{"id":83751,"date":"2022-10-20T14:10:03","date_gmt":"2022-10-20T14:10:03","guid":{"rendered":"https:\/\/ucm.one\/hanussen-1988-by-istvan-szabo-u8-films-berlin\/"},"modified":"2022-12-18T17:54:14","modified_gmt":"2022-12-18T17:54:14","slug":"hanussen","status":"publish","type":"page","link":"https:\/\/ucm.one\/en\/hanussen\/","title":{"rendered":"Hanussen (1988) by Istv\u00e1n Sz\u00e1bo | U8 Films Berlin"},"content":{"rendered":"

[vc_row css=”.vc_custom_1561374765584{margin-top: 20px !important;}”][vc_column width=”3\/4″ css=”.vc_custom_1561378576831{padding-right: 30px !important;}”][vc_column_text]<\/p>\n

Hanussen:<\/span><\/h1>\n

[\/vc_column_text][vc_column_text]Istv\u00e1n Sz\u00e1bo<\/strong> impressively stages the rise and fall of the self-proclaimed psychic Erik Jan Hanussen in his film “Hanussen<\/strong>“. Klaus Maria Brandauer<\/strong> shines in the leading role alongside Erland Josephson<\/strong>, Ildik\u00f3 B\u00e1ns\u00e1gi<\/strong>, Walter Schmidinger<\/strong>.[\/vc_column_text][vc_column_text]Summary<\/span><\/p>\n

The platoon leader Klaus Schneider is wounded in the First World War and admitted to a military hospital. The doctor there, Dr. Bettelheim, treats Schneider’s severe head injury and finds out that Schneider has clairvoyant abilities. After the war, Schneider meets his former superior, Captain Nowotny, again. Nowotny provided entertainment for the soldiers during the war by running a traveling theater at the front. He now took up with Schneider and wants to make him famous. He suggests him to change his name, because people can’t do anything with Klaus Schneider. His name is changed to Jan Erik Hanussen and the new Hanussen attaches importance to his Danish descent! Nowotny turns Hanussen into a vaudeville star.[\/vc_column_text][vc_column_text]He attracted great attention when he predicted the sinking of a cruise ship. Hanussen was arrested and charged with imposture. Since he could not be proven guilty of the charges, he was acquitted. He moves to Berlin with Nowotny and his girlfriend Wally. There he moves in the circles of the upper ten thousand. Although Hanussen is Jewish, he nevertheless cozies up to the National Socialists. In these circles, people like to associate with him; his Jewish ancestry is not known at first.[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”78610″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”78050″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_column_text]Hanussen has become rich in the meantime. He is quite generous in social circles and supports the Nazis in the election campaign. He predicts the election victory of Adolf Hitler and claims that he will become the new Chancellor of the Reich. Hanussen was to be proved right. But was it a prediction, or was it simply coincidence? 1933, the Nazis come to power. Hanussen is by now firmly entrenched in the leadership of the SA. He probably learned from this source that the Nazis were planning to set fire to the Reichstag. Hanussen makes this public as well. A few days later, the Reichstag burns. His friends Nowotny and Wally are horrified. Hanussen had always been careful never to express himself politically in public.[\/vc_column_text][vc_column_text]But Hanussen is now the big star and is celebrated by the tabloid press. For the SA leaders, however, he is now a traitor and is arrested. It also became known that Hanussen was a Jew. Many Germans had taken Hanussen for a National Socialist and suddenly he was an enemy of the people. The SA henchmen murdered him in the night from March 24 to 25, 1933.[\/vc_column_text][vc_single_image image=”78616″ img_size=”full” onclick=”link_image”][vc_column_text]Production History<\/span><\/p>\n

The film is a Hungarian-Austrian-German co-production. From Germany, the film was financed by Artur Brauner<\/strong>‘s CCC-Filmkunst<\/strong> and ZDF<\/strong>. The plot largely corresponds to the historical facts, but the person of Jan Erik Hanussen is portrayed here much more positively than he was in reality. Above all, Klaus Maria Brandauer<\/strong> provides this positive person with his portrayal. Hanussen was in reality a crook, swindler and as he was called at the time, a cutthroat. He cheated countless people out of their money. He was murdered in reality because of an SA internal intrigue, in which he himself was only marginally involved. The Encyclopedia of International Film says: “A debatable contribution to the important subject of the power situations of the 20th century.”<\/em>[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”78355″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”78044″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1561379511981{margin-top: 10px !important;margin-bottom: 30px !important;background-color: #efefef !important;}”][vc_single_image image=”82251″ img_size=”full” onclick=”link_image” css=”.vc_custom_1671381707185{padding-top: 15px !important;}”][vc_column_text css=”.vc_custom_1669497625286{margin-top: -10px !important;}”]Title<\/strong>: Hanussen<\/p>\n

Original title<\/strong>: Profeta<\/p>\n

Director<\/strong>: Istv\u00e1n Sz\u00e1bo<\/p>\n

Assistant<\/strong> directors<\/strong>: Ivan Artner, Krisztina Goda<\/p>\n

Script<\/strong>: P\u00e9ter Dobai, Paul Hengge, Gabriella Prekop<\/p>\n

Actors<\/strong>: Klaus Maria Brandauer, Erland Josephson, Ildik\u00f3 B\u00e1ns\u00e1gi, Walter Schmidinger, Gabriela Kownacka, K\u00e1roly Eperjes, Gra\u017cyna Szapo\u0142owska, Collette Pilz-Warren, Gy\u00f6rgy Cserhalm, Ewa Blaszczyk, Adrianna Biedrzynska, Michal Bajor, P\u00e9ter Andorai<\/p>\n

Autobiographical<\/strong> source<\/strong>: Erik Jan Hanussen<\/p>\n

Production<\/strong>: Artur Brauner, Judit Sug\u00e1r<\/p>\n

Production<\/strong> management<\/strong>: Lajos \u00d3v\u00e1ri, Judit L\u00f6k\u00f6s<\/p>\n

Music<\/strong>: Zdenko Tam\u00e1ssy, Gy\u00f6rgy Vuk\u00e1n<\/p>\n

Editing<\/strong>: Zsuzsa Cs\u00e1k\u00e1ny, Brigitta Kajd\u00e1csi, Bettina Rekuc, \u00c9va Szentandrasi<\/p>\n

Camera<\/strong>: Lajos Koltai<\/p>\n

Sound<\/strong>: J\u00e1nos Cs\u00e1ki, Gy\u00f6rgy F\u00e9k, Antal Szab\u00f3<\/p>\n

Set<\/strong>: J\u00f3zsef Romv\u00e1ri, Gyula T\u00f3th<\/p>\n

Costumes<\/strong>: Nelly V\u00e1g\u00f3<\/p>\n

 <\/p>\n

Production companies<\/strong>: Central Cinema Company Film (CCC), Hungarofilm, Mafilm<\/p>\n

Production<\/strong> Year<\/strong>: 1988<\/p>\n

Genres<\/strong>: Drama, History film<\/p>\n

Countries<\/strong>: Hungary, Germany<\/p>\n

Languages<\/strong>: Hungarian, German<\/p>\n

Locations<\/strong>: Karlovy Vary, Czech Republic<\/p>\n

Length<\/strong>: 140 min<\/p>\n

FSK<\/strong>: 16<\/p>\n

Aspect ratio<\/strong>: 16:9 – 1.66:1<\/p>\n

Sound<\/strong> Mix<\/strong>: Mono<\/p>\n

Resolution<\/strong>: Full HD (new 4K scan)[\/vc_column_text][vc_separator color=”custom” accent_color=”#a0a0a0″][vc_column_text]Film label<\/strong>: U8 Films Berlin<\/p>\n

Theatrical Release<\/strong>: 13th October 1988<\/p>\n

Mediabook (Blu-Ray+DVD)<\/strong>: 25th November 2022[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]About the historical figure Jan Erik Hanussen<\/span><\/p>\n

Herschel Chajm Steinschneider, which was his real name, was born on June 2, 1889 in Vienna and grew up in very poor circumstances. He began his working years as a society reporter in Vienna. He very quickly became criminal in his job. He blackmailed well-heeled people by threatening to publish a scandalous story in the tabloids and made himself well paid for these threats. He exposed a “psychic” by publishing his tricks in the press as well. Later he used these tricks himself. In 1928, he was indicted in Leitmeritz (Sudetenland) for a hundred counts of fraud. He was acquitted after more than two years. The reason given by the court was that only a feeble-minded person would believe a fortune teller. He soon worked at the circus as an acrobat and magician, or even as a vaudeville artist.[\/vc_column_text][vc_empty_space height=”5″][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”78657″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”78660″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_column_text]
\nLater, he engaged in occultism as well as fortune-telling and performed fakir tricks. From 1930 Hanussen joined the National Socialists. He was especially popular among the SA leadership. He financed the “nice life” of the SA superiors by lending money. One of his biggest debtors was a certain Count Helldorf, at that time a high officer of the SA. He probably gave the order to kill Hanussen to get rid of his high debts to Hanussen. The murder itself was carried out by the SA henchmen Karl Ernst, Wilhelm Ohst, Kurt Egger and Rudolf Steinle. This is historically attested. Steinle later declared in an interrogation by the Gestapo that he had fired the fatal shots at Hanussen in the night of March 24-25, 1933.
\n[\/vc_column_text][vc_empty_space height=”5″][vc_column_text css=”.vc_custom_1670930183411{margin-top: 15px !important;}”]About Klaus Maria Brandauer<\/span><\/p>\n

His real name is Klaus Georg Steng<\/strong> and he was born on June 22, 1943 in Bad Aussee in Styria. He later adopted his mother’s first and maiden name, Maria<\/strong> Brandauer<\/strong>, as his stage name. Brandauer first lived with his grandparents in Altaussee and later with his parents in Grenzach-Wyhlen, a German border town with Switzerland. After graduating from high school, he studied music and performing arts in Stuttgart. In 1963 he made his debut at the Landestheater<\/strong> in T\u00fcbingen<\/strong> in a play by William Shakespeare, Measure for Measure. He then went to Vienna and performed at the Theater in der Josefstadt. In 1970 he became a permanent ensemble member of the Vienna<\/strong> Burgtheater<\/strong>. Brandauer was and is a theater actor. For television he very often played in theater recordings or corresponding television adaptations.
\n[\/vc_column_text][vc_row_inner][vc_column_inner][vc_single_image image=”78619″ img_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_column_text]However, he also appeared from time to time in individual episodes of various well-known television series. Also for cinema, his roles were mostly set on film biographies of famous people. They determine most of his film work. Brandauer became known as a film actor through the 1981 film “Mephisto<\/strong>” directed by Istv\u00e1n<\/strong> Sz\u00e1bo<\/strong>. He also starred in two other films by the director, “Oberst<\/strong> Redl<\/strong>” in 1985 and “Hanussen<\/strong>” in 1988. In 1983, Brandauer starred as the villain Maximilian Largo in the James Bond film “Sag niemals nie.<\/strong>” Brandauer received an Oscar nomination for his role in “Jenseits<\/strong> von<\/strong> Afrika<\/strong>“. In 1989, Klaus Maria Brandauer occupied the lead role as Danton in one of the most monumental, expensive and longest films in European film history, “The French Revolution<\/strong>.” The nearly six-hour film gobbled up more than $50 million in production costs. In the further course of his film career, Brandauer again portrayed great personalities. For example, “Rembrandt<\/strong>,” Crown Prince Rudolph, Wilhelm Reich and the failed Hitler assassin Georg Elser.[\/vc_column_text][vc_empty_space height=”5px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”78625″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”78622″ img_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”28px”][vc_column_text css=”.vc_custom_1671020017568{margin-bottom: -20px !important;}”]Awards (selection)[\/vc_column_text][vc_empty_space height=”28px”][vc_row_inner css=”.vc_custom_1653179480172{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #efefef !important;border-radius: 5px !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1666276694280{margin-bottom: -5px !important;padding-bottom: 5px !important;}”]<\/p>\n\n\n\n\n\n\n
1985<\/span><\/td>\nFilm Ribbon in Gold for the title role in “Colonel Redl<\/td>\n<\/tr>\n
1986<\/span><\/td>\nGolden Globe and Oscar nomination for the best supporting role in “Out of Africa”<\/td>\n<\/tr>\n
2000<\/span><\/td>\nGolden Globe nomination for the best supporting role in “Rising Star<\/td>\n<\/tr>\n
2006\u00a0<\/span><\/td>\nEuropean Cultural Award for Dramatic Art<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1665580501995{margin-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n
2006<\/span><\/td>\nPrize for acting at the Festival of German Film<\/td>\n<\/tr>\n
2010<\/span><\/td>\nPlatinum Romy for his life’s work<\/td>\n<\/tr>\n
2014<\/span><\/td>\nPeace Prize of the German Film as an honorary award<\/td>\n<\/tr>\n
\n
<\/div>\n<\/td>\n
Multiple winner of the Bambi<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”28px”][vc_column_text]In the film biography of the colored U.S. actress Dorothy Dandridge, “Rising<\/strong> Star<\/strong>,” Brandauer played U.S. film director Otto Preminger. In the 2000s, Brandauer devoted himself more to theater again. He also taught as a professor at the Max<\/strong> Reinhardt<\/strong> Seminar<\/strong> in Vienna. In 1962 he married his childhood sweetheart Karin M\u00fcller. The marriage lasted until her death after cancer in 1992, and they had a son, Christian. In 2007 Brandauer married his second wife Natalie Krenn. From this marriage comes son Ferdinand. Klaus Maria Brandauer now lives in his birthplace Altaussee in Styria.[\/vc_column_text][vc_column_text css=”.vc_custom_1653179697701{margin-bottom: -20px !important;}”]Filmography (excerpt)[\/vc_column_text][vc_empty_space height=”28px”][vc_row_inner css=”.vc_custom_1653179480172{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #efefef !important;border-radius: 5px !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1665582564471{margin-bottom: -5px !important;padding-bottom: 5px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n
1981<\/span><\/td>\nMephisto<\/span><\/td>\n<\/tr>\n
1983 <\/span><\/td>\nNever Say Never Again | James Bond \u2013 Sag niemals nie<\/span><\/td>\n<\/tr>\n
1985<\/span><\/td>\nColonel Redl | Oberst Redl<\/span><\/p>\n

The Lightship | Das Feuerschiff<\/span><\/p>\n

Out of Africa | Jenseits von Afrika<\/span><\/td>\n<\/tr>\n

1986<\/span><\/td>\nStreets of Gold<\/span><\/td>\n<\/tr>\n
1988<\/span><\/td>\nBrennendes Geheimnis<\/span><\/p>\n

Hanussen<\/span><\/td>\n<\/tr>\n

1989<\/span><\/td>\nBurning Secret | Das Spinnennetz<\/span><\/p>\n

La R\u00e9volution fran\u00e7aise | Die Franz\u00f6sische Revolution<\/span><\/td>\n<\/tr>\n

1990 <\/span><\/td>\nThe Russia House | Das Russland-Haus<\/span><\/td>\n<\/tr>\n
1991<\/span><\/td>\nWhite Fang | Wolfsblut<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1665582528199{margin-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
1994 <\/span><\/td>\nMario and the Magician | Mario und der Zauberer<\/span><\/td>\n<\/tr>\n
1999<\/span><\/td>\nRising Star<\/span><\/p>\n

Rembrandt<\/span><\/td>\n<\/tr>\n

2002<\/span><\/td>\nEveryman’s Feast | Jedermanns Fest<\/span><\/p>\n

Between Strangers | Zwischen Fremden<\/span><\/td>\n<\/tr>\n

2006<\/td>\nKronprinz Rudolfs letzte Liebe | (lit.) Crown Prince Rudolf’s last love\u00a0<\/span><\/td>\n<\/tr>\n
2009<\/span><\/td>\nTetro<\/span><\/td>\n<\/tr>\n
2011<\/span><\/td>\nManipulation<\/span><\/td>\n<\/tr>\n
2012 <\/span><\/td>\nThe Strange Case of Wilhelm Reich | Der Fall Wilhelm Reich<\/span><\/td>\n<\/tr>\n
2013 <\/span><\/td>\nDie Ausl\u00f6schung | (lit.) The extinction<\/span><\/td>\n<\/tr>\n
2020 <\/span><\/td>\nFinal Report | Abschlussbericht\u00a0<\/span><\/td>\n<\/tr>\n
2021 <\/span><\/td>\nMaestro<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”5″][vc_empty_space height=”32″][vc_empty_space height=”10″][vc_column_text css=”.vc_custom_1670930337821{margin-top: 15px !important;}”]About Erland Josephson<\/span><\/p>\n

Erland Josephson was born in Stockholm on June 15, 1923. He gained international fame as an actor in most of Ingmar Bergman’s films. Josephson was of Jewish descent and was a grandson of the Swedish painter Ernst Josephson. He began his career as a theater actor at the Student Theater in Stockholm. From 1945 he acted at the theater in Helsingborg. Ingmar Bergman brought him to film as early as 1946. He played a small role in the film “It’s Raining on Our Love.” From 1949 Josephson played at the theater in Gothenburg.[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”78631″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”78628″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_column_text css=”.vc_custom_1670930372891{margin-top: 15px !important;}”]
\nIn the late 1950s, he appeared mainly in motion pictures, especially under director Bergman. Josephson also made a name for himself as a writer. He wrote volumes of poetry, novels, screenplays and plays. In 1978, he was offered the leading role in the film “Jaws<\/strong> ‘<\/strong>,” which would certainly have earned him a lot of money. He turned it down. His comment: “I prefer intellectual battles with Liv Ullmann to battles with sharks.”<\/em> He continued to act in films by Bergman<\/strong>, his last being “Sarabande<\/strong>” in 2003. Then he fell ill with Parkinson’s disease, which made it impossible for him to continue working on films. He died as a result of the disease on February 25, 2012 in a Stockholm nursing home.
\n[\/vc_column_text][vc_single_image image=”78634″ img_size=”full”][vc_column_text css=”.vc_custom_1653179697701{margin-bottom: -20px !important;}”]Filmography (excerpt)[\/vc_column_text][vc_empty_space height=”28″][vc_row_inner css=”.vc_custom_1653179480172{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #efefef !important;border-radius: 5px !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1665584182248{margin-bottom: -5px !important;padding-bottom: 5px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1946<\/span><\/td>\nIt Rains on Our Love | Es regnet auf unsere Liebe<\/span><\/td>\n<\/tr>\n
1958<\/span><\/td>\nBrink of Life | Nahe dem Leben<\/span><\/p>\n

The Magician | Das Gesicht<\/span><\/td>\n<\/tr>\n

1968<\/span><\/td>\nHour of the Wolf | Die Stunde des Wolfes<\/span><\/p>\n

The Girls | Das M\u00e4dchen<\/span><\/td>\n<\/tr>\n

1969<\/span><\/td>\nThe Passion of Anna | Passion<\/span><\/td>\n<\/tr>\n
1972<\/span><\/td>\nCries and Whispers | Schreie und Fl\u00fcstern<\/span><\/td>\n<\/tr>\n
1973<\/span><\/td>\nScenes from a Marriage| | Szenen einer Ehe<\/span><\/td>\n<\/tr>\n
1976<\/span><\/td>\nFace to Face | Von Angesicht zu Angesicht<\/span><\/td>\n<\/tr>\n
1978<\/span><\/td>\nAutumn Sonata | Herbstsonate<\/span><\/td>\n<\/tr>\n
1979<\/span><\/td>\nThe First Polka | Die erste Polka<\/span><\/td>\n<\/tr>\n
1981<\/span><\/td>\nMontenegro | Die Ballade von Lucy Jordan<\/span><\/td>\n<\/tr>\n
1982<\/span><\/td>\nFanny and Alexander\u00a0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1665584720097{margin-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n
1983 <\/span><\/td>\nNostalghia<\/span><\/p>\n

Bella Donna<\/span><\/p>\n

After the Rehearsal | Nach der Probe<\/span><\/td>\n<\/tr>\n

1986<\/span><\/td>\nThe Sacrifice | Opfer<\/span><\/p>\n

Der Schimmelreiter | (lit.) The Rider of the White Horse\u00a0<\/span><\/td>\n<\/tr>\n

1988<\/span><\/td>\nHanussen<\/span><\/p>\n

The Unbearable Lightness of Being | Die unertr\u00e4gliche Leichtigkeit des Seins<\/span><\/td>\n<\/tr>\n

1991<\/span><\/td>\nMeeting Venus | Zauber der Venus<\/span><\/td>\n<\/tr>\n
1995<\/span><\/td>\nUlysses’ Gaze | Der Blick des Odysseus<\/span><\/td>\n<\/tr>\n
1997<\/span><\/td>\nIn the Presence of a Clown | Dabei: Ein Clown<\/span><\/td>\n<\/tr>\n
2003<\/span><\/td>\nThe Good Pope: Pope John XXIII | Johannes der XXIII \u2013 F\u00fcr eine Welt im Frieden<\/span><\/p>\n

Sarabande<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”5″][vc_empty_space height=”32″][vc_empty_space height=”10″][vc_column_text css=”.vc_custom_1670930414906{margin-top: 15px !important;}”]About K\u00e1rily Eperjes<\/span><\/p>\n

K\u00e1rily Eperjes<\/strong> was born on February 17, 1954 in Hegyk\u00f6 (Hungary). Actually, he was supposed to become a Catholic priest, but he decided to become an actor. He attended an acting school in Budapest and after graduating he acted at the Budapest National Theater<\/strong> from 1980. The director Peter F\u00e1bry<\/strong> brought him to the film. In 1982 he played his first role in the crime film “Without a Trace”<\/strong>. Under director Istv\u00e1n Szab\u00f3 he played in great films like “Hanussen<\/strong>“, “Oberst<\/strong> Redl<\/strong>” and “Abschlussbericht<\/strong>” both alongside Klaus Maria Brandauer<\/strong>. For his role in the film “Eldorado<\/strong>” he was nominated for the European Film Award<\/strong> as best leading actor in 1989.
\n[\/vc_column_text][vc_single_image image=”78644″ img_size=”full” alignment=”center” onclick=”link_image”][vc_column_text css=”.vc_custom_1653179697701{margin-bottom: -20px !important;}”]Filmography (excerpt)[\/vc_column_text][vc_empty_space height=”28px”][vc_row_inner css=”.vc_custom_1653179480172{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #efefef !important;border-radius: 5px !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1665584998157{margin-bottom: -5px !important;padding-bottom: 5px !important;}”]<\/p>\n\n\n\n\n\n\n
1982<\/span><\/td>\n\n
Ohne Spur | (lit.) Without a Trace<\/span><\/div>\n<\/td>\n<\/tr>\n
1985<\/span><\/td>\nColonel Redl | Oberst Redl<\/span><\/td>\n<\/tr>\n
1988<\/span><\/td>\nHanussen<\/span><\/td>\n<\/tr>\n
1989<\/span><\/td>\nEldorado<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1665585090662{margin-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n
1990 <\/span><\/td>\nGood Evening, Mr. Wallenberg | Guten Abend, Herr Wallenberg<\/span><\/td>\n<\/tr>\n
2002 <\/span><\/td>\nThe Bridgeman | Im Schatten der Br\u00fccke<\/span><\/td>\n<\/tr>\n
2012 <\/span><\/td>\nThe Door | Hinter der T\u00fcr<\/span><\/td>\n<\/tr>\n
2020 <\/span><\/td>\nFinal Report | Abschlussbericht<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”5″][vc_empty_space height=”32″][vc_empty_space height=”10″][vc_column_text css=”.vc_custom_1670930439568{margin-top: 15px !important;}”]About Ildik\u00f3 B\u00e1ns\u00e1gi<\/span><\/p>\n

Ildik\u00f3 B\u00e1ns\u00e1gi<\/strong> was born in Budapest on October 19, 1947. Even before she graduated from the Theatre and Film Academy, she was in front of the camera. In the 1970s she was a popular film star in Hungary. She became internationally known for her roles in Istv\u00e1n Szab\u00f3<\/strong>‘s films “Mephisto<\/strong>” and “Hanussen<\/strong>” alongside Klaus Maria Brandauer<\/strong>. She also appeared in other films directed by Istv\u00e1n Szab\u00f3, who was instrumental in her film career to date.
\n[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”78653″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”78650″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_column_text css=”.vc_custom_1653179697701{margin-bottom: -20px !important;}”]Filmography (excerpt)[\/vc_column_text][vc_empty_space height=”28px”][vc_row_inner css=”.vc_custom_1653179480172{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #efefef !important;border-radius: 5px !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1665586843665{margin-bottom: -5px !important;padding-bottom: 5px !important;}”]<\/p>\n\n\n\n\n\n\n
1971 <\/span><\/td>\nSindbad<\/span><\/td>\n<\/tr>\n
1977 <\/span><\/td>\nBudapest Tales | Budapester Legende<\/span><\/td>\n<\/tr>\n
1980<\/span><\/td>\nConfidence | Zimmer ohne Ausgang<\/span><\/p>\n

Mephisto<\/span><\/td>\n<\/tr>\n

1983<\/span><\/td>\nFlucht in den Tod | (lit.) Escape to Death<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1665586953641{margin-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n
1988<\/span><\/td>\nHanussen<\/span><\/td>\n<\/tr>\n
1991 <\/span><\/td>\nMeeting Venus | <\/span>Zauber der Venus<\/span><\/td>\n<\/tr>\n
1992 <\/span><\/td>\nDonauwalzer | (lit( Danube Waltz
\n<\/span><\/td>\n<\/tr>\n
2002 <\/span><\/td>\nTen Minutes Older<\/span><\/td>\n<\/tr>\n
2006 <\/span><\/td>\nChildren of Glory<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”5″][vc_empty_space height=”32″][vc_empty_space height=”10″][vc_column_text css=”.vc_custom_1670930503255{margin-top: 15px !important;}”]About Walter Schmidinger<\/span><\/p>\n

Walter Schmidinger<\/strong> was born on April 28, 1933 in Linz, Austria. He completed a commercial apprenticeship and began acting training at the Max Reinhardt Seminar<\/strong> in Vienna in 1951. In 1954, he received a long-term engagement at the B\u00fchnen der Stadt Bonn. He remained there for 15 years. Further theater stations were Munich and Berlin. From 1970 Schmidinger also worked for television. He appeared from time to time in individual episodes of the television series “Tatort<\/strong>“, “Der<\/strong> Alte<\/strong>” or “Derrick<\/strong>“.[\/vc_column_text][vc_row_inner][vc_column_inner][vc_single_image image=”78647″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_column_text css=”.vc_custom_1670930550501{margin-top: 15px !important;}”]
\nHe was rarely seen in feature films. His first appearance in a feature film was in 1973 in “The Pedestrian” directed by Maximilian<\/strong> Schell<\/strong>. He also played mostly larger supporting roles in films by Ingmar Bergman<\/strong>, Peter Schamoni<\/strong>, Peter Zadek<\/strong>, Otto Schenk<\/strong> and Istv\u00e1n<\/strong> Szab\u00f3<\/strong>. Walter<\/strong> Schmidinger<\/strong> was a very spirited actor. When he had a hang-up on a stage in Schweinfurt, he sometimes smashed the stage decoration out of sheer anger at himself. The audience thought this was part of the play and had a great time. Walter Schmidinger died in Berlin on September 28, 2013.
\n[\/vc_column_text][vc_column_text css=”.vc_custom_1653179697701{margin-bottom: -20px !important;}”]Filmography (excerpt)[\/vc_column_text][vc_empty_space height=”28px”][vc_row_inner css=”.vc_custom_1653179480172{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #efefef !important;border-radius: 5px !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1665587280062{margin-bottom: -5px !important;padding-bottom: 5px !important;}”]<\/p>\n\n\n\n\n\n\n
1973 <\/span><\/td>\nThe Pedestrian | Der Fu\u00dfg\u00e4nger<\/span><\/td>\n<\/tr>\n
1975<\/span><\/td>\nIce Age | Eiszeit<\/span><\/td>\n<\/tr>\n
1980 <\/span><\/td>\nFrom the Life of the Marionettes | Aus dem Leben der Marionetten<\/span><\/td>\n<\/tr>\n
1985<\/span><\/td>\nSpiel im Schloss (lit. Game in the Castle)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1665587356351{margin-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n
1986 <\/span><\/td>\nBoundaries of Time: Caspar David Friedrich | Caspar David Friedrich \u2013 Grenzen der Zeit<\/span><\/td>\n<\/tr>\n
1988 <\/span><\/td>\nHanussen<\/span><\/td>\n<\/tr>\n
1998 <\/span><\/td>\nOpera Ball | Opernball<\/span><\/td>\n<\/tr>\n
2006 <\/span><\/td>\nRequiem<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”5″][vc_empty_space height=”50px”][vc_column_text]Set Pictures[\/vc_column_text][vc_empty_space height=”5″][vc_row_inner css=”.vc_custom_1669545893815{margin-top: -15px !important;}”][vc_column_inner width=”1\/3″][vc_single_image image=”82301″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”82298″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”82304″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”15px”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”10px”][vc_column_text]Hanussen | Trailer [2022] ( German) \u1d34\u1d30<\/span>[\/vc_column_text][vc_video link=”https:\/\/youtu.be\/7nqA9I2yr00″ css=”.vc_custom_1665588412391{margin-top: -10px !important;}”][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][vc_column_text]Press<\/span><\/p>\n

“A debatable contribution to the important subject of the power situations of our century.”<\/em>(Lexikon des Internationalen Films<\/strong>)<\/p>\n

“The third collaboration between cinematographer Koltai, director Szab\u00f3 and actor Brandauer condenses “Hanussen” into a cloying colportage consisting of nothing but sharp snapshots that together make up a big lie, a single conundrum whose key has been lost in the coffee houses of this world.”<\/em> (hardsensations.com)<\/strong><\/p>\n

“In director Istv\u00e1n Szab\u00f3’s 1988 historical drama Hanussen, Klaus Maria Brandauer shines again as Austrian soldier Klaus Schneider, who gains his second sight after being shot in the head during World War I. The third installment of Szab\u00f3’s trilogy about German fascism is impressive.”<\/em> (derekwinnert<\/strong>.com<\/strong>)<\/p>\n

“Hanussen may not be Szabo and Brandauer’s finest moment, that would be the incredible Colonel Redl, but it’s still a fascinating story and an intense performance worth seeing.”<\/em> (bonjourtristesse.net<\/strong>)<\/p>\n

“Szabo also makes the character of Hanussen a powerful symbol of the historical changes Germany went through in the period between the two world wars. Hanussen is an absolutely fascinating film.”<\/em> (moriareviews.com<\/strong>)[\/vc_column_text][vc_separator el_id=”schlangengrube-deluxe-mediabook”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_btn title=”Amazon” style=”flat” color=”orange” size=”sm” align=”center” i_icon_fontawesome=”fab fa-amazon” button_block=”true” add_icon=”true” link=”url:https%3A%2F%2Fwww.amazon.de%2FHanussen-erstmals-HD-2-DVDs%2Fdp%2FB0B92HRK6X%2Fref%3Dsr_1_3%3Fkeywords%3DHanussen%26qid%3D1665578968%26qu%3DeyJxc2MiOiI0LjM1IiwicXNhIjoiMy41OCIsInFzcCI6IjMuMDIifQ%253D%253D%26s%3Ddvd%26sr%3D1-3|title:Amazon|target:_blank|”][\/vc_column][vc_column width=”1\/3″][vc_btn title=”MediaMarkt” style=”flat” color=”danger” size=”sm” align=”center” i_icon_fontawesome=”far fa-dot-circle” button_block=”true” add_icon=”true” link=”url:https%3A%2F%2Fwww.mediamarkt.de%2Fde%2Fproduct%2F_hanussen-blu-ray-dvd-2814284.html|title:MediaMarkt|target:_blank|”][\/vc_column][vc_column width=”1\/3″][vc_btn title=”Shop” style=”flat” color=”juicy-pink” size=”sm” align=”center” i_icon_fontawesome=”fas fa-shopping-cart” button_block=”true” add_icon=”true” link=”url:https%3A%2F%2Fucm.one%2Fprodukt%2Fhanussen%2F|title:Shop|”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”15px”][vc_column_text css=”.vc_custom_1666276386284{margin-bottom: -5px !important;}”]Available formats and features<\/span>[\/vc_column_text][vc_empty_space][vc_row_inner][vc_column_inner width=”1\/6″][vc_single_image image=”78361″ img_size=”full” onclick=”custom_link” link=”https:\/\/ucm.one\/produkt\/hanussen\/”][\/vc_column_inner][vc_column_inner width=”5\/6″][vc_column_text]Limited Mediabook (Blu-Ray + DVD):<\/strong><\/p>\n

Unabridged theatrical version re-scanned for the first time in 4K and restored in full HD.<\/p>\n

Aspect ratio Blu-Ray: WS 1.85:1 \/ 1080p 24; Aspect ratio DVD: WS 1.85:1 (anamorphic) | Total running time Blu-Ray: 113 min; Total running time DVD: 109 min<\/p>\n

Sound Format Blu-Ray: German DTS-HD Master Audio 2.0 (mono); Sound Format DVD: German DD 2.0 (mono)<\/p>\n

Bonus material: Hungarian original trailer, German trailer, artwork gallery, Mediabook with 16 page book part with many pictures and information<\/p>\n

FSK 16 | FSK sticker removable[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator css=”.vc_custom_1653175357110{margin-top: -5px !important;}”][vc_empty_space height=”10px”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”15px”][vc_column_text]News<\/span>[\/vc_column_text]