong> stages<\/strong>, among other things in Berlin<\/strong>, Munich<\/strong>, K\u00f6nigsberg<\/strong> and Stuttgart<\/strong>. Then he too had to go to war. He first served as a flak helper, which enabled him to remain in Berlin. This also allowed him to make his film debut, specially exempted by the Wehrmacht, in the film “Die<\/strong> gro\u00dfe<\/strong> Liebe<\/strong>” alongside Zarah<\/strong> Leander<\/strong>. Already in his first film he impersonated a German officer. This role was to become his trademark in many of his films and television productions. After the end of the war, Preiss initially worked at the theater again.[\/vc_column_text][vc_single_image image=”80846″ img_size=”full” onclick=”link_image”][vc_column_text]Alfred<\/strong> Weidenmann<\/strong> brought Preiss back to film in 1954 and cast him again in an officer’s role in “Canaris<\/strong>.” The following year, Wolfgang Preiss made his final breakthrough in film in the role of Hitler assassin Claus Graf Schenk von Stauffenberg. This role in Falk<\/strong> Harnack’s<\/strong> film “Der 20. Juli<\/strong>” brought Wolfgang Preiss great popularity with cinema audiences and also the Federal<\/strong> Film<\/strong> Award<\/strong> as a silver film ribbon<\/strong>. Now Preiss was also cast in international productions and Hollywood films. He played alongside Jean-Paul Belmondo<\/strong> in “The Cardinal<\/strong>“, with Burt<\/strong> Lancaster<\/strong> in “The<\/strong> Train<\/strong>“, and alongside Trevor Howard<\/strong> and Frank Sinatra<\/strong> in “Colonel von Ryan’s Express<\/strong>“. Preiss also played significant roles in other major productions such as “The Longest Day<\/strong>,” “The Bridge of Arnhem<\/strong>” and “Burning<\/strong> Paris<\/strong>.”[\/vc_column_text][vc_column_text css=”.vc_custom_1649550880225{margin-bottom: -5px !important;}”]
\nFilmography (excerpt)<\/span>
\n[\/vc_column_text][vc_empty_space height=”16px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
1942<\/span><\/td>\nThe Great Love | Die gro\u00dfe Liebe<\/span><\/td>\n<\/tr>\n
1954<\/span><\/td>\nCanaris<\/span><\/td>\n<\/tr>\n
1955<\/span><\/td>\n The Plot to Assassinate Hitler | Der 20. Juli<\/span><\/td>\n<\/tr>\n
<\/td>\nDoctor Solm | Oberarzt Dr. Solm<\/span><\/td>\n<\/tr>\n
1956 <\/span><\/td>\nBefore Sundown | Vor Sonnenuntergang<\/span><\/td>\n<\/tr>\n
<\/td>\nStresemann<\/span><\/td>\n<\/tr>\n
1958<\/span><\/td>\nThe Green Devils of Monte Cassino | Die gr\u00fcnen Teufel von Monte Cassino<\/span><\/td>\n<\/tr>\n
1959 <\/span><\/td>\nStalingrad: Dogs, Do You Want to Live Forever? | Hunde, wollt ihr ewig leben<\/span><\/td>\n<\/tr>\n
<\/td>\nRoses for the Prosecutor | Rosen f\u00fcr den Staatsanwalt<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
1960<\/span><\/td>\nDarkness Fell on Gotenhafen | Nacht fiel \u00fcber Gotenhafen<\/span><\/td>\n<\/tr>\n
<\/td>\nThe Thousand Eyes of Dr. Mabuse | Die tausend Augen des Dr. Mabuse<\/span><\/td>\n<\/tr>\n
1962<\/span><\/td>\nThe Longest Day | Der l\u00e4ngste Tag<\/span><\/td>\n<\/tr>\n
1963<\/span><\/td>\nThe Cardinal | Der Kardinal<\/span><\/td>\n<\/tr>\n
1964<\/span><\/td>\nThe Train<\/span><\/td>\n<\/tr>\n
1965<\/span><\/td>\nVon Ryan’s Express | Colonel von Ryans Express<\/span><\/td>\n<\/tr>\n
1966<\/span><\/td>\nIs Paris Burning? | Brennt Paris?<\/span><\/td>\n<\/tr>\n
1977<\/span><\/td>\nA Bridge Too Far | Die Br\u00fccke von Arnheim<\/span><\/td>\n<\/tr>\n
1978<\/span><\/td>\nThe Boys from Brazil | The Boys from Brazil<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]From the 1960s onward, Wolfgang Preiss worked more for television than for the cinema. In 1983, he received the highest praise for his performance in the German\/American television series “The<\/strong> Firestorm<\/strong>,” in which he portrayed German Field Marshal Walther von Brauchitsch. For his many years of outstanding work in German film, he was again awarded the Federal Film Prize<\/strong> in 1987, this time as the Filmband<\/strong> in Gold<\/strong>. Wolfgang Preiss was married three times. With his third wife Ruth, it was 47 years until her death in 2002. Only a few months later, on November 27, 2002, Wolfgang Preiss also died in a clinic in Baden-Baden at the age of 92.[\/vc_column_text][vc_single_image image=”80849″ img_size=”full” onclick=”link_image”][vc_column_text]About Erich Schellow<\/span><\/p>\n

Erich Schellow<\/strong> was born in Berlin on February 27, 1915. He graduated from drama school and joined the stage in 1937. From 1948 he was a permanent member of the St\u00e4dtische<\/strong> Schauspielb\u00fchnen<\/strong> Berlin<\/strong> until its closure in 1993. Erich Schellow was a pure theater actor who appeared in only a few motion pictures. Occasionally he also took on dubbing<\/strong> assignments<\/strong>. He also appeared only very rarely in television productions. His best-known television role was that of Sherlock Holmes in the 1967 WDR<\/strong> television series of the same name. He received the Berlin<\/strong> Culture<\/strong> Prize<\/strong>, the German<\/strong> Critics<\/strong>‘ Prize<\/strong>, and the Federal<\/strong> Cross of Merit<\/strong> several times for his services to the theater. Erich Schellow died in Berlin on November 25, 1995, as a result of a severe stroke suffered in 1993.[\/vc_column_text][vc_column_text css=”.vc_custom_1649550880225{margin-bottom: -5px !important;}”]
\nFilmography (excerpt)<\/span>
\n[\/vc_column_text][vc_empty_space height=”16px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n
1947<\/span><\/td>\nIn Those Days | In jenen Tagen<\/span><\/td>\n<\/tr>\n
1955 <\/span><\/td>\nThe Plot to Assassinate Hitler | Der 20. Juli<\/span><\/td>\n<\/tr>\n
<\/td>\nHotel Adlon<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n
1956<\/span><\/td>\nBefore Sundwon | Vor Sonnenuntergang<\/span><\/td>\n<\/tr>\n
<\/td>\nThe Captain from K\u00f6penick | Der Hauptmann von K\u00f6penick<\/span><\/td>\n<\/tr>\n
1979 <\/span><\/td>\nEin Mord den jeder begeht | (lit. ) A murder that everyone commits<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]About Hans Nielsen<\/span><\/p>\n

Hans Albert Nielsen<\/strong> was born in Hamburg on November 30, 1911. After drama school, he made his theater debut in 1932 at the Hamburg<\/strong> Kammerspiele<\/strong>. In 1937, Nielsen joined the film industry, which was to be his main activity from then on. From 1948, dubbing became his second mainstay. He gave his voice to the really big stars. Orson Welles, Errol Flynn, Gary Cooper, James Stewart, Spencer Tracy<\/strong> and many others. Nielsen played theater only rarely. Until shortly before his death, Nielsen appeared in over 130 motion pictures. On October 13, 1965, Hans Nielsen died of leukemia in Berlin at the age of only 53.[\/vc_column_text][vc_single_image image=”80852″ img_size=”full” onclick=”link_image”][vc_column_text css=”.vc_custom_1649550880225{margin-bottom: -5px !important;}”]
\nFilmography (excerpt)<\/span>
\n[\/vc_column_text][vc_empty_space height=”16px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
1938<\/td>\nHome | Heimat<\/td>\n<\/tr>\n
1940<\/td>\nFriedrich Schiller \u2013 The Triumph of a Genius | Friedrich Schiller \u2013 Der Triumph eines Genies<\/td>\n<\/tr>\n
1942<\/td>\nThe Great King | Der gro\u00dfe K\u00f6nig<\/td>\n<\/tr>\n
1943<\/td>\nTitanic<\/td>\n<\/tr>\n
1949<\/td>\nKeepers of the Night | Nachtwache<\/td>\n<\/tr>\n
1950<\/td>\nFive Suspects | Stadt im Nebel<\/td>\n<\/tr>\n
1953<\/td>\nHocuspocus<\/td>\n<\/tr>\n
1956<\/td>\nBefore Sundown | Vor Sonnenuntergang<\/td>\n<\/tr>\n
<\/td>\nWedding at Immenhof | Hochzeit auf Immenhof<\/td>\n<\/tr>\n
1957<\/td>\nMade in Germany<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
1958<\/span><\/td>\nConfess, Doctor Corda | Gestehen sie, Dr. Corda<\/span><\/td>\n<\/tr>\n
<\/td>\nMan in the River | Der Mann im Strom<\/span><\/td>\n<\/tr>\n
1959 <\/span><\/td>\nThe Forests Sing Forever | Und ewig singen die W\u00e4lder<\/span><\/td>\n<\/tr>\n
1960<\/span><\/td>\nThe Inheritance of Bjorndal | Das Erbe von Bj\u00f6rndal<\/span><\/td>\n<\/tr>\n
<\/td>\nThe Juvenile Judge | Der Jugendrichter<\/span><\/td>\n<\/tr>\n
<\/td>\nGustav Adolf’s Page<\/span><\/td>\n<\/tr>\n
1961 <\/span><\/td>\nTown Without Pity | Stadt ohne Mitleid<\/span><\/td>\n<\/tr>\n
1962<\/span><\/td>\nThe Door with Seven Locks | Die T\u00fcr mit den 7 Schl\u00f6ssern<\/span><\/td>\n<\/tr>\n
1964<\/span><\/td>\nThe Seventh Victim | Das sie<\/span>bent<\/span>e Opfer<\/span><\/td>\n<\/tr>\n
1965<\/span><\/td>\nHotel der toten G\u00e4ste | (lit.) Hotel of dead guests<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator][vc_column_text]Press<\/span><\/p>\n

“This time freed from worldly tendency, with Hans Albers playing more forceful in character roles than as a lover, surrounded by choice antagonists. Dignifiedly made up under moderate use of the poet’s word.”<\/em> (Paimann’s<\/strong> Film<\/strong> Lists<\/strong>)<\/p>\n

“Annemarie D\u00fcringer as Inken Peters has the delicately cranky quality that explains even the oddest liaison. Hans Albers, who plays Clausen, is as stately and winning as ever, even as an aged death row inmate.”<\/em> (Der<\/strong> Spiegel<\/strong>)<\/p>\n

“In this film, Hans Albers plays a great character role in the old age department.” <\/em>(Heinrich<\/strong> Fraenkel<\/strong>: Immortal Film<\/strong>).[\/vc_column_text][vc_empty_space height=”16px”][vc_column_text]Behind the Scenes –\u00a0 Material<\/span><\/p>\n

[\/vc_column_text][vc_row_inner css=”.vc_custom_1600112369599{margin-top: -12px !important;}”][vc_column_inner width=”1\/3″][vc_single_image image=”81052″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”81070″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”81058″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1600112369599{margin-top: -12px !important;}”][vc_column_inner width=”1\/3″][vc_single_image image=”81067″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”81064″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”81371″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1600112369599{margin-top: -12px !important;}”][vc_column_inner width=”1\/3″][vc_single_image image=”81375″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”81378″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”81381″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_btn title=”Amazon” style=”classic” color=”orange” size=”sm” align=”center” i_icon_fontawesome=”fab fa-amazon” button_block=”true” add_icon=”true” link=”url:https%3A%2F%2Fwww.amazon.de%2FVor-Sonnenuntergang-Limited-Mediabook-abgetastet%2Fdp%2FB0BGP8XHF4%2Fref%3Dsr_1_1%3F__mk_de_DE%3D%C3%85M%C3%85%C5%BD%C3%95%C3%91%26crid%3DOEHMMUEVEXU5%26keywords%3Dvor%2Bsonnenuntergang%26qid%3D1668606626%26s%3Ddvd%26sprefix%3Dvor%2Bsonnenuntergang%252Cdvd%252C80%26sr%3D1-1|title:Amazon|target:_blank|”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_btn title=”Mediamarkt” style=”classic” color=”danger” size=”sm” align=”center” i_icon_fontawesome=”far fa-dot-circle” button_block=”true” add_icon=”true” link=”url:https%3A%2F%2Fwww.mediamarkt.de%2Fde%2Fproduct%2F_vor-sonnenuntergang-kinofassung-limmediabook-blu-ray-dvd-2835116.html|title:Mediamarkt|target:_blank|”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_btn title=”UCM.ONE” style=”classic” color=”juicy-pink” size=”sm” align=”center” i_icon_fontawesome=”fas fa-shopping-cart” button_block=”true” add_icon=”true” link=”url:https%3A%2F%2Fucm.one%2Fprodukt%2Fvor-sonnenuntergang%2F|title:UCM.ONE%20Shop|”][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”24px”][vc_column_text]Features and technical data<\/span><\/p>\n

Limited Mediabook<\/strong> | Picture format Blu-Ray: 4:3 Pillarbox (techn. 16:9); Picture format DVD: 4:3 Pillarbox (techn. 16:9) | Running time Blu-Ray: 103 min; Running time DVD: 103 min | Sound format Blu-Ray: German DD 2.0 (mono); Sound format DVD: German DD 2.0 (mono) | Extras: Mediabook with 16-page book part with pictures, trailer, removable FSK sticker | FSK 12[\/vc_column_text][vc_column_text css=”.vc_custom_1668607047662{margin-bottom: -5px !important;}”]<\/p>\n

Trailer<\/span><\/div>\n

[\/vc_column_text][vc_empty_space height=”16px”][vc_video link=”https:\/\/youtu.be\/FozQbEiqOhw”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”15px”][vc_separator][vc_column_text]<\/p>\n

News<\/h2>\n

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