{"id":83388,"date":"2022-10-04T11:19:21","date_gmt":"2022-10-04T11:19:21","guid":{"rendered":"https:\/\/ucm.one\/captain-roughneck-from-st-pauli-by-rolf-olsen-u8-films-berlin\/"},"modified":"2022-12-19T08:00:12","modified_gmt":"2022-12-19T08:00:12","slug":"captain-roughneck-from-st-pauli","status":"publish","type":"page","link":"https:\/\/ucm.one\/en\/captain-roughneck-from-st-pauli\/","title":{"rendered":"Captain Roughneck from St. Pauli by Rolf Olsen | U8 Films Berlin"},"content":{"rendered":"

[vc_row css=”.vc_custom_1561374765584{margin-top: 20px !important;}”][vc_column width=”3\/4″ css=”.vc_custom_1561378576831{padding-right: 30px !important;}”][vc_column_text]<\/p>\n

Captain Roughneck from St. Pauli:<\/span><\/h1>\n

[\/vc_column_text][vc_column_text]In “K\u00e4pt’n Rauhbein aus St. Paul<\/strong>i” (English Title: Captain Roughneck from St. Pauli<\/strong> ), Captain Markus Jolly (Curd J\u00fcrgens<\/strong>) plunges into involuntary adventures: he not only sets sails into the South Seas, but also tries to put a gang of gangsters over his knee who have stolen urgently needed medication. Always at his side: his boatswain, Oliver Kniehase (Heinz<\/strong> Reincke<\/strong>), never at a loss for a clearly ambiguous quip.[\/vc_column_text][vc_column_text]Summary<\/span><\/p>\n

Captain Markus Jolly is an old warhorse and has sailed all the oceans. Because of his often gruff manner, his friends call him Captain Roughneck. One of only a few real friends is his boatswain Oliver. Now, after a long voyage, they both arrive back in Hamburg earlier than expected. Markus Jolly would like to surprise his wife and does not report back immediately. When he arrives home, he finds his wife in bed with someone else. He wants to leave her immediately. When he leaves the apartment, his wife runs after him. But he pushes her away, and she stumbles and breaks through the ramshackle stair railing and falls. She remains dead in the downstairs hallway.[\/vc_column_text][vc_column_text]In court, Jolly is acquitted because the matter is ruled an accident. Jolly looks for his boatman Oliver and both immediately take on a new assignment. An epidemic has broken out on an island in the Caribbean. Jolly is now to bring the urgently needed vaccine to the island. So Captain Jolly sets sail again with the important cargo of vaccine and other goods, including a large quantity of alcohol.[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”77055″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”77059″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_column_text]Arriving in the Caribbean, they dock in the harbor of the small island of Puerto Negro. Here, total chaos reigns. The island is ruled by a gang of gangsters. The police are corrupt and commanded by the gangsters. Immediately after the cargo is unloaded, it is stolen and the theft is blamed on Captain Jolly and boatswain Oliver Kniehase. Both are arrested and the ship is confiscated. In prison, Oliver, who resisted arrest, is cared for by the doctor Dr. Andersen. She is then arrested and taken away, together with her helpers (doctors and nurses). They were supposed to be carrying out the vaccination campaign. Jolly and Kniehase manage to escape from prison. They find shelter in the doss house of Jolly’s old buddy, Nico. They discuss how to proceed.[\/vc_column_text][vc_row_inner][vc_column_inner][vc_single_image image=”77668″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_column_text]Jolly signs on as a steward on a luxury liner. He immediately attracts the attention of the snobby and super-rich passengers because of his poor behavior. However, when he takes a fat, black tarantula off the belly of a totally terrified old lady and disposes of it in the sea, he suddenly becomes the passengers’ hero.[\/vc_column_text][vc_column_text]At their insistence, the ship docks at a certain spot on the island and Jolly is able to disembark. Here he meets his boatswain again and together they want to free Dr. Andersen and her team from the hands of the gangsters. Captain Markus Jolly is totally surprised when he finds out who is the boss behind the gang of criminals…[\/vc_column_text][vc_column_text]Production history<\/span><\/p>\n

The film was shot in Hamburg and in Porto. Johanna von Koczian,<\/strong> top female star of the 50s and 60s, shot her last feature film here. After that she only acted for television. The Encyclopedia of International Film says: “Colportage story with a clear tendency to depict brutalities”.<\/em>
\n[\/vc_column_text][vc_row_inner][vc_column_inner][vc_single_image image=”77065″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1561379511981{margin-top: 10px !important;margin-bottom: 30px !important;background-color: #efefef !important;}”][vc_single_image image=”82254″ img_size=”full” onclick=”link_image” css=”.vc_custom_1671436713607{padding-top: 15px !important;}”][vc_column_text css=”.vc_custom_1671381072022{margin-top: -10px !important;}”]Original title:<\/strong> K\u00e4pt’n Rauhbein aus St. Pauli<\/p>\n

Director<\/strong>: Rolf Olsen<\/p>\n

Screenplay<\/strong>: Rolf Olsen<\/p>\n

Actors<\/strong>: Curd J\u00fcrgens, Heinz Reincke, Johanna von Koczian, Herbert Fleischmann, Sieghardt Rupp, Elisabeth Flickenschildt, Angelika Ott, Christine Schuberth, Ilse Peternell, Fritz Tillmann, Gerhart Lippert, Friedrich Joloff, Rolf Olsen, Emilio Schuberth, James Graser, Poldo Bendandi, Beryl Cunningham, Gerda-Maria J\u00fcrgens, Giulio Marchetti, Lenka Novak, Janine Reynaud, Bill Vanders<\/p>\n

Producer<\/strong>: Heinz Willeg, Samuel M. Sherman<\/p>\n

Camera<\/strong>: Franz Xaver Lederle<\/p>\n

Editing<\/strong>: Renate Willeg<\/p>\n

Music<\/strong>: Gert Wilden<\/p>\n

 <\/p>\n

Production<\/strong> Companies<\/strong>: Terra-Filmkunst, Allianz Filmproduktion<\/p>\n

Production<\/strong> Year<\/strong>: 1971<\/p>\n

Genres<\/strong>: Adventure<\/p>\n

Country<\/strong>: Germany<\/p>\n

Language<\/strong>: German<\/p>\n

Dubbing<\/strong>: Italian, German<\/p>\n

Location<\/strong>: Puerto Rico<\/p>\n

Length<\/strong>: 91 min<\/p>\n

FSK<\/strong>: 16<\/p>\n

Aspect<\/strong> ratio<\/strong>: 1.66 : 1<\/p>\n

Sound<\/strong> Mix<\/strong>: Mono<\/p>\n

Resolution<\/strong>: Full HD (new 4K scanning)[\/vc_column_text][vc_separator color=”custom” accent_color=”#a0a0a0″][vc_column_text]Other titles:<\/p>\n

German<\/strong>: K\u00e4pt\u00b4n Rauhbein aus St. Pauli<\/p>\n

Canada<\/strong>: Captain Typhoon<\/p>\n

French<\/strong>: Un ours mal l\u00e9ch\u00e9<\/p>\n

Greek<\/strong>: Kaftes nyhtes stin agria zougla[\/vc_column_text][vc_separator color=”custom” accent_color=”#a0a0a0″][vc_column_text]Film label: U8 Films Berlin<\/strong><\/p>\n

Theatrical<\/strong> release<\/strong>: August 26, 1971<\/p>\n

Mediabook (Blu-Ray+DVD)<\/strong>: October 14th, 2022<\/p>\n

DVD & Blu-Ray:<\/strong> October 14th, 2022[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column css=”.vc_custom_1664894643696{margin-top: -35px !important;}”][vc_column_text][\/vc_column_text][vc_column_text css=”.vc_custom_1664898909473{margin-top: 15px !important;}”]About director Rolf Olsen<\/span><\/p>\n

Rolf<\/strong> Olsen<\/strong> was a multi-talented film director. Born Rudolf<\/strong> Knoblich<\/strong> in Vienna on December 26, 1919, this all-rounder worked as a screenwriter, actor and director during his long and successful film career. For many films he always did this simultaneously. In this film, too, he wrote the screenplay, directed and also acted in the role of a coroner. Rolf Olsen<\/strong> was a workaholic! He worked on about 100 films and television productions from 1947 to 1990. Olsen was a master of all genres. Whether comedy, drama, crime or horror, Olsen could do it all. Rolf<\/strong> Olsen<\/strong> succumbed to cancer in Starnberg on April 3, 1998.
\n[\/vc_column_text][vc_column_text css=”.vc_custom_1653179697701{margin-bottom: -20px !important;}”]Filmography (excerpt)<\/span>[\/vc_column_text][vc_empty_space height=”28px”][vc_row_inner css=”.vc_custom_1653179480172{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #efefef !important;border-radius: 5px !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1661461652467{margin-bottom: -5px !important;padding-bottom: 5px !important;}”]<\/p>\n\n\n\n\n\n\n\n
1963<\/td>\nThe last ride to Santa Cruz\u00a0 | Der letzte Ritt nach Santa Cruz<\/td>\n<\/tr>\n
1964<\/td>\nLegend of a Gunfighter | Hei\u00df weht der Wind<\/td>\n<\/tr>\n
1966<\/td>\n\u00a0(lit.) In Frankfurt the nights are hot\u00a0 | In Frankfurt sind die N\u00e4chte hei\u00df<\/td>\n<\/tr>\n
1968<\/td>\nThe Doctor from St. Pauli | Der Arzt von St. Pauli<\/td>\n<\/tr>\n
1969<\/td>\nOn the Reeperbahn at Half Past Midnight\u00a0 | Auf der Reeperbahn nachts um halb eins<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1661464781066{margin-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n
1970<\/td>\nThat Can’t Shake Our Willi!\u00a0 | Das kann doch unser\u00b4n Willi nicht ersch\u00fcttern<\/td>\n<\/tr>\n
The Priest of St. Pauli | Der Pfarrer von St. Pauli<\/td>\n<\/tr>\n
1977<\/td>\n(lit.) Journey into the Afterlife (documentary film) | Reise ins Jenseits (Dokumentarfilm)<\/td>\n<\/tr>\n
1988<\/td>\n(lit.) Strong Times | Starke Zeiten<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column css=”.vc_custom_1664894643696{margin-top: -35px !important;}”][vc_empty_space height=”75px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”77102″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”77104″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_column_text css=”.vc_custom_1662065822008{margin-top: 15px !important;}”]About Curd J\u00fcrgens<\/span><\/p>\n

Curd Gustav Andreas Gottlieb Franz J\u00fcrgens<\/strong> was born on December 13, 1915 in Solln near Munich. He was a German theater and film actor, with French roots on his mother’s side. He grew up in Berlin. Curd J\u00fcrgens worked as a journalist after graduating from school and attended an acting school on the side. In 1935 he presented himself at UFA<\/strong> and was promptly hired. During the Nazi era, he appeared in 19 motion pictures. J\u00fcrgens was apolitical in his youth. Nevertheless, he always expressed his opinion critically and without fear of the state power. In 1944, this attitude almost became his undoing, because he got into a fight with a couple of SS men in a pub in Vienna without knowing their identity. They were the brother of Gestapo chief Ernst Kaltenbrunner, Robert Kaltenbrunner, SS-Obersturmbannf\u00fchrer Otto Skorzeny and an associate of Baldur von Schirach. J\u00fcrgens was arrested and locked up in a labor camp, from where, however, he managed to escape after a short time and went into hiding.
\n[\/vc_column_text][vc_single_image image=”77076″ img_size=”full”][vc_column_text]
\nAfter the end of the war, he became artistic director of the theater in Straubing. Curd J\u00fcrgens<\/strong> then applied to the Burgtheater in Vienna<\/strong> and was accepted. In order to join a tour to Switzerland, he took Austrian citizenship, because Germans were not allowed to enter Switzerland from Austria. In the 60s and 70s he was a supporter of Willy Brandt<\/strong>, whom he also knew well personally and met often. Curd J\u00fcrgens<\/strong> was married five times, including to the famous actress Eva<\/strong> Bartok<\/strong>. He was considered one of the most attractive men in Germany. Brigitte<\/strong> Bardot<\/strong> called him a “Norman closet<\/em>.” The tabloid Bild<\/strong> voted him second among men “with the greatest sex appea<\/em>l”. Curd<\/strong> J\u00fcrgens<\/strong> earned very well in his acting life. He afforded himself several residences – wherever it was beautiful, sunny and expensive. He once said that he could not do without luxury. His hobby of driving expensive luxury cars also proved this statement. Curd J\u00fcrgens<\/strong> was a bon vivant. He loved to eat, drink and smoke well and lavishly. The consequence of this lifestyle was several heart operations. In 1981 he played his last big role as a rich lawyer in the big Russian film production “Tehran<\/strong> 43<\/strong>“. Shortly after the end of filming, Curd<\/strong> J\u00fcrgens<\/strong> died of multiple organ failure in Vienna on June 18, 1982. He was unable to complete the German version of the film, in which he had been scheduled to do his own dubbing.
\n[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”77074″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”77072″ img_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_column_text css=”.vc_custom_1653179697701{margin-bottom: -20px !important;}”]Filmography (excerpt)<\/span>[\/vc_column_text][vc_empty_space height=”28px”][vc_row_inner css=”.vc_custom_1653179480172{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #efefef !important;border-radius: 5px !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1661464442519{margin-bottom: -5px !important;padding-bottom: 5px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1937<\/td>\nTo New Shores | Zu neuen Ufern<\/td>\n<\/tr>\n
1954<\/td>\n\u00a0(lit.) My father’s horses | Meines Vaters Pferde<\/td>\n<\/tr>\n
1955<\/td>\nThe Devil’s General | Des Teufels General<\/td>\n<\/tr>\n
1956<\/td>\nAnd God Created Woman\u00a0 | Und immer lockt das Weib<\/td>\n<\/tr>\n
Michel Strogoff | Der Kurier des Zaren<\/td>\n<\/tr>\n
The House of Intrigue | London ruft Nordpol<\/td>\n<\/tr>\n
1957<\/td>\nThe Enemy Below | Duell im Atlantik<\/td>\n<\/tr>\n
1958<\/td>\nMe and the Colonel | Jakubowsky und der Oberst<\/td>\n<\/tr>\n
The Inn of the Sixth Happiness | Die Herberge zur 6. Gl\u00fcckseligkeit<\/td>\n<\/tr>\n
Schinderhannes<\/td>\n<\/tr>\n
1959<\/td>\nMagnificent Sinner | Katja, die ungekr\u00f6nte Kaiserin<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1661464813948{margin-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
1960<\/td>\nBrainwashed \/ Chess Novella | Schachnovelle<\/td>\n<\/tr>\n
Gustav Adolf’s Page<\/td>\n<\/tr>\n
\n
1962<\/span><\/div>\n<\/td>\n
The Longest Day | Der l\u00e4ngste Tag<\/td>\n<\/tr>\n
\n
1963<\/span><\/div>\n<\/td>\n
Miracle of the White Stallions\u00a0 | Die Flucht der wei\u00dfen Hengste<\/td>\n<\/tr>\n
\n
1968<\/span><\/div>\n<\/td>\n
The Doctor of St. Pauli |\u00a0 Der Arzt von St. Pauli<\/td>\n<\/tr>\n
1969<\/td>\nBattle of Britain | Luftschlacht um England<\/td>\n<\/tr>\n
1977<\/td>\nThe Spy Who Loved Me | James Bond 007 \u2013 Der Spion der mich liebte<\/td>\n<\/tr>\n
1978<\/td>\n(lit) Beautiful Gigolo, Poor Gigolo | Sch\u00f6ner Gigolo, armer Gigolo<\/td>\n<\/tr>\n
1980<\/td>\nHallo, Checkpoint Charlie | Warum die UFOs unseren Salat klauen<\/td>\n<\/tr>\n
1981<\/td>\nTeheran 43<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”5″][vc_empty_space height=”32″][vc_empty_space height=”10″][vc_column_text css=”.vc_custom_1664286505945{margin-top: 15px !important;}”]About Heinz Reincke<\/span><\/p>\n

Heinz Franz Ludwig Reincke<\/strong> was born on 28.5.1925 in Kiel. Already as a child the desire developed in him to become an actor. He completed an apprenticeship at the chamber of commerce in Kiel and took acting lessons on the side. The Kiel City Theater initially hired him as a prompter and extra. Until 1955, he played at various theaters in Germany and neighboring countries. In 1955, Gustaf<\/strong> Gr\u00fcndgens<\/strong> brought him to the Deutsches Schauspielhaus in Hamburg. For 10 years he played major character roles there. From 1968 to 1985 he was a member of the ensemble of the Burgtheater in Vienna<\/strong>.
\n[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”77086″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”77084″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_column_text css=”.vc_custom_1664286640075{margin-top: 15px !important;}”]
\nReincke<\/strong> also appeared in various feature films. His special love, however, was television. He made a name for himself primarily as a series actor. He became known to a wide television audience with his role as a pastor in the TV series “Der Landarzt<\/strong>” from 1987 to 2010. He also appeared in television series such as “Hotel<\/strong> Sacher<\/strong>,” “Ein<\/strong> verr\u00fccktes<\/strong> Paar<\/strong>,” “Der<\/strong> Alte<\/strong>,” “Derrick<\/strong>,” “Schwarzwaldklinik<\/strong>,” “Zwei M\u00fcnchner in Hamburg<\/strong>,” “Gro\u00dfstadtrevier<\/strong>” and other series. Because of his distinctive voice, he was also a sought-after narrator for radio plays, dubbing and audio books. His most significant speaking role was in the film “The<\/strong> Neverending<\/strong> Story<\/strong>,” as the voice of the dragon Falkor. Reincke<\/strong>, who loved playing the role of the edgy North German, however, lived in Vienna with his wife Elfi Petsch since 1968. He died of lung cancer in Purkersdorf near Vienna on July 13, 2011. Heinz Reincke<\/strong>, who had already been an Austrian citizen since 1970, is buried in Vienna’s Central Cemetery.
\n[\/vc_column_text][vc_single_image image=”77088″ img_size=”full”][vc_column_text css=”.vc_custom_1653179697701{margin-bottom: -20px !important;}”]Filmography (excerpt)<\/span>[\/vc_column_text][vc_empty_space height=”28px”][vc_row_inner css=”.vc_custom_1653179480172{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #efefef !important;border-radius: 5px !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1664285940701{margin-bottom: -5px !important;padding-bottom: 5px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n
1957<\/td>\nConfessions of Felix Krull | Bekenntnisse der Hochstaplers Felix Krull<\/span><\/td>\n<\/tr>\n
1958<\/span><\/td>\n(lit.) Wet Asphalt | Nasser Asphalt<\/span><\/td>\n<\/tr>\n
1960<\/td>\nFaust<\/span><\/td>\n<\/tr>\n
1962<\/span><\/td>\nThe Longest Day | Der l\u00e4ngste Tag<\/span><\/td>\n<\/tr>\n
1968<\/span><\/td>\nThe Doctor of St. Paul | Der Arzt von St. Pauli<\/span><\/td>\n<\/tr>\n
1968<\/span><\/td>\n\u00a0The Bridge at Remagen | Die Br\u00fccke von Remagen<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1664286209235{margin-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n
\n
1970<\/span><\/div>\n<\/td>\n
 The Priest of St. Pauli | Der Pfarrer von St. Pauli<\/span><\/td>\n<\/tr>\n
1971\u00a0<\/span><\/td>\n(lit.) They called him Krambambuli | Sie nannten ihn Krambambuli<\/span><\/td>\n<\/tr>\n
1973 <\/span><\/td>\nThe Flying Classroom | Das fliegende Klassenzimmer<\/span><\/p>\n

(lit) The Lord of Barmbeck | Der Lord von Barmbeck<\/span><\/td>\n<\/tr>\n

\n
1984 <\/span><\/span><\/div>\n<\/td>\n
The Neverending Story (Voice of the Dragon Falkor) | Die unendliche Geschichte (Stimme des Drachen Fuchur)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”5″][vc_empty_space height=”32″][vc_empty_space height=”10″][vc_column_text css=”.vc_custom_1664899875552{margin-top: 25px !important;}”][\/vc_column_text][vc_column_text css=”.vc_custom_1664896169796{margin-top: 15px !important;}”]About Johanna von Koczian<\/span><\/p>\n

Johanna von Koczian-Miskolczy<\/strong> is the daughter of a Berlin noble family and was born in Berlin on October 30, 1933. She studied acting at the Mozarteum<\/strong> in Salzburg and began acting in the early 1950s. From 1951 she had a permanent engagement at the Salzburg<\/strong> Festival<\/strong>. In the following years, she appeared mainly in musicals because of her singing talent. In 1955 she was discovered for the film. In films such as “Wir Wunderkinder<\/strong>“, for the role in this film she received the Federal<\/strong> Film Award<\/strong> and the Film Critics’ Prize<\/strong>, as well as in the films “Bezaubernde Arabella<\/strong>“, “Jacqueline<\/strong>“, “Heldinnen<\/strong>” and “Single Bells<\/strong>” she played leading roles, for which she received much praise and recognition. She was also awarded prizes for her great performances on the theater stage. She received the Berlin Art Award<\/strong>, the Golden<\/strong> Mask<\/strong> and three times the Golden<\/strong> Curtain<\/strong>.
\n[\/vc_column_text][vc_row_inner][vc_column_inner][vc_single_image image=”77100″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_column_text css=”.vc_custom_1664287595877{margin-top: 15px !important;}”]She is best known to today’s audiences as an actress in various television series. She played the leading roles in the ARD series “Stewardessen<\/strong>“, “Caf\u00e9<\/strong> Wernicke<\/strong>“, “Die<\/strong> Land\u00e4rztin<\/strong>” and especially in “Praxis<\/strong> B\u00fclowbogen<\/strong>“. She made several individual appearances in the ZDF series “Der Kommissar<\/strong>“, “Das Traumschif<\/strong>f“<\/strong>, “Derrick<\/strong>” and “Da<\/strong> kommt Kalle<\/strong>“. On ARD she can be seen in individual episodes of the series “Tatort<\/strong>“, “In aller Freundschaft<\/strong>” and “Unter wei\u00dfen<\/strong> Segeln<\/strong>“. Johanna von Koczian<\/strong> made her last stage appearance to date in 2010 in Berlin. In 1977, she landed a top hit as a singer with the satirical hit “Das<\/strong> bisschen<\/strong> Haushalt<\/strong>.” She is also a successful writer, especially in children’s and youth literature. The novel “Das Geheimnis einer Vollmondnacht<\/strong>” was made into a film.[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”77096″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”77098″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_column_text]
\nJohanna von Koczian<\/strong> was married twice. In the 1960s in a short marriage with the film director Dietrich Haugk<\/strong> and then with the music producer Wolf Kabitzky<\/strong>, who died in 2004. Today Johanna von Koczian lives in seclusion in Berlin.
\n[\/vc_column_text][vc_column_text css=”.vc_custom_1653179697701{margin-bottom: -20px !important;}”]Filmography (excerpt)<\/span>[\/vc_column_text][vc_empty_space height=”28px”][vc_row_inner css=”.vc_custom_1653179480172{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #efefef !important;border-radius: 5px !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1664287114663{margin-bottom: -5px !important;padding-bottom: 5px !important;}”]<\/p>\n\n\n\n\n\n\n\n
1957 <\/span><\/td>\nViktor and Viktoria<\/span><\/td>\n<\/tr>\n
1958 <\/span><\/td>\n(lit.) We Prodigies | Wir Wunderkinder<\/span><\/td>\n<\/tr>\n
1959<\/span><\/td>\nAdorable Arabella | Bezaubernde Arabella<\/span><\/td>\n<\/tr>\n
1959\u00a0<\/span><\/td>\nJacqueline<\/span><\/td>\n<\/tr>\n
1960<\/span><\/td>\n\u00a0(lit.) Heroines | Heldinnen<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1664287277137{margin-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n
1962 <\/span><\/td>\nStreet of Temptation\u00a0 | Stra\u00dfe der Verhei\u00dfung<\/span><\/td>\n<\/tr>\n
1971 <\/span><\/td>\nCaptain Roughneck from St. Pauli | K\u00e4pt\u00b4n Rauhbein aus St. Pauli<\/span><\/td>\n<\/tr>\n
1997 <\/span><\/td>\nSingle Bells<\/span><\/td>\n<\/tr>\n
2000 <\/span><\/td>\n\u00a0(lit.) O Palm Tree | O Palmenbaum<\/span><\/td>\n<\/tr>\n
2001 <\/span><\/td>\n\u00a0(lit.) Divorce with obstacles | Scheidung mit Hindernissen<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”5″][vc_empty_space height=”32″][vc_empty_space height=”10″][vc_column_text css=”.vc_custom_1664288088048{margin-top: 15px !important;}”]<\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1664292872641{margin-top: 15px !important;}”]About Elisabeth Flickenschildt<\/span><\/p>\n

Elisabeth Ida Marie Flickenschildt<\/strong> was born on March 16, 1905 in Hamburg-Blankenese. She grew up in Hamburg and also graduated from high school there. At the age of 23 she took acting lessons and then went to the Hamburg Schauspielhaus. Afterwards she played in Munich and Berlin at different stages.
\n[\/vc_column_text][vc_single_image image=”77082″ img_size=”full” alignment=”center” onclick=”link_image”][vc_column_text css=”.vc_custom_1664292958354{margin-top: 15px !important;}”]In 1936 she married the dramaturge and personal assistant of Gustaf<\/strong> Gr\u00fcndgens<\/strong>, Rolf<\/strong> Badenhausen<\/strong>, from whom she divorced again in 1944. She remained with Gr\u00fcndgens, however, and continued to act under his direction. She followed Gr\u00fcndgens from Berlin to D\u00fcsseldorf and to Hamburg. Under him, she played every conceivable major female role in the classical theater. In 1935 she joined the film industry. Here, too, she shone with great acting in leading roles in the films “Der zerbrochene<\/strong> Krug<\/strong>,” “Ein M\u00e4dchen geht an Lan<\/strong>d,” “Trenck, der Pandur<\/strong>,” “Rembrandt<\/strong>” and “Romanze<\/strong> in Moll<\/strong>.” During the Nazi era, she was a member of the NSDAP and was on Josef Goebbels’ so-called Gottbegnadeten list. After the war she was imprisoned by the Allies, but only for a short time. The British in particular resented her participation in the anti-British smear films “Ohm<\/strong> Kr\u00fcger<\/strong>” and “The Fox of<\/strong> Glenarvon<\/strong>” and accused her of falsifying questionnaires regarding her denazification. In the 1950s she continued to act under Gr\u00fcndgens. After his death in 1963, she appeared in many film comedies, such as the film adaptations of Ludwig Thomas<\/strong>‘s Lausbubengeschichten, or in crime films based on novels by Edgar Wallace<\/strong>.[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”77078″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”77080″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_column_text css=”.vc_custom_1664292988841{margin-top: 15px !important;}”]In 1963 she bought the Maria Rast farm on Lake Chiemsee and largely withdrew from theater and film from 1970. In 1965 she converted to the Catholic faith. She took on only occasional roles. In order to be able to accept an engagement at the Thalia Theater<\/strong> in Hamburg<\/strong> again, she moved back to Stade near Hamburg in 1976. Near Stade, she was the victim of a serious car accident in 1977, from the consequences of which she died on October 27, 1977 in Steinkirchen, in the district of Stade. The German Theater<\/strong> lost one of the greatest German stage actresses of the twentieth century. In addition to a large number of honors, she received, among others, the Film Ribbon in Gold, the Bambi and the Great Federal Cross of Merit.[\/vc_column_text][vc_column_text css=”.vc_custom_1653179697701{margin-bottom: -20px !important;}”]Filmography (excerpt)<\/span>[\/vc_column_text][vc_empty_space height=”28px”][vc_row_inner css=”.vc_custom_1653179480172{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #efefef !important;border-radius: 5px !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1664288501168{margin-bottom: -5px !important;padding-bottom: 5px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
1937 <\/span><\/td>\nThe Broken Jug | Der zerbrochene Krug<\/span><\/td>\n<\/tr>\n
1938 <\/span><\/td>\nThe Muzzle\u00a0 | Der Maulkorb<\/span><\/p>\n

A Girl Goes Ashore\u00a0 | Ein M\u00e4dchen geht an Land<\/span><\/td>\n<\/tr>\n

1939 <\/span><\/td>\nRobert Koch<\/span><\/td>\n<\/tr>\n
1940 <\/span><\/td>\nTrenck, the Pandur<\/span><\/td>\n<\/tr>\n
1942 <\/span><\/td>\nThe Great King | Der gro\u00dfe K\u00f6nig<\/span><\/p>\n

Rembrandt<\/span><\/td>\n<\/tr>\n

1943 <\/span><\/td>\nRomance in a Minor Key | Romanze in Moll<\/span><\/td>\n<\/tr>\n
1944 <\/span><\/td>\nThe Buchholz Family | Familie Buchholz<\/span><\/td>\n<\/tr>\n
1954 <\/span><\/td>\nCaptain Wronski | Rittmeister Wronski<\/span><\/td>\n<\/tr>\n
1957 <\/span><\/td>\nThe Girl and the Legend |\u00a0 Robinson soll nicht sterben<\/span><\/p>\n

King in Shadow\u00a0 | Herrscher ohne Krone<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1664288703172{margin-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
1958 <\/span><\/td>\n(lit.) We Prodigies | Wir Wunderkinder<\/span><\/p>\n

Scampolo<\/span><\/td>\n<\/tr>\n

1959 <\/span><\/td>\n(lit.) The Visit of the Old Lady | Der Besuch der alten Dame<\/span><\/td>\n<\/tr>\n
1960 <\/span><\/td>\nFaust<\/span><\/td>\n<\/tr>\n
1962 <\/span><\/td>\nThe Inn on the River | Das Gasthaus an der Themse<\/span><\/td>\n<\/tr>\n
1963 <\/span><\/td>\n(lit.) The Great Love Game |\u00a0 Das gro\u00dfe Liebesspiel<\/span><\/p>\n

The Indian Scarf | Das indische Tuch<\/span><\/td>\n<\/tr>\n

1965 <\/span><\/td>\nAunt Frieda | Tante Frieda<\/span><\/td>\n<\/tr>\n
1971 <\/span><\/td>\nCaptain Roughneck from St. Pauli | K\u00e4pt\u00b4n Rauhbein aus St. Pauli<\/span><\/td>\n<\/tr>\n
1974 <\/span><\/td>\nWhen Mother Went on Strike | Als Mutter streikte<\/span><\/td>\n<\/tr>\n
1975 <\/span><\/td>\nMitGift ( lit. “Dowry” and “With Poison”)
\n<\/span><\/td>\n<\/tr>\n
1976 <\/span><\/td>\nGolden Night |Die Nacht aus Gold<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”5″][vc_empty_space height=”32″][vc_empty_space height=”10″][vc_column_text css=”.vc_custom_1664293961485{margin-top: 15px !important;}”]About Herbert Fleischmann<\/span><\/p>\n

Herbert Fleischmann<\/strong> was born in Nuremberg on March 13, 1925. He completed his acting training at the Max Reinhardt Seminar<\/strong> in Vienna. Afterwards he acted at various theaters in Germany and Austria until 1960. He joined the film industry in 1961. He worked for the cinema only very rarely. He did, however, make a name for himself by starring in six film adaptations of novels by bestselling author Johannes Mario Simmel.<\/strong>
\n[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”77092″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”77090″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_column_text css=”.vc_custom_1664294210580{margin-top: 15px !important;}”]On television, he appeared in various roles in well-known television series. He starred in classics like “Raumschiff<\/strong> Orion<\/strong>“, as well as in several episodes of “Der<\/strong> Kommissar<\/strong>“, “Derrick<\/strong>“, “Tatort<\/strong>“, “Der<\/strong> Alte<\/strong>“, “Das Traumschiff<\/strong>“, or “Sonderdezernat<\/strong> K1<\/strong>” and a lot more. He also appeared in a number of radio plays. Fleischmann<\/strong> was married to the actress Ruth Leuwerik<\/strong> from 1949 to 1953. Later he married the Swiss Miriam Spoerri and lived with her in Cavigliano in Ticino, where he also died of heart failure on April 5, 1984.[\/vc_column_text][vc_column_text css=”.vc_custom_1664289063020{margin-bottom: -20px !important;}”]Filmography (excerpt, feature films only)[\/vc_column_text][vc_empty_space height=”28px”][vc_row_inner css=”.vc_custom_1653179480172{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #efefef !important;border-radius: 5px !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1664289191651{margin-bottom: -5px !important;padding-bottom: 5px !important;}”]<\/p>\n\n\n\n\n\n\n
1961<\/span><\/td>\nBarbara<\/span><\/td>\n<\/tr>\n
1963 <\/span><\/td>\nThe Breakthrough | Durchbruch Lok 234<\/span><\/td>\n<\/tr>\n
1967 <\/span><\/td>\nHeadstand, Madam! | Kopfstand, Madame<\/span><\/td>\n<\/tr>\n
1971 <\/span><\/td>\nAnd Jimmy Went to the Rainbow’s Foot | Und Jimmy ging zum Regenbogen<\/span><\/p>\n

Captain Roughneck from St. Pauli | K\u00e4pt\u00b4n Rauhbein aus St. Pauli<\/span><\/p>\n

Love Is Only a Word | Liebe ist nur ein Wort<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1664289281635{margin-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n
1972 <\/span><\/td>\nThe Stuff That Dreams Are Made Of | Der Stoff aus dem die Tr\u00e4ume sind<\/span><\/td>\n<\/tr>\n
1973 <\/span><\/td>\nAll People Will Be Brothers |\u00a0 Alle Menschen werden Br\u00fcder<\/span><\/td>\n<\/tr>\n
1974<\/td>\nOnly the Wind Knows the Answer | Die Antwort kennt nur der Wind<\/td>\n<\/tr>\n
1975 <\/span><\/td>\nCrime After School |\u00a0 Verbrechen nach Schulschluss<\/span><\/td>\n<\/tr>\n
1977 <\/span><\/td>\nIt Can\u2019t Always Be Caviar | Es muss nicht immer Kaviar sein<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”32″][vc_row_inner][vc_column_inner][vc_single_image image=”77094″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”10″][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][vc_column_text]Billboards<\/span><\/p>\n

For the theatrical release in 1971, Constantin<\/strong>, the distributor at the time, printed many poster images that were displayed in the showcases of theaters across Germany in front of the entrance. On these, you could read scenes from the film as well as advertising messages. Below are a few of these motifs and texts (to enlarge, simply click on the desired image):<\/em>[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”77155″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image image=”77157″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image image=”77163″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image image=”77165″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”77161″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image image=”77159″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image image=”77159″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_single_image image=”77175″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_separator][vc_column_text]Material processing<\/span><\/p>\n

Walter Potganski<\/strong> was able to realize the “elaborate digitization” together with Cristos Pateludis, an expert in film restoration, who himself developed some tools for the respective processing stages. Together with Reno Bornkamm<\/strong>, he is the owner of the company Pateludis Video Transfer<\/strong> and was responsible for the 4K scan, light determination and color correction, among other things.[\/vc_column_text][vc_column_text]Usually these steps are done in the presence of the cinematographer and the director, which of course was no longer possible in this case. The experience in the technical field of film restoration goes back over 40 years and so in this case Walter Potganski<\/strong> and Cristos Pateludis<\/strong> were now themselves responsible for what is called the “film look”.[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/4″][vc_column_text css=”.vc_custom_1664882488421{margin-top: -1px !important;}”]Before[\/vc_column_text][vc_empty_space height=”- 5px”][vc_single_image image=”77625″ img_size=”full” onclick=”link_image” css=”.vc_custom_1664883639746{margin-top: -30px !important;}”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text css=”.vc_custom_1664883471887{margin-top: -1px !important;}”]After[\/vc_column_text][vc_empty_space height=”- 5px”][vc_single_image image=”77634″ img_size=”full” onclick=”link_image” css=”.vc_custom_1664883718158{margin-top: -30px !important;}”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text css=”.vc_custom_1664882488421{margin-top: -1px !important;}”]Before[\/vc_column_text][vc_empty_space height=”- 5px”][vc_single_image image=”77628″ img_size=”full” onclick=”link_image” css=”.vc_custom_1664883972220{margin-top: -30px !important;}”][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text css=”.vc_custom_1664883471887{margin-top: -1px !important;}”]After[\/vc_column_text][vc_empty_space height=”- 5px”][vc_single_image image=”77637″ img_size=”full” onclick=”link_image” css=”.vc_custom_1664883984103{margin-top: -30px !important;}”][\/vc_column_inner][\/vc_row_inner][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”-30px”][vc_column_text css=”.vc_custom_1670932961220{margin-bottom: -5px !important;}”]<\/p>\n

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Captain Roughneck from St. Pauli | Trailer [2022] (German) \u1d34\u1d30<\/h1>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_empty_space height=”-30px”][vc_empty_space height=”-30px”][vc_video link=”https:\/\/youtu.be\/FmQXtFKkrxw” css=”.vc_custom_1670932991019{margin-top: -50px !important;}”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][vc_column_text]Comments & Feedback<\/span><\/p>\n

“Tailored to the Norman closet Curd J\u00fcrgens German adventure film by Rolf Olsen, who was responsible for some partly amusing trash of the 60s and 70s.”<\/em> (kino.de<\/strong>)<\/p>\n

“Oddly enough, an overall impression is established that is a mixture of old joviality and attachment to the “manly” hero of yesteryear, who describes himself as having grown old, but still knows what to do and spreads an air of melancholy and sadness around him. Combine that with the fact that the whole thing is set in Puerto Rico, and exoticism has always stood Curd in good stead.<\/em>” (Review, filmportal.com<\/strong>)<\/p>\n

“A sea dog fights his way through: Curd J\u00fcrgens shines as a strong-willed captain.”<\/em> (fernsehserien.de<\/strong>)<\/p>\n

“J\u00fcrgen’s positive appearance still makes some other film celebrities seem puny.”<\/em> (Review, film.terrorverlag.de<\/strong>)[\/vc_column_text][vc_separator el_id=”schlangengrube-deluxe-mediabook”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_btn title=”Amazon” style=”flat” color=”orange” size=”sm” align=”center” i_icon_fontawesome=”fab fa-amazon” button_block=”true” add_icon=”true” link=”url:https%3A%2F%2Fwww.amazon.de%2FK%25C3%25A4ptn-Rauhbein-aus-St-Pauli%2Fdp%2FB0B5KVD6M6%2Fref%3Dtmm_blu_title_0%3F_encoding%3DUTF8%26qid%3D%26sr%3D|title:Amazon|target:_blank|”][\/vc_column][vc_column width=”1\/3″][vc_btn title=”MediaMarkt” style=”flat” color=”danger” size=”sm” align=”center” i_icon_fontawesome=”far fa-dot-circle” button_block=”true” add_icon=”true” link=”url:https%3A%2F%2Fwww.mediamarkt.de%2Fde%2Fproduct%2F_kaptn-rauhbein-aus-stpauli-blu-ray-dvd-2814276.html|title:MediaMarkt|target:_blank|”][\/vc_column][vc_column width=”1\/3″][vc_btn title=”Shop” style=”flat” color=”juicy-pink” size=”sm” align=”center” i_icon_fontawesome=”fas fa-shopping-cart” button_block=”true” add_icon=”true” link=”url:https%3A%2F%2Fucm.one%2Fprodukt%2Fkaeptn-rauhbein-aus-st-pauli%2F|title:Shop|”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”15px”][vc_column_text css=”.vc_custom_1658097653201{margin-bottom: -5px !important;}”]<\/p>\n

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Available formats and finishes<\/span><\/p>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_empty_space][vc_row_inner][vc_column_inner width=”1\/6″][vc_single_image image=”77251″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”5\/6″][vc_column_text]Limited Mediabook (Blu-Ray + DVD):<\/strong><\/p>\n

Unabridged theatrical version re-scanned for the first time in 4K and restored in full HD.<\/p>\n

Aspect ratio Blu-Ray: WS 1.66:1 \/ 1080p 24; Aspect ratio DVD: WS 1.66:1 (anamorphic) | Total running time Blu-Ray: 92 min (German theatrical version); Total running time DVD: 89 min<\/p>\n

Sound Format Blu-Ray: German DTS-HD Master Audio 2.0 (mono); Sound Format DVD: German DD 2.0 (mono)<\/p>\n

Bonus material: German trailer, artwork gallery, Mediabook with 20-page book section with many pictures and information, including exclusive miniature reprint of the 04-page film program from 1971, trailers for The Doctor of St. Paul<\/em>i u. The Priest of St. Pauli<\/em>. Video clip: “Everywhere in the world is beautiful”.<\/p>\n

FSK 16 | FSK sticker removable[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator css=”.vc_custom_1653175357110{margin-top: -5px !important;}”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/6″][vc_single_image image=”77180″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”5\/6″][vc_column_text]Blu-Ray:<\/strong><\/p>\n

Unabridged theatrical version re-scanned in 4K for the first time and restored in full HD.<\/p>\n

Aspect ratio: WS 1.66:1 \/ 1080p 24 | Total running time: 92 min<\/p>\n

Sound Format : German DTS-HD Master Audio 2.0 (mono) | Bonus Material: German Trailer, Artwork Gallery, Trailers for The Doctor from St. Pauli u. The Priest from St. Pauli. Video clip: “Everywhere in the world is beautiful”.<\/p>\n

FSK 16 | Reversible cover without FSK logo[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator css=”.vc_custom_1653175357110{margin-top: -5px !important;}”][vc_empty_space height=”10px”][vc_row_inner][vc_column_inner width=”1\/6″][vc_single_image image=”77182″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”5\/6″][vc_column_text]DVD:<\/strong><\/p>\n

Unabridged theatrical version re-scanned in 4K for the first time and restored in full HD.<\/p>\n

Aspect ratio: WS 1.66:1 (anamorphic) | Total running time: 89 min<\/p>\n

Sound Format: German DD 2.0 (mono)<\/p>\n

Bonus material: German trailer, artwork gallery, trailers for The Doctor from St. Pauli u. The Priest from St. Pauli. Video clip: “Everywhere in the world is beautiful”.<\/p>\n

FSK 16 | Reversible cover without FSK logo[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”15px”][vc_separator][vc_empty_space height=”15px”][vc_column_text]<\/p>\n

News<\/span><\/h1>\n

[\/vc_column_text]