{"id":420201,"date":"2026-09-30T10:21:02","date_gmt":"2026-09-30T10:21:02","guid":{"rendered":"https:\/\/ucm.one\/?page_id=420201"},"modified":"2026-10-01T12:09:52","modified_gmt":"2026-10-01T12:09:52","slug":"zombie-2-day-of-the-dead-m-square-pictures","status":"publish","type":"page","link":"https:\/\/ucm.one\/en\/zombie-2-day-of-the-dead-m-square-pictures\/","title":{"rendered":"Zombie 2 &#8211; Day of the Dead | Cinestrange Extreme"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;3\/4&#8243; css=&#8221;.vc_custom_1561291995466{padding-right: 30px !important;}&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h1>Zombie 2 &#8211; Day of the Dead<\/h1>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]George A. Romero brings his original \u201cDead\u201d trilogy to a spectacular conclusion\u2014after 40 years of being banned, <strong>Cinestrange Extreme<\/strong> and <strong><span style=\"font-family: 'arial black', sans-serif;\">UCM.ONE<\/span><\/strong> are bringing the masterpiece \u201cZombie 2: Day of the Dead\u201d to German theaters, for the first time uncut and in 4K. In a world ruled by the undead, human civilization has almost completely collapsed, and in a bunker in Florida, the last survivors are fighting to prevent the extinction of humanity. Who will gain the upper hand: the scientists striving to domesticate the undead? Or the military, which wants to plunge into a blind, frenzied war of annihilation against the overwhelming zombie forces?[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;4\/5&#8243;][vc_message css=&#8221;.vc_custom_1790074572171{padding-bottom: 17px !important;}&#8221;]<strong>Theatrical release:<\/strong> In theaters in Germany starting October 29, 2026.[\/vc_message][\/vc_column_inner][vc_column_inner width=&#8221;1\/5&#8243; css=&#8221;.vc_custom_1770213337653{padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_btn title=&#8221;Showtimes&#8221; color=&#8221;juicy-pink&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; css=&#8221;&#8221; button_block=&#8221;true&#8221; link=&#8221;url:%23spieltermine|&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_single_image image=&#8221;419990&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;419988&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><strong><span style=\"font-size: 14pt;\">Synopsis<\/span><\/strong><\/h3>\n<p>In a world overrun by the undead, human civilization has almost completely collapsed. A small group of survivors\u2014composed of scientists and soldiers\u2014has barricaded itself inside an underground bunker in Florida. Contact with the outside world has long since been severed, and supplies and medicine are growing increasingly scarce.<\/p>\n<p>Inside the bunker, two irreconcilable worldviews clash. On one side is a team of scientists led by Dr. Sarah Bowman and the eccentric Dr. Logan. Logan argues that the undead do not need to be destroyed at all costs, but can be tamed and civilized through conditioning. Logan cites the zombie \u201cBub\u201d as evidence for his theory; Bub seems to remember his former life and even shows signs of empathy.<\/p>\n<p>On the other side are the soldiers led by the increasingly paranoid Captain Rhodes, who takes control following the death of the previous commander. The authoritarian Rhodes and his men are tasked with protecting the researchers, but they view their experiments with open contempt. They demand quick, practical results\u2014or the destruction of all captured undead. When Rhodes discovers that Dr. Logan is misusing the bodies of fallen soldiers for his experiments, a merciless struggle for survival begins.[\/vc_column_text][vc_row_inner][vc_column_inner css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_single_image image=&#8221;419969&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text css=&#8221;.vc_custom_1790066364258{margin-bottom: -10px !important;}&#8221;]<\/p>\n<h3>George A. Romero&#8217;s \u201cDead\u201d film series<\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;35px&#8221;][vc_column_text css=&#8221;&#8221;]George A. Romero\u2019s legendary \u201cDead\u201d series is considered the foundation of modern horror cinema. With his groundbreaking masterpiece &#8220;Night of the Living Dead&#8221; (1968), Romero not only created the iconic figure of the slow-moving, flesh-hungry undead, but also used the horror genre from the very beginning as a sharp allegory of social criticism. The visually raw, black-and-white opener encapsulates the fears of the late 1960s\u2014from the Vietnam War to racial tensions in the U.S.<\/p>\n<p>Ten years later, Romero delivered another masterpiece with &#8220;Dawn of the Dead&#8221; (1978). By trapping the survivors of the zombie apocalypse in a massive, abandoned shopping mall, he weaves macabre horror with a spot-on satire of Western consumer society.<\/p>\n<p>With &#8220;Day of the Dead&#8221; (1985), Romero concludes his original trilogy. In an underground bunker, science and the military clash, highlighting the dangers of rising militarism in the face of a dwindling human civilization. Additionally, with the self-learning zombie \u201cBub,\u201d the film introduces for the first time the idea of the undead possessing their own consciousness.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1581030319933{margin-top: 15px !important;margin-bottom: 36px !important;background-color: #efefef !important;}&#8221;]<style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">.shortcode-single-image-wrap.shortcode-single-image-27d73168a221142199ba87fe0716e437.enable-bg-rollover .rollover i,\n.shortcode-single-image-wrap.shortcode-single-image-27d73168a221142199ba87fe0716e437.enable-bg-rollover .rollover-video i {\n  background: -webkit-linear-gradient();\n  background: linear-gradient();\n}\n.shortcode-single-image-wrap.shortcode-single-image-27d73168a221142199ba87fe0716e437 .rollover-icon {\n  font-size: 32px;\n  color: #ffffff;\n  min-width: 44px;\n  min-height: 44px;\n  line-height: 44px;\n  border-radius: 100px;\n  border-style: solid;\n  border-width: 0px;\n}\n.dt-icon-bg-on.shortcode-single-image-wrap.shortcode-single-image-27d73168a221142199ba87fe0716e437 .rollover-icon {\n  background: rgba(255,255,255,0.3);\n  box-shadow: none;\n}<\/style><div class=\"shortcode-single-image-wrap shortcode-single-image-27d73168a221142199ba87fe0716e437 alignnone  vc_custom_1790154878009 enable-bg-rollover dt-icon-bg-off\" ><div class=\"shortcode-single-image\"><div class=\"fancy-media-wrap\" style=\"\"><a class=\"layzr-bg rollover rollover-zoom dt-pswp-item pswp-image\" href=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/09\/P_Kinoplakat-A1-Zombie-2-Day-of-the-Dead.jpg\" title=\"P_Kinoplakat-A1&#8212;Zombie-2&#8212;Day-of-the-Dead\" data-dt-img-description=\"\" data-large_image_width=\"699\" data-large_image_height = \"1000\"  style=\"\"><img fetchpriority=\"high\" decoding=\"async\" class=\"preload-me lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20699%20999&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/09\/P_Kinoplakat-A1-Zombie-2-Day-of-the-Dead.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/09\/P_Kinoplakat-A1-Zombie-2-Day-of-the-Dead.jpg 699w\" loading=\"eager\" style=\"--ratio: 699 \/ 999\" sizes=\"(max-width: 699px) 100vw, 699px\" width=\"699\" height=\"999\"  data-dt-location=\"https:\/\/ucm.one\/en\/zombie-2-day-of-the-dead\/p_kinoplakat-a1-zombie-2-day-of-the-dead\/\" alt=\"\" \/><\/a><\/div><\/div><\/div>[vc_empty_space height=&#8221;10px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p id=\"u3084-2\"><strong>Original title: <\/strong>Day of the Dead<br \/>\n<strong>Director &amp; writer:<\/strong> George A. Romero<br \/>\n<strong><span style=\"font-family: Arial, sans-serif;\">Cast<\/span>: <\/strong>Lori Cardille, Terry Alexander, Joseph Pilato, Richard Liberty, Howard Sherman and others<br \/>\n<strong>Producers: <\/strong><span class=\"s1\">Richard P. Rubinstein, David Ball (Ko-Produzent), Ed Lammi (Assoziierter Produzent)<\/span><span class=\"s2\">, Salah M. Hassanein<\/span><span class=\"s1\"> (Executive Producer)<br \/>\n<\/span><span style=\"font-family: Arial, sans-serif;\"><strong>Cinematography:<\/strong> Michael Gornick<br \/>\n<\/span><span style=\"font-family: Arial, sans-serif;\"><strong>Editor:<\/strong> Pasquale Buba<br \/>\n<\/span><strong>Sound: <\/strong>Rolf Pardula<br \/>\n<span style=\"font-family: Arial, sans-serif;\"><strong>Music:<\/strong> John Harrison<br \/>\n<strong>Special effects &amp; make-up:<\/strong> Tom Savini<br \/>\n<strong>Genre<\/strong>: Horror, Thriller<br \/>\n<\/span><strong>Production: <\/strong>Laurel Entertainment Inc.<\/p>\n<p><strong>Country of production:<\/strong> USA<br \/>\n<strong>Year of production:<\/strong> 1985<br \/>\n<strong>Language:<\/strong> English<br \/>\n<strong>Subtitles:<\/strong> Deutsch<br \/>\n<strong>Rating:<\/strong> 18<br \/>\n<strong>Runtime:<\/strong> 101 Minutes<br \/>\n<strong>Aspect ratio: <\/strong>1,85<span class=\"s1\">:1<br \/>\n<\/span><strong>Framerate:<\/strong> 24 fps<br \/>\n<strong>Sound:<\/strong> Stereo 2.0[\/vc_column_text][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#a0a0a0&#8243;][vc_column_text css=&#8221;&#8221;]<em>Other titles:<\/em><\/p>\n<p><strong>Theatrical title (Germany, 1987)<\/strong>: Zombie 2 &#8211; Das letzte Kapitel[\/vc_column_text][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#a0a0a0&#8243;][vc_column_text css=&#8221;&#8221;]<strong>Label:<\/strong> Cinestrange Extreme in cooperation with M-Square Pictures<br \/>\n<strong>Distributor:<\/strong> <span style=\"font-family: 'arial black', sans-serif;\"><strong>UCM.ONE<\/strong><\/span><br \/>\n<strong>Booking &amp; Billing:\u00a0<\/strong>24 Bilder<\/p>\n<p><strong>Theatrical release: <\/strong>29.10.2026[\/vc_column_text][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#a0a0a0&#8243;][vc_btn title=&#8221;Press Kit (coming soon)&#8221; color=&#8221;white&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-download&#8221; css=&#8221;.vc_custom_1790325606943{margin-top: -15px !important;}&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;title:Presskit|rel:nofollow|&#8221;][vc_btn title=&#8221;Social Media Clips (coming soon)&#8221; color=&#8221;white&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-download&#8221; css=&#8221;.vc_custom_1790325614903{margin-top: -15px !important;}&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;title:Social%20Media%20Clips|target:_blank|rel:nofollow|&#8221;][vc_btn title=&#8221;Trailer (Download) DCP (coming soon)&#8221; color=&#8221;white&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-download&#8221; css=&#8221;.vc_custom_1790325623788{margin-top: -15px !important;}&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;title:DCP%20Trailer|target:_blank|&#8221;][vc_btn title=&#8221;Trailer (Download) MP4 (coming soon)&#8221; color=&#8221;white&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-download&#8221; css=&#8221;.vc_custom_1790325631180{margin-top: -15px !important;}&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;title:Trailer%20%28Mp4%29|target:_blank|&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_single_image image=&#8221;419992&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;5px&#8221;][vc_column_text css=&#8221;.vc_custom_1790074601107{margin-bottom: -10px !important;}&#8221;]After a two-decade hiatus, Romero returned to his saga in 2005 and expanded it with another trilogy in the years that followed. \u201cLand of the Dead\u201d (2005) depicts a decadent class society in which the rich revel in luxury while the poor do the dirty work and the dead have learned to organize themselves. With \u201cDiary of the Dead\u201d (2007), Romero embraces the modern found-footage format and addresses the sensationalism of new media and the ceaseless flood of disaster images in the age of the Internet. The series concludes with the zombie western \u201cSurvival of the Dead\u201d (2009), which centers on a patriarchal feud between two families on a remote island.<\/p>\n<p>Romero\u2019s central premise runs through all six films: The zombies are never the real threat\u2014it is always humanity\u2019s inability to overcome its own conflicts and work together in the face of existential threats.[\/vc_column_text][vc_empty_space height=&#8221;35px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;420021&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;420017&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;30px&#8221;][vc_column_text css=&#8221;.vc_custom_1790261639882{margin-bottom: -10px !important;}&#8221;]<\/p>\n<h3><strong><span style=\"font-size: 14pt;\">Day of the Dead &#8211; A History of Censorship<\/span><\/strong><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;35px&#8221;][vc_row_inner][vc_column_inner][vc_column_text css=&#8221;&#8221;]George A. Romero\u2019s &#8220;Day of the Dead&#8221; (1985) first hit German theaters in 1987 under the distribution title &#8220;Zombie 2 \u2013 Das letzte Kapitel&#8221; and, over the course of four decades, repeatedly came under scrutiny by German youth protection authorities and the criminal justice system. In no other country did Romero\u2019s masterpiece suffer such severe censorship cuts as it did in Germany.<\/p>\n<p>Even at the time of its theatrical release, the FSK refused to approve the uncut version. In order to be shown in theaters to audiences aged 18 and older, several minutes of highly violent scenes had to be cut. Even on VHS, only a heavily edited version was released; despite the removal of nearly all violent scenes, it was initially placed on the index and shortly thereafter seized nationwide for alleged glorification of violence (Section 131 of the German Criminal Code). For decades, the uncensored version was effectively banned in Germany and could neither be sold nor publicly screened, while the freely available versions\u2014which later flooded the DVD market\u2014were mutilated beyond recognition.<\/p>\n<p>\u201cZombie 2 &#8211; Day of the Dead\u201d caused a curious media scandal in January 2022. The cultural channel arte accidentally aired the uncensored version during late-night programming and in its online video library. Since the film had already been rated for ages 12 and up in France, the editorial team got tangled up in the confusion surrounding the various international cuts. The German public prosecutor\u2019s office launched an investigation into the violation of the distribution ban but subsequently dropped the case, as the broadcast was primarily managed by arte\u2019s headquarters in Strasbourg, France.<\/p>\n<p>In early 2026, the legal situation finally took a decisive turn: All seizures were lifted, and the title was removed from the index. The FSK re-evaluated the film and granted the uncut original version a \u201cNot Approved for Minors\u201d rating (18 and older). This marked the official end of a nearly 40-year censorship odyssey, and \u201cZombie 2 \u2013 Day of the Dead\u201d can now be viewed legally and in its uncut version in Germany for the first time.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_single_image image=&#8221;420105&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;420107&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;30px&#8221;][vc_column_text css=&#8221;.vc_custom_1790001570715{margin-bottom: -10px !important;}&#8221;]<\/p>\n<h3><span style=\"font-size: 14pt;\">About George A . Romero (director &amp; writer)<\/span><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;35px&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;419980&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;3\/4&#8243;][vc_column_text css=&#8221;&#8221;]<strong>George Andrew Romero<\/strong> was born on February 4, 1940, in New York City to a Cuban father and a Lithuanian-American mother. Even as a child, he developed a strong passion for filmmaking and, at the age of 14, began shooting his first short films with an 8mm camera. After studying graphic design at Carnegie Mellon University in Pittsburgh, he co-founded the production company The Latent Image with friends, initially using it to shoot commercials and short films.<\/p>\n<p>Romero achieved his international breakthrough in 1968 with his feature film debut, &#8220;Night of the Living Dead&#8221;. Produced independently on an extremely low budget, this black-and-white film completely redefined the horror genre. With it, Romero created the modern concept of the slow-moving, man-eating undead and deliberately used the genre as a platform for socially critical subtexts.<\/p>\n<p>In the decades that followed, Romero consistently expanded his body of work. His six-part \u201cDead\u201d series, in particular, achieved cult status not only among horror fans. While \u201cDawn of the Dead\u201d (1978) is set in a shopping mall and serves as a biting satire on consumer-driven U.S. society, \u201cDay of the Dead\u201d (1985) explores the fatal power struggle between the military and the scientific community. Twenty years later, Romero continued the \u201cDead\u201d series once again, addressing current issues such as social inequality and media hysteria in \u201cLand of the Dead\u201d (2005), \u201cDiary of the Dead\u201d (2007), and \u201cSurvival of the Dead\u201d (2009).<\/p>\n<p>Throughout his life, Romero was regarded as a pioneer of independent U.S. cinema. He steadfastly refused to fully submit to the commercial pressures of the major Hollywood studio system in order to preserve his artistic freedom and uncompromising vision. George A. Romero passed away on July 16, 2017, at the age of 77.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_single_image image=&#8221;419971&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1682784923718{background-color: #ffffff !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1789989310812{margin-bottom: -12px !important;}&#8221;]<span style=\"font-size: 12pt;\">Filmography (feature films)<\/span>[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][vc_row_inner css=&#8221;.vc_custom_1682790211450{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #ffffff !important;border-radius: 5px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1789989140558{margin-bottom: -5px !important;padding-bottom: 5px !important;}&#8221;]<\/p>\n<table style=\"border-collapse: collapse; width: 97.4003%; height: 236px;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.758003%; vertical-align: top; height: 22px;\">2009<\/td>\n<td style=\"width: 81.241997%; height: 22px;\">\n<p class=\"p1\"><span class=\"s1\"><strong>Survival of the Dead\u00a0<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.758003%; height: 22px; vertical-align: top;\">2007<\/td>\n<td style=\"width: 81.241997%; height: 22px;\">\n<p class=\"p1\"><span class=\"s1\"><strong>Diary of the Dead<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 32px;\">\n<td style=\"width: 18.758%; vertical-align: top; height: 32px;\">2005<\/td>\n<td style=\"width: 81.242%; height: 32px;\">\n<p class=\"p1\"><span class=\"s1\"><strong>Land of the Dead<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 32px;\">\n<td style=\"width: 18.758%; vertical-align: top; height: 32px;\">2000<\/td>\n<td style=\"width: 81.242%; height: 32px;\">\n<p class=\"p1\"><span class=\"s1\"><strong>Bruiser<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 32px;\">\n<td style=\"width: 18.758%; vertical-align: top; height: 32px;\">1993<\/td>\n<td style=\"width: 81.242%; height: 32px;\">\n<p class=\"p1\"><span class=\"s1\"><strong>The Dark Half<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 32px;\">\n<td style=\"width: 18.758%; vertical-align: top; height: 32px;\">1990<\/td>\n<td style=\"width: 81.242%; height: 32px;\">\n<p class=\"p1\"><span class=\"s1\"><strong>Two Evil Eyes\u00a0<\/strong>(with Dario Argento)<\/span><\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 32px;\">\n<td style=\"width: 18.758%; vertical-align: top; height: 32px;\">1988<\/td>\n<td style=\"width: 81.242%; height: 32px;\">\n<p class=\"p1\"><span class=\"s1\"><strong>Monkey Shines<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 32px;\">\n<td style=\"width: 18.758%; vertical-align: top; height: 32px;\">1985<\/td>\n<td style=\"width: 81.242%; height: 32px;\">\n<p class=\"p1\"><span class=\"s1\"><strong>Day of the Dead<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.758%; vertical-align: top;\">1982<\/td>\n<td style=\"width: 81.242%;\">\n<p class=\"p1\"><span class=\"s1\"><strong>Creepshow<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1789989296111{margin-bottom: -5px !important;padding-bottom: 5px !important;}&#8221;]<\/p>\n<table style=\"border-collapse: collapse; width: 97.4003%; height: 55px;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.758003%; height: 23px; text-align: left; vertical-align: top;\">1981<\/td>\n<td style=\"width: 81.241997%; height: 23px;\">\n<p class=\"p1\"><span class=\"s1\"><strong>Knightriders<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.758003%; vertical-align: top; height: 22px;\">1978<\/td>\n<td style=\"width: 81.241997%; height: 22px;\">\n<p class=\"p1\"><span class=\"s1\"><strong>Dawn of the Dead<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.758%; vertical-align: top;\">1977<\/td>\n<td style=\"width: 81.242%;\">\n<p class=\"p1\"><span class=\"s1\"><strong>Martin<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.758%; vertical-align: top;\">1975<\/td>\n<td style=\"width: 81.242%;\">\n<p class=\"p1\"><span class=\"s1\"><strong>The Amusement Park<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.758%; vertical-align: top;\">1973<\/td>\n<td style=\"width: 81.242%;\">\n<p class=\"p1\"><span class=\"s1\"><strong>Crazies<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.758%; vertical-align: top;\">1972<\/td>\n<td style=\"width: 81.242%;\">\n<p class=\"p1\"><span class=\"s1\"><strong>Season of the Witch<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.758%; vertical-align: top;\">1971<\/td>\n<td style=\"width: 81.242%;\">\n<p class=\"p1\"><span class=\"s1\"><strong>There&#8217;s Always Vanilla<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.758%; vertical-align: top;\">1968<\/td>\n<td style=\"width: 81.242%;\">\n<p class=\"p1\"><span class=\"s1\"><strong>Night of the Living Dead<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;35px&#8221;][vc_column_text css=&#8221;.vc_custom_1790001663224{margin-bottom: -10px !important;}&#8221;]<\/p>\n<h3><span style=\"font-size: 14pt;\">About Tom Savini (effects &amp; make-up)<\/span><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;35px&#8221;][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<br \/>\n<strong>Tom Savini<\/strong> is a special effects artist, makeup artist, director, and actor. He is considered one of the most influential pioneers of splatter and gore cinema. His experiences as a photographer for the U.S. Army during the Vietnam War shaped his stark, uncompromising realism in depicting anatomical injuries and blood effects.<\/p>\n<p>He achieved his international breakthrough through his close collaboration with George A. Romero. Following his groundbreaking special effects for &#8220;Martin&#8221; (1977), &#8220;Dawn of the Dead&#8221; (1978), and &#8220;Creepshow&#8221; (1982), Savini developed extremely elaborate, highly realistic prosthetics and gore effects for &#8220;Day of the Dead&#8221;\u2014such as the dismemberment of bodies, the feeding scenes of the undead, and the makeup for the intelligent zombie Bub. For this outstanding work, he was awarded the Saturn Award for Best Special Effects.<\/p>\n<p>In addition to his work behind the camera, Savini regularly appears as an actor, including in \u201cFrom Dusk Till Dawn\u201d (1996), \u201cPlanet Terror\u201d (2007), and \u201cMachete\u201d (2010). In 1990, he also directed the remake of the Romero classic \u201cNight of the Living Dead.\u201d<br \/>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;420012&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_single_image image=&#8221;419975&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1790001836294{background-color: #ffffff !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1790071805316{margin-bottom: -12px !important;}&#8221;]<span style=\"font-size: 12pt;\">Filmography (selection)<\/span>[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][vc_row_inner css=&#8221;.vc_custom_1682790211450{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #ffffff !important;border-radius: 5px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1790070347606{margin-bottom: -5px !important;padding-bottom: 5px !important;}&#8221;]<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 55px;\">\n<tbody>\n<tr style=\"height: 25px;\">\n<td style=\"width: 18.758003%; height: 10px; vertical-align: top;\">2002<\/td>\n<td style=\"width: 81.241997%; height: 10px;\"><strong>Ted Bundy<\/strong> Director: Matthew Bright<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.758003%; height: 23px; text-align: left; vertical-align: top;\">1993<\/td>\n<td style=\"width: 81.241997%; height: 23px;\"><strong>Trauma <\/strong>Director: Dario Argento<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.758003%; vertical-align: top; height: 22px;\">1993<\/td>\n<td style=\"width: 81.241997%; height: 22px;\"><b>Necronomicon<\/b> Directors: Brian Yuzna, Christophe Gans, Shusuke Kaneko<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.758%; vertical-align: top;\">1986<\/td>\n<td style=\"width: 81.242%;\"><b>The Texas Chainsaw Massacre 2\u00a0<\/b>Director: Tobe Hooper<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.758%; vertical-align: top;\">1985<\/td>\n<td style=\"width: 81.242%;\"><b>Day of the Dead <\/b>Director: George A. Romero<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.758%; vertical-align: top;\">1984<\/td>\n<td style=\"width: 81.242%;\"><b>Friday the 13th &#8211; The Final Chapter <\/b>Director: Joseph Zito<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.758%; vertical-align: top;\">1982<\/td>\n<td style=\"width: 81.242%;\"><b>Creepshow<\/b> Director: George A. Romero<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1790070604903{margin-bottom: -5px !important;padding-bottom: 5px !important;}&#8221;]<\/p>\n<table style=\"border-collapse: collapse; width: 97.4003%; height: 55px;\">\n<tbody>\n<tr>\n<td style=\"width: 18.758003%; vertical-align: top;\">1981<\/td>\n<td style=\"width: 81.241997%;\"><b>The Burning <\/b>Director: Tony Maylam<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.758%; vertical-align: top;\">1981<\/td>\n<td style=\"width: 81.242%;\"><strong>The Prowler <\/strong>Director: Joseph Zito<\/td>\n<\/tr>\n<tr style=\"height: 25px;\">\n<td style=\"width: 18.758003%; height: 10px; vertical-align: top;\">1980<\/td>\n<td style=\"width: 81.241997%; height: 10px;\"><strong>Maniac<\/strong> Director: William Lustig<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.758003%; height: 23px; text-align: left; vertical-align: top;\">1980<\/td>\n<td style=\"width: 81.241997%; height: 23px;\"><strong>Friday the 13th <\/strong>Director: Sean S. Cunningham<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.758%; vertical-align: top;\">1978<\/td>\n<td style=\"width: 81.242%;\"><b>Dawn of the Dead <\/b>Director: George A. Romero<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.758%; vertical-align: top;\">1977<\/td>\n<td style=\"width: 81.242%;\"><b>Martin\u00a0<\/b>Director: George A. Romero<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_single_image image=&#8221;419982&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;50px&#8221;][vc_column_text css=&#8221;.vc_custom_1790070983650{margin-bottom: -10px !important;}&#8221;]<\/p>\n<h3><span style=\"font-size: 14pt;\">About Lori Cardille (Dr. Sarah Bowman)<\/span><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;35px&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;419996&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243; css=&#8221;.vc_custom_1710808973342{margin-top: -10px !important;}&#8221;][vc_column_text css=&#8221;&#8221;]<br \/>\n<strong>Lori Cardille<\/strong> comes from a family of artists\u2014her father, Bill Cardille, was the host of the late-night horror movie show \u201cChiller Theatre\u201d and appeared as a reporter in George A. Romero&#8217;s horror classic \u201cNight of the Living Dead\u201d (1968). Lori Cardille played her best-known role in 1985 in Romero\u2019s \u201cDay of the Dead\u201d as the scientist Dr. Sarah Bowman. For her compelling performance, she was awarded Best Actress at the 1985 Sitges Film Festival. Later, she was primarily active in U.S. television and theater.<br \/>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1790070843550{background-color: #ffffff !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1790071040404{margin-bottom: -12px !important;}&#8221;]<span style=\"font-size: 12pt;\">Filmography (selection)<\/span>[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][vc_row_inner css=&#8221;.vc_custom_1682790211450{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #ffffff !important;border-radius: 5px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1790073042311{margin-bottom: -5px !important;padding-bottom: 5px !important;}&#8221;]<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 23px;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.587354%; vertical-align: top; height: 10px;\">2024<\/td>\n<td style=\"width: 81.412646%; height: 10px;\"><b><b><b>There&#8217;s a Zombie Outside <\/b><\/b><\/b>Director: Michael Varrati<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.5874%; vertical-align: top;\">2023<\/td>\n<td style=\"width: 81.4126%;\"><b><b><b>The Trip\u00a0<\/b><\/b><\/b>Director: Dean Jacobs<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1790073113339{margin-bottom: -5px !important;padding-bottom: 5px !important;}&#8221;]<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 23px;\">\n<tbody>\n<tr style=\"height: 13px;\">\n<td style=\"width: 18.587354%; vertical-align: top; height: 13px;\">1994<\/td>\n<td style=\"width: 81.412646%; height: 13px;\"><b><b><b>No Pets <\/b><\/b><\/b><span style=\"font-family: inherit; font-size: inherit;\">Director: Tony Buba\u00a0\u00a0<\/span><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.587354%; vertical-align: top; height: 10px;\">1985<\/td>\n<td style=\"width: 81.412646%; height: 10px;\"><b><b><b>Day of the Dead <\/b><\/b><\/b>Director: George A. Romero<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;35px&#8221;][vc_column_text css=&#8221;.vc_custom_1790071249206{margin-bottom: -10px !important;}&#8221;]<\/p>\n<h3><span style=\"font-size: 14pt;\">About Joseph Pilato (Captain Henry Rhodes)<\/span><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;35px&#8221;][vc_row_inner][vc_column_inner width=&#8221;3\/5&#8243;][vc_column_text css=&#8221;&#8221;]<br \/>\nJoseph Pilato was an American actor and voice actor. He is best known for his collaboration with George A. Romero, appearing in several of his films. After a bit part in Romero\u2019s &#8220;Dawn of the Dead&#8221; (1978) and a minor role in &#8220;Knightriders&#8221; (1981), Pilato took on his most memorable leading role in &#8220;Day of the Dead&#8221; (1985). As the ruthless military commander Captain Rhodes, he created one of the horror genre\u2019s most unforgettable antagonists. In addition to his appearances in Romero\u2019s films, Pilato played a small role in Quentin Tarantino\u2019s \u201cPulp Fiction\u201d (1994) and worked for many years as a sought-after voice actor for animated series and anime.<br \/>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;2\/5&#8243;][vc_single_image image=&#8221;419998&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1790070843550{background-color: #ffffff !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1790239250263{margin-bottom: -12px !important;}&#8221;]<span style=\"font-size: 12pt;\">Filmography (selection)<\/span>[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][vc_row_inner css=&#8221;.vc_custom_1682790211450{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #ffffff !important;border-radius: 5px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1790073464358{margin-bottom: -5px !important;padding-bottom: 5px !important;}&#8221;]<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 54px;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.587354%; vertical-align: top; height: 10px;\">1997<\/td>\n<td style=\"width: 81.412646%; height: 10px;\"><b><b><b>Wishmaster <\/b><\/b><\/b>Director: Robert Kurtzman<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.5874%; vertical-align: top; height: 22px;\">1994<\/td>\n<td style=\"width: 81.4126%; height: 22px;\"><b><b><b>Pulp Fiction <\/b><\/b><\/b>Director: Quentin Tarantino<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.5874%; vertical-align: top; height: 22px;\">1986<\/td>\n<td style=\"width: 81.4126%; height: 22px;\"><b><b><b>Gung Ho\u00a0<\/b><\/b><\/b>Director: Ron Howard<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1790073301095{margin-bottom: -5px !important;padding-bottom: 5px !important;}&#8221;]<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 23px;\">\n<tbody>\n<tr>\n<td style=\"width: 18.5874%; vertical-align: top;\">1985<\/td>\n<td style=\"width: 81.4126%;\"><b><b><b>Day of the Dead <\/b><\/b><\/b>Director: George A. Romero<\/td>\n<\/tr>\n<tr style=\"height: 13px;\">\n<td style=\"width: 18.587354%; vertical-align: top; height: 13px;\">1981<\/td>\n<td style=\"width: 81.412646%; height: 13px;\"><b><b><b>Knightriders <\/b><\/b><\/b><span style=\"font-family: inherit; font-size: inherit;\">Director: George A. Romero\u00a0\u00a0<\/span><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.587354%; vertical-align: top; height: 10px;\">1978<\/td>\n<td style=\"width: 81.412646%; height: 10px;\"><b><b><b>Dawn of the Dead <\/b><\/b><\/b>Director: George A. Romero<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1785248891962{background-color: #ffffff !important;}&#8221;][vc_column][vc_row_inner][vc_column_inner][vc_single_image image=&#8221;420004&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;30px&#8221;][vc_column_text css=&#8221;.vc_custom_1790071209268{margin-bottom: -10px !important;}&#8221;]<\/p>\n<h3><span style=\"font-size: 14pt;\">About Richard Liberty (Dr. Matthew Logan)<\/span><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;35px&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;420000&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243; css=&#8221;.vc_custom_1710808973342{margin-top: -10px !important;}&#8221;][vc_column_text css=&#8221;&#8221;]<br \/>\nRichard Liberty was an American actor. His career spanned numerous film and television productions, including appearances in \u201cThe Final Countdown\u201d (1980), \u201cMiami Vice,\u201d and \u201cMiami Supercops.\u201d Liberty had a long-standing relationship with cult director George A. Romero. As early as 1973, he took on a role in Romero\u2019s sci-fi horror film &#8220;The Crazies&#8221;. He ultimately played his most famous role in 1985 in Romero\u2019s &#8220;Day of the Dead&#8221; as the eccentric scientist Dr. Logan.<br \/>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1790070843550{background-color: #ffffff !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1790073541211{margin-bottom: -12px !important;}&#8221;]<span style=\"font-size: 12pt;\">Filmography (selection)<\/span>[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][vc_row_inner css=&#8221;.vc_custom_1682790211450{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #ffffff !important;border-radius: 5px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1790073687174{margin-bottom: -5px !important;padding-bottom: 5px !important;}&#8221;]<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 23px;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.5874%; vertical-align: top; height: 10px;\">1995<\/td>\n<td style=\"width: 81.4126%; height: 10px;\"><b><b><b>Just Cause <\/b><\/b><\/b>Director: Arne Glimcher<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.5874%; vertical-align: top;\">1986<\/td>\n<td style=\"width: 81.4126%;\"><b><b><b>Flight of the Navigator <\/b><\/b><\/b>Director: Randal Kleiser<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.5874%; vertical-align: top;\">1985<\/td>\n<td style=\"width: 81.4126%;\"><b><b><b>Miami Supercops <\/b><\/b><\/b>Director: Bruno Corbucci<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.5874%; vertical-align: top;\">1985<\/td>\n<td style=\"width: 81.4126%;\"><b><b><b>Day of the Dead<\/b><\/b><\/b> Director: George A. Romero<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1790073825629{margin-bottom: -5px !important;padding-bottom: 5px !important;}&#8221;]<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 23px;\">\n<tbody>\n<tr style=\"height: 13px;\">\n<td style=\"width: 18.587354%; vertical-align: top; height: 13px;\">1985<\/td>\n<td style=\"width: 81.412646%; height: 13px;\"><b><b><b>The Mean Season <\/b><\/b><\/b><span style=\"font-family: inherit; font-size: inherit;\">Director: Philip Borsos\u00a0\u00a0<\/span><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.587354%; vertical-align: top; height: 10px;\">1983<\/td>\n<td style=\"width: 81.412646%; height: 10px;\"><b><b><b>Porky&#8217;s II &#8211; The Day After <\/b><\/b><\/b>Director: Bob Clark<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.5874%; vertical-align: top;\">1980<\/td>\n<td style=\"width: 81.4126%;\"><b><b><b>The Final Countdown <\/b><\/b><\/b>Director: Don Taylor<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.5874%; vertical-align: top;\">1973<\/td>\n<td style=\"width: 81.4126%;\"><b><b><b>The Crazies <\/b><\/b><\/b>Director: George A. Romero<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;35px&#8221;][vc_column_text css=&#8221;.vc_custom_1790071298805{margin-bottom: -10px !important;}&#8221;]<\/p>\n<h3><span style=\"font-size: 14pt;\">About Howard Sherman (Bub)<\/span><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;35px&#8221;][vc_row_inner][vc_column_inner width=&#8221;3\/5&#8243;][vc_column_text css=&#8221;&#8221;]<br \/>\nHoward Sherman, later often referred to as Sherman Howard, is an actor and voice actor. His versatility established him in theater, film, and television, including roles in series such as \u201cSuperboy\u201d (as Lex Luthor) and \u201cStar Trek: The Next Generation.\u201d However, it was his collaboration with George A. Romero in \u201cDay of the Dead\u201d (1985) that made him unforgettable. Directed by Romero, Sherman played the iconic role of Bub, the intelligent zombie. Through his nuanced, surprisingly human, and touching performance, he gave the character astonishing depth.<br \/>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;2\/5&#8243;][vc_single_image image=&#8221;420002&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1790070843550{background-color: #ffffff !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1790239263218{margin-bottom: -12px !important;}&#8221;]<span style=\"font-size: 12pt;\">Filmography (selection)<\/span>[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][vc_row_inner css=&#8221;.vc_custom_1682790211450{margin-bottom: -25px !important;padding-bottom: -25px !important;background-color: #ffffff !important;border-radius: 5px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1790074041106{margin-bottom: -5px !important;padding-bottom: 5px !important;}&#8221;]<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 23px;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.587354%; vertical-align: top; height: 10px;\">1991<\/td>\n<td style=\"width: 81.412646%; height: 10px;\"><b><b><b>Ricochet <\/b><\/b><\/b>Director: Russell Mulcahy<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.5874%; vertical-align: top;\">1990<\/td>\n<td style=\"width: 81.4126%;\"><b><b><b>I Come in Peace <\/b><\/b><\/b>Director: Craig R. Baxley<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.5874%; vertical-align: top;\">1989<\/td>\n<td style=\"width: 81.4126%;\"><b><b><b>Casualties of War <\/b><\/b><\/b>Director: Brian De Palma<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.5874%; vertical-align: top;\">1989<\/td>\n<td style=\"width: 81.4126%;\"><b><b><b>Lethal Weapon 2 <\/b><\/b><\/b>Director: Richard Donner<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1790074189937{margin-bottom: -5px !important;padding-bottom: 5px !important;}&#8221;]<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 23px;\">\n<tbody>\n<tr style=\"height: 13px;\">\n<td style=\"width: 18.587354%; vertical-align: top; height: 13px;\">1989<\/td>\n<td style=\"width: 81.412646%; height: 13px;\"><b><b><b>K-9 <\/b><\/b><\/b><span style=\"font-family: inherit; font-size: inherit;\">Director: Rod Daniel\u00a0\u00a0<\/span><\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 18.587354%; vertical-align: top; height: 10px;\">1988<\/td>\n<td style=\"width: 81.412646%; height: 10px;\"><b><b><b>The House on Carroll Street <\/b><\/b><\/b>Director: Peter Yates<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.5874%; vertical-align: top;\">1985<\/td>\n<td style=\"width: 81.4126%;\"><b><b><b>Day of the Dead <\/b><\/b><\/b>Director: George A. Romero<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 18.5874%; vertical-align: top;\">1984<\/td>\n<td style=\"width: 81.4126%;\"><b><b><b>Grace Quigley <\/b><\/b><\/b>Director: Anthony Harvey<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;420023&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;420019&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row el_id=&#8221;spieltermine&#8221;][vc_column][vc_separator][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><span style=\"font-family: arial, helvetica, sans-serif;\">Screening dates <\/span>(coming soon)<\/h3>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221;][vc_column][vc_raw_html css=&#8221;&#8221;]<style>
.fs-week summary{background:#232733;color:#ffffff;padding:12px 15px;font-weight:bold;font-size:16px;cursor:pointer;list-style:none;display:flex;justify-content:space-between;align-items:center}
.fs-week summary::-webkit-details-marker{display:none}
.fs-week summary::after{content:'Termine einblenden \25B8';font-size:13px;padding:2px 8px;border:1px solid rgba(255,255,255,0.4);border-radius:3px;margin-left:10px}
.fs-week[open] summary::after{content:'Termine ausblenden \25BE'}
.fs-premiere{box-sizing:border-box;border:3px solid #ffd166}
.fs-premiere table{margin:0}
.fs-premiere summary{background:#7a1620;color:#ffd166}
.fs-premiere summary::after{border-color:rgba(255,209,102,0.6)}
</style><br><br><div style="margin-bottom: 30px; font-family: inherit;">
<details class="fs-week fs-premiere" open>
<summary><span><span style="color:#ffd166">★</span> KINOPREMIERE</span><span style="font-size:12px;font-weight:normal;opacity:0.7;margin-left:auto"> (Letztes Update: 28.07.26 16:21)</span></summary>
<table style="width: 100%; border-collapse: collapse;">
<tbody>
<tr style="background: #fdeceb;">
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 30%;">Di, 04.08., 20:00</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 35%;">Berlin – Kino in der Kulturbrauerei</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 35%;">Mit Filmgespräch · <a href="https://www.cinestar.de/berlin-kino-in-der-kulturbrauerei/veranstaltung-flieg-steil-premiere-in-anwesenheit-von-regisseurinnen-cast-crew" target="_blank" rel="noopener" style="color:#c92a20;text-decoration:underline;font-weight:bold;">Tickets</a></td>
</tr>
</tbody>
</table>
</details>
</div><br><div style="margin-bottom: 30px; font-family: inherit;">
<details class="fs-week" open>
<summary><span><span style="color:#ffd166">★</span> PREVIEWS & SONDERVORSTELLUNGEN</span><span style="font-size:12px;font-weight:normal;opacity:0.7;margin-left:auto"> (Letztes Update: 28.07.26 16:21)</span></summary>
<table style="width: 100%; border-collapse: collapse;">
<tbody>
<tr style="background: #fdeceb;">
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 30%;">Mi, 05.08., 19:30</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 35%;">Magdeburg – Studiokino</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 35%;">Mit Filmgespräch · <a href="https://www.studiokino.com/news" target="_blank" rel="noopener" style="color:#c92a20;text-decoration:underline;font-weight:bold;">Tickets</a></td>
</tr>
</tbody>
</table>
</details>
</div><br><div data-week="1" style="margin-bottom: 30px; font-family: inherit;">
<details class="fs-week" open>
<summary><span>SPIELWOCHE 1 – ab 06. August 2026</span><span style="font-size:12px;font-weight:normal;opacity:0.7;margin-left:auto"> (Letztes Update: 28.07.26 16:21)</span></summary>
<table style="width: 100%; border-collapse: collapse;">
<tbody>
<tr>
<td style="background: #4a5160; color: #ffffff; padding: 8px 15px; font-weight: bold;" colspan="3">DEUTSCHLAND</td>
</tr>
<tr style="background: #ffffff;">
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">Berlin</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 50%;">Tilsiter Lichtspiele</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">OF · <a href="https://tilsiter-lichtspiele.de/" target="_blank" rel="noopener" style="color:#c92a20;text-decoration:underline;font-weight:bold;">Tickets</a></td>
</tr>
<tr style="background: #f5f3f1;">
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">Berlin</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 50%;">Sputnik (am Südstern)</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">OmeU · <a href="https://www.sputnik-kino.com/" target="_blank" rel="noopener" style="color:#c92a20;text-decoration:underline;font-weight:bold;">Tickets</a></td>
</tr>
<tr style="background: #ffffff;">
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">Dresden</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 50%;">Zentralkino</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">OF · <a href="https://zentralkino.de/" target="_blank" rel="noopener" style="color:#c92a20;text-decoration:underline;font-weight:bold;">Tickets</a></td>
</tr>
<tr style="background: #f5f3f1;">
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">Düsseldorf</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 50%;">Metropol (Filmkunstkinos)</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">OF · <a href="https://filmkunstkinos.de/filme/flieg-steil-2024/" target="_blank" rel="noopener" style="color:#c92a20;text-decoration:underline;font-weight:bold;">Tickets</a></td>
</tr>
<tr style="background: #ffffff;">
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">Freiburg</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 50%;">Friedrichsbau</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">OF · <a href="https://friedrichsbau-kino.de/filme/flieg-steil-51433/" target="_blank" rel="noopener" style="color:#c92a20;text-decoration:underline;font-weight:bold;">Tickets</a></td>
</tr>
<tr style="background: #f5f3f1;">
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">Hamburg</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 50%;">Studio-Kino</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">OF · <a href="https://www.studio-kino.de/" target="_blank" rel="noopener" style="color:#c92a20;text-decoration:underline;font-weight:bold;">Tickets</a></td>
</tr>
<tr style="background: #ffffff;">
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">Kornwestheim</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 50%;">Capitol (Lichtspiele)</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">OF · <a href="https://capitol-kornwestheim.de/" target="_blank" rel="noopener" style="color:#c92a20;text-decoration:underline;font-weight:bold;">Tickets</a></td>
</tr>
<tr style="background: #f5f3f1;">
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">Leipzig</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 50%;">Luru-Kino (Spinnerei)</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">OF · <a href="https://www.luru-kino.de/" target="_blank" rel="noopener" style="color:#c92a20;text-decoration:underline;font-weight:bold;">Tickets</a></td>
</tr>
<tr style="background: #ffffff;">
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">Magdeburg</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 50%;">Studio(kino)</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">OF · <a href="https://www.studiokino.com/" target="_blank" rel="noopener" style="color:#c92a20;text-decoration:underline;font-weight:bold;">Tickets</a></td>
</tr>
<tr style="background: #f5f3f1;">
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">München</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 50%;">Werkstattkino</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">OF · <a href="https://werkstattkino.de/" target="_blank" rel="noopener" style="color:#c92a20;text-decoration:underline;font-weight:bold;">Tickets</a></td>
</tr>
<tr style="background: #ffffff;">
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">Stuttgart</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 50%;">EM (Innenstadtkinos)</td>
<td style="padding: 8px 15px; border: 1px solid #e6e2df; width: 25%;">OF · <a href="https://www.innenstadtkinos.de/" target="_blank" rel="noopener" style="color:#c92a20;text-decoration:underline;font-weight:bold;">Tickets</a></td>
</tr>
</tbody>
</table>
</details>
</div><br><script>
(function(){
var d=new Date(),m=d.getMonth()+1,day=d.getDate(),y=d.getFullYear(),cur=0;
if(y===2026&&m===8&&day>=6)cur=1;
if(!cur)return;
var divs=document.querySelectorAll('[data-week]');
for(var i=0;i<divs.length;i++){
var w=parseInt(divs[i].getAttribute('data-week')),det=divs[i].querySelector('details');
if(!det)continue;
if(w>=cur)det.setAttribute('open','');
else det.removeAttribute('open');
}
})();
</script><br>[\/vc_raw_html][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;25px&#8221;][vc_video link=&#8221;https:\/\/youtu.be\/MYMY3k_leGo&#8221; css=&#8221;&#8221; title=&#8221;Zombie 2 &#8211; Day of the Dead | Trailer (German)&#8221;][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<h2 style=\"font-weight: 400;\">Pressestimmen<\/h2>\n<p style=\"font-weight: 400;\"><em>\u201e&#8221;Flieg steil\u201c ist ein erfrischend energetisches Regiedeb\u00fct \u00fcber die Gegens\u00e4tze von Links und Rechts und alles, was dazwischen liegt.&#8221; <\/em>(<strong>S\u00fcdwest Presse<\/strong>)<\/p>\n<p style=\"font-weight: 400;\"><em>\u201e&#8221;Flieg steil\u201c wirkt wie die Verwirklichung eines bis dahin nie so ganz eingel\u00f6sten Versprechens dieser Bewegung: Filme zu drehen, die frisch und unmittelbar, zeitgeistig und herausfordernd &#8211; und die querstehen zur beh\u00e4bigeren Produktionsroutine des F\u00f6rderkinos.&#8221; <\/em>(<strong>KNA<\/strong>)<\/p>\n<p style=\"font-weight: 400;\"><em>\u201eJunges, wildes Indiedrama&#8221; <\/em>(<strong>SPOT<\/strong>)<\/p>\n<p style=\"font-weight: 400;\"><em>\u201e&#8221;Flieg steil\u201c ist genau richtig beim engagierten Label Darling Berlin, das sich dem jungen, wilden Independentfilm aus Berlin verschrieben hat und v\u201eFlieg steil\u201c am 6. August 2026 ver\u00f6ffentlicht. Wie beim Filmfest Oldenburg schlie\u00dft sich auch hier ein Kreis: Das Label brachte mit \u201eLove Steaks\u201c seinen ersten Titel heraus. Jakob Lass hat \u00fcbrigens auch einen Auftritt in \u201eFlieg steil\u201c. Tom Lass, der Cooper und Radunski in \u201eBlind &amp; h\u00e4sslich\u201c in Nebenrollen inszenierte, spielt Cervezito im neuen, wahrhaft jungen, wilden Titel, der auch von UCM produziert wurde. Eine prominente Unterst\u00fctzerin des Films ist Charlotte Roche, die als assoziierte Produzentin wirkt. Man darf gespannt sein, was Cooper und Sch\u00f6ne-Radunski als N\u00e4chstes auf die Beine stellen.&#8221; <\/em>(<strong>SPOT<\/strong>)<\/p>\n<p style=\"font-weight: 400;\"><em>\u201e&#8221;Flieg steil\u201c ist eine ungew\u00f6hnliche Politfarce mit mutigen Ideen und einem starken Finale.&#8221; <\/em>(<strong>film-rezensionen.de<\/strong><a href=\"http:\/\/film-rezensionen.de\/\">)<\/a><\/p>\n<p style=\"font-weight: 400;\"><em>\u201e<\/em><em>Der Spielfilm &#8220;Flieg steil&#8221; seziert mit scharfem Blick die Widerspr\u00fcche radikaler Subkulturen, zeigt, wie Zugeh\u00f6rigkeit und Ausgrenzung sich gegenseitig bedingen \u2013 und fragt, wer oder was am Ende noch \u00fcbrigbleibt.&#8221; <\/em>(<strong>Queer.de<\/strong>)<\/p>\n<p style=\"font-weight: 400;\"><em>\u201e<\/em><em>Die gro\u00dfe St\u00e4rke von \u201eFlieg steil\u201c liegt darin, solche Widerspr\u00fcche kenntlich zu machen, ohne sie p\u00e4dagogisch aufzul\u00f6sen. Nicht von ungef\u00e4hr erinnern der bisweilen improvisiert wirkende Erz\u00e4hlton und die Nervosit\u00e4t der Kamera an die Filme des sogenannten German Mumblecore, einer der wenigen genuinen unabh\u00e4ngigen Filmbewegungen im deutschen Kino der letzten Jahrzehnte. Als Schauspielerinnen waren Martina Sch\u00f6ne-Radunski und Lana Cooper in den fr\u00fchen bis mittleren 2010er-Jahren an zahlreichen Mumblecore-Produktionen der Br\u00fcder Tom und Jakob Lass oder von Philipp Eichholtz pr\u00e4gend beteiligt. \u201eFlieg steil\u201c wirkt wie die Verwirklichung eines bis dahin nie so ganz eingel\u00f6sten Versprechens dieser Bewegung: Filme zu drehen, die frisch und unmittelbar, zeitgeistig und herausfordernd sind \u2013 und die querstehen zur beh\u00e4bigeren Produktionsroutine des F\u00f6rderkinos.&#8221; <\/em>(<strong>Filmdienst<\/strong>)<\/p>\n<p style=\"font-weight: 400;\"><em>\u201e&#8221;Flieg steil\u201c ist kompromisslos-exzentrisches, unangepasstes Underground-Kino, das sich einer klaren Gut-B\u00f6se-Zuschreibung verweigert.&#8221; <\/em>(<strong>Programmkino.de<\/strong>)<\/p>\n<p style=\"font-weight: 400;\"><em>\u201e<\/em><em>Einen Meilenstein des deutschen Kinos wie \u201eOi! Warning\u201c (1999) oder \u201eKriegerin\u201c&#8221; (2011)&#8221;<\/em> (<strong>kinozeit<\/strong>)<\/p>\n<p style=\"font-weight: 400;\"><em>\u201e<\/em><em>Das Regiedeb\u00fct von Martina Sch\u00f6ne-Radunski handelt von jungen Menschen zwischen den politischen Extremen.&#8221;<\/em> (<strong>NWZ<\/strong>)<\/p>\n<p style=\"font-weight: 400;\"><em>\u201ekleiner, feiner, vielleicht ein bisschen unausgegorener, aber sympathischer Film <\/em><em>und engagiert dazu!&#8221; <\/em>(<strong>Filmjournalisten.de<\/strong>)<\/p>\n<p style=\"font-weight: 400;\"><em>\u201eIn die Jahre gekommener Linksautonomer und junge Rechtsradikale finden zueinander \u2013 Absurd anmutende Szenerie, aber erfrischend ehrliche Filmproduktion&#8221;<\/em> (<strong>Rhein Zeitung<\/strong>)<\/p>\n<p style=\"font-weight: 400;\"><em>\u201eerfrischend ehrlich&#8221; <\/em>(<strong>Bonner Generalanzeiger<\/strong>)<\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;15px&#8221;][vc_separator css=&#8221;.vc_custom_1560377795279{margin-top: 15px !important;}&#8221;][vc_empty_space height=&#8221;5px&#8221;][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221;][vc_column][vc_column_text]<\/p>\n<h2><span style=\"font-family: arial, helvetica, sans-serif;\">News<\/span><\/h2>\n<p>[\/vc_column_text]<style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.dividers-on.classic-layout-list article {\n  padding-top: 0;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.dividers-on.classic-layout-list article:first-of-type {\n  margin-top: 0;\n  padding-top: 0;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.classic-layout-list.mode-list .post-entry-content {\n  width: calc(100% - );\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.classic-layout-list.mode-list .no-img .post-entry-content {\n  width: 100%;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .filter-bg-decoration .filter-categories a.act {\n  color: #fff;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6:not(.mode-masonry) article:first-of-type,\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6:not(.mode-masonry) article.visible.first:not(.product) {\n  margin-top: 0;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.dividers-on:not(.mode-masonry) article {\n  margin-top: 0;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.dividers-on:not(.mode-masonry) article:first-of-type,\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.dividers-on:not(.mode-masonry) article.visible.first:not(.product) {\n  margin-top: 0;\n  padding-top: 0;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .post-thumbnail-wrap {\n  padding: 0px 0px 0px 0px;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.enable-bg-rollover .post-thumbnail-rollover:after {\n  background: -webkit-linear-gradient();\n  background: linear-gradient();\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .gallery-zoom-ico {\n  width: 44px;\n  height: 44px;\n  line-height: 44px;\n  border-radius: 100px;\n  margin: -22px 0 0 -22px;\n  border-width: 0px;\n  color: #ffffff;\n}\n.bottom-overlap-layout-list.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .gallery-zoom-ico {\n  margin-top: -72px;\n}\n.gradient-overlay-layout-list.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .gallery-zoom-ico,\n.content-rollover-layout-list.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .gallery-zoom-ico {\n  margin: 0 0 10px;\n}\n.content-align-center.gradient-overlay-layout-list.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .gallery-zoom-ico,\n.content-align-center.content-rollover-layout-list.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .gallery-zoom-ico {\n  margin: 0 auto 10px;\n}\n.dt-icon-bg-on.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .gallery-zoom-ico {\n  background: rgba(255,255,255,0.3);\n  box-shadow: none;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .gallery-zoom-ico > span,\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .gallery-zoom-ico:before {\n  font-size: 32px;\n  line-height: 44px;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .gallery-zoom-ico > span,\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .gallery-zoom-ico:before {\n  color: #ffffff;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .entry-title,\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.owl-carousel .entry-title {\n  margin-bottom: 5px;\n  font-weight: bold;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .entry-meta {\n  margin-bottom: 15px;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .portfolio-categories {\n  margin-bottom: 15px;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .entry-excerpt {\n  margin-bottom: 5px;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6:not(.centered-layout-list) .post-entry-content {\n  padding: 25px 30px 30px 30px;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6:not(.centered-layout-list):not(.content-bg-on):not(.mode-list) .no-img .post-entry-content {\n  padding: 0;\n}\n@media screen and (max-width: ) {\n  .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 article {\n    -ms-flex-flow: column nowrap;\n    flex-flow: column nowrap;\n    margin-top: 20px;\n  }\n  .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.dividers-on article {\n    border: none;\n  }\n  .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.content-bg-on.centered-layout-list article {\n    padding: 0;\n  }\n  .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.blog-shortcode.dividers-on article,\n  .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.dividers-on.classic-layout-list article {\n    margin-top: 20px;\n    padding: 0;\n  }\n  .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.blog-shortcode.dividers-on article:first-of-type,\n  .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.dividers-on.classic-layout-list article:first-of-type {\n    padding: 0;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .post-thumbnail-wrap,\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .post-entry-content {\n    width: 100%;\n    margin: 0;\n    top: 0;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .post-thumbnail-wrap {\n    padding: 0;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .post-entry-content:after {\n    display: none;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .project-even .post-thumbnail-wrap,\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.centered-layout-list .post-thumbnail-wrap {\n    -ms-flex-order: 0;\n    order: 0;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.centered-layout-list .post-entry-title-content {\n    -ms-flex-order: 1;\n    order: 1;\n    width: 100%;\n    padding: 20px 20px 0;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.centered-layout-list .post-entry-content {\n    -ms-flex-order: 2;\n    order: 2;\n    padding-top: 0;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .fancy-categories {\n    top: 10px;\n    left: 10px;\n    bottom: auto;\n    right: auto;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .fancy-date a {\n    top: 10px;\n    right: 10px;\n    left: auto;\n    bottom: auto;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .post-entry-content {\n    padding: 20px;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .entry-title {\n    margin: 3px 0 5px;\n    font-size: 20px;\n    line-height: 26px;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .entry-meta {\n    margin: 5px 0 5px;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .entry-excerpt {\n    margin: 15px 0 0;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .post-details {\n    margin: 5px 0 10px;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 .post-details.details-type-link {\n    margin-bottom: 2px;\n  }\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6:not(.resize-by-browser-width) .dt-css-grid {\n  grid-row-gap: 30px;\n  grid-column-gap: 30px;\n  grid-template-columns: repeat(auto-fill,minmax(,1fr));\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6:not(.resize-by-browser-width) .dt-css-grid .double-width {\n  grid-column: span 2;\n}\n.cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6:not(.resize-by-browser-width) .dt-css-grid,\n.no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6:not(.resize-by-browser-width) .dt-css-grid {\n  display: flex;\n  flex-flow: row wrap;\n  margin: -15px;\n}\n.cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6:not(.resize-by-browser-width) .dt-css-grid .wf-cell,\n.no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6:not(.resize-by-browser-width) .dt-css-grid .wf-cell {\n  flex: 1 0 ;\n  max-width: 100%;\n  padding: 15px;\n  box-sizing: border-box;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid {\n  grid-template-columns: repeat(2,1fr);\n  grid-template-rows: auto;\n  grid-column-gap: 30px;\n  grid-row-gap: 30px;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .double-width {\n  grid-column: span 2;\n}\n.cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid {\n  margin: -15px;\n}\n.cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .wf-cell {\n  width: 50%;\n  padding: 15px;\n}\n.cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .wf-cell.double-width {\n  width: calc(50%) * 2;\n}\n.blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width:not(.centered-layout-list):not(.content-bg-on) .dt-css-grid {\n  grid-row-gap: 0px;\n}\n@media screen and (max-width: 1199px) {\n  .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid {\n    grid-template-columns: repeat(2,1fr);\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .wf-cell,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .wf-cell {\n    width: 50%;\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .wf-cell.double-width,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .wf-cell.double-width {\n    width: calc(50%)*2;\n  }\n}\n@media screen and (max-width: 991px) {\n  .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid {\n    grid-template-columns: repeat(1,1fr);\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .wf-cell,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .wf-cell {\n    width: 100%;\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .wf-cell.double-width,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .wf-cell.double-width {\n    width: calc(100%)*2;\n  }\n}\n@media screen and (max-width: 767px) {\n  .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid {\n    grid-template-columns: repeat(1,1fr);\n  }\n  .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .double-width {\n    grid-column: span 1;\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .wf-cell,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .wf-cell {\n    width: 100%;\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .wf-cell.double-width,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6.resize-by-browser-width .dt-css-grid .wf-cell.double-width {\n    width: calc(100%)*2;\n  }\n}<\/style><div class=\"blog-shortcode blog-masonry-shortcode-id-be1d168bdd927988aeb79f0641f8dcf6 mode-grid classic-layout-list content-bg-on jquery-filter scale-img dt-css-grid-wrap dt-icon-bg-off resize-by-browser-width loading-effect-none description-under-image \" data-padding=\"15px\" data-cur-page=\"1\" data-post-limit=\"-1\" data-pagination-mode=\"none\" data-desktop-columns-num=\"2\" data-v-tablet-columns-num=\"1\" data-h-tablet-columns-num=\"2\" data-phone-columns-num=\"1\" data-width=\"0px\" data-columns=\"0\"><div class=\"dt-css-grid\" ><div class=\"visible wf-cell\" data-post-id=\"418533\" data-date=\"2026-08-04T23:45:05+00:00\" data-name=\"\ud83c\udfac \u201cAscend\u201d (German title: \u201cFlieg Steil\u201d) celebrated its theatrical release with a premiere at CineStar \u2013 Kino in der Kulturbrauerei in Berlin.\"><article class=\"post project-odd visible post-418533 type-post status-publish format-standard has-post-thumbnail hentry category-cinema category-darling-berlin category-film-en category-news-en tag-alexander-merbeth-2 tag-ceci-chuh-en tag-charlotte-roche tag-darling-berlin-en tag-feature-film-directorial-debut tag-feature-film-directorial-debut-2 tag-flieg-steil tag-lana-cooper-en tag-martina-schoene-radunski-en category-1011 category-22 category-942 category-941\" data-name=\"\ud83c\udfac \u201cAscend\u201d (German title: \u201cFlieg Steil\u201d) celebrated its theatrical release with a premiere at CineStar \u2013 Kino in der Kulturbrauerei in Berlin.\" data-date=\"2026-08-04T23:45:05+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/ascend-celebrated-its-theatrical-release-with-a-premiere-at-cinestar-kino-in-der-kulturbrauerei-in-berlin\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/08\/b_flgstl_News_Kinostartpremiere_en-990x309.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/08\/b_flgstl_News_Kinostartpremiere_en-990x309.jpg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2026\/08\/b_flgstl_News_Kinostartpremiere_en-1485x464.jpg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"b_flgstl_News_Kinostartpremiere_en\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/ascend-celebrated-its-theatrical-release-with-a-premiere-at-cinestar-kino-in-der-kulturbrauerei-in-berlin\/\" title=\"\ud83c\udfac \u201cAscend\u201d (German title: \u201cFlieg Steil\u201d) celebrated its theatrical release with a premiere at CineStar \u2013 Kino in der Kulturbrauerei in Berlin.\" rel=\"bookmark\">\ud83c\udfac \u201cAscend\u201d (German title: \u201cFlieg Steil\u201d) celebrated its theatrical release with a premiere at CineStar \u2013 Kino in der Kulturbrauerei in Berlin.<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/cinema\/\" >Cinema<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/darling-berlin\/\" >Darling Berlin<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/\" >Film<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by robert.zimmermann\" rel=\"author\">By <span class=\"fn\">robert.zimmermann<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2026\/08\/04\/\" title=\"23:45\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-08-04T23:45:05+00:00\">4. August 2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;] On Tuesday, August 4, 2026, \u201cFlieg Steil\u201d (international title: Ascend), the feature-film debut of directors Martina Sch\u00f6ne-Radunski and Lana Cooper, celebrated its theatrical release premiere at CineStar \u2013 Kino in der Kulturbrauerei in Berlin. \u201cFlieg Steil\u201d opens in theaters across Germany on Thursday, August 6, 2026. [\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=&#8221;yes&#8221;][vc_column width=&#8221;4\/5&#8243;][vc_message css=&#8221;.vc_custom_1785278931606{padding-bottom: 17px !important;}&#8221;]Theatrical Release:&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/ascend-celebrated-its-theatrical-release-with-a-premiere-at-cinestar-kino-in-der-kulturbrauerei-in-berlin\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \ud83c\udfac \u201cAscend\u201d (German title: \u201cFlieg Steil\u201d) celebrated its theatrical release with a premiere at CineStar \u2013 Kino in der Kulturbrauerei in Berlin.\">Mehr lesen<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"418450\" data-date=\"2026-07-27T15:00:02+00:00\" data-name=\"\ud83c\udfac &quot;Ascend&quot; (German title &quot;Flieg Steil&quot;) opens in German theaters on August 6, 2026\"><article class=\"post project-odd visible post-418450 type-post status-publish format-standard has-post-thumbnail hentry category-cinema category-darling-berlin category-film-en category-news-en category-theatrical-distribution tag-alexander-merbeth-2 tag-ceci-chuh-en tag-charlotte-roche tag-darling-berlin-en tag-feature-film-directorial-debut tag-flieg-steil tag-lana-cooper-en tag-martina-schoene-radunski-en category-1011 category-22 category-942 category-941 category-4630\" data-name=\"\ud83c\udfac &#8220;Ascend&#8221; (German title &#8220;Flieg Steil&#8221;) opens in German theaters on August 6, 2026\" data-date=\"2026-07-27T15:00:02+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/ascend-opens-in-german-theaters-on-august-6-2026\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/b_flgstl_ks01_26_en-990x309.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/b_flgstl_ks01_26_en-990x309.jpg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/b_flgstl_ks01_26_en-1485x464.jpg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"b_flgstl_ks01_26_en\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/ascend-opens-in-german-theaters-on-august-6-2026\/\" title=\"\ud83c\udfac &#8220;Ascend&#8221; (German title &#8220;Flieg Steil&#8221;) opens in German theaters on August 6, 2026\" rel=\"bookmark\">\ud83c\udfac &#8220;Ascend&#8221; (German title &#8220;Flieg Steil&#8221;) opens in German theaters on August 6, 2026<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/cinema\/\" >Cinema<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/darling-berlin\/\" >Darling Berlin<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/\" >Film<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/distribution-en\/theatrical-distribution\/\" >Theatrical Distribution<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by robert.zimmermann\" rel=\"author\">By <span class=\"fn\">robert.zimmermann<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2026\/07\/27\/\" title=\"15:00\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-07-27T15:00:02+00:00\">27. July 2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;] UCM.ONE will release the award-winning feature film &#8220;Flieg Steil&#8221; (international title: Ascend), directed by Martina Sch\u00f6ne-Radunski and Lana Cooper, in theaters across Germany on Thursday, August 6, 2026, through its distribution label Darling Berlin. The film marks the label\u2019s 51st release. Booking and billing will be handled by CAMINO Filmverleih (Stuttgart). This is&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/ascend-opens-in-german-theaters-on-august-6-2026\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \ud83c\udfac &#8220;Ascend&#8221; (German title &#8220;Flieg Steil&#8221;) opens in German theaters on August 6, 2026\">Mehr lesen<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"246591\" data-date=\"2025-04-04T16:34:15+00:00\" data-name=\"\ud83c\udfac &quot;Ascend&quot; continues its festival tour at the 21st achtung berlin film festival in 2025\"><article class=\"post project-odd visible post-246591 type-post status-publish format-standard has-post-thumbnail hentry category-darling-berlin category-world-sales category-news-en category-theatrical-distribution tag-21-achtung-berlin-filmfestival-2 tag-alexander-merbeth-2 tag-ascend tag-ascend-german-title-flieg-steil tag-ceci-chuh-en tag-cinema-en tag-darling-berlin-en tag-flieg-steil tag-german-independence-award-2024-2 tag-international-filmfest-oldenburg tag-internationales-filmfest-oldenburg tag-kino-en tag-kino-babylon-en tag-tom-lass-en category-22 category-7530 category-941 category-4630\" data-name=\"\ud83c\udfac &#8220;Ascend&#8221; continues its festival tour at the 21st achtung berlin film festival in 2025\" data-date=\"2025-04-04T16:34:15+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/ascend-continues-its-festival-tour-at-the-21st-achtung-berlin-film-festival-in-2025\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2025\/04\/bAscend_abff25-1-990x309.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2025\/04\/bAscend_abff25-1-990x309.jpg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2025\/04\/bAscend_abff25-1-1485x464.jpg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"bAscend_abff25-1\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/ascend-continues-its-festival-tour-at-the-21st-achtung-berlin-film-festival-in-2025\/\" title=\"\ud83c\udfac &#8220;Ascend&#8221; continues its festival tour at the 21st achtung berlin film festival in 2025\" rel=\"bookmark\">\ud83c\udfac &#8220;Ascend&#8221; continues its festival tour at the 21st achtung berlin film festival in 2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/darling-berlin\/\" >Darling Berlin<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/distribution-en\/world-sales\/\" >Film World Sales<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/distribution-en\/theatrical-distribution\/\" >Theatrical Distribution<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by robert.zimmermann\" rel=\"author\">By <span class=\"fn\">robert.zimmermann<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2025\/04\/04\/\" title=\"16:34\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-04-04T16:34:15+00:00\">4. April 2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]\u201cAscend\u201d (German original title: &#8220;Flieg Steil&#8220;) the provocative feature film debut by Martina Sch\u00f6ne-Radunski and Lana Cooper, continues its successful festival tour at the 21st achtung berlin film festival (abff) 2025. UCM.ONE distributes the satirical drama starring Ceci Chuh, Alexander Merbeth and Tom Lass in the leading roles as the 51st film of its&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/ascend-continues-its-festival-tour-at-the-21st-achtung-berlin-film-festival-in-2025\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \ud83c\udfac &#8220;Ascend&#8221; continues its festival tour at the 21st achtung berlin film festival in 2025\">Mehr lesen<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><\/div><!-- iso-container|iso-grid --><\/div>[vc_btn title=&#8221;All News&#8221; style=&#8221;flat&#8221; align=&#8221;right&#8221; i_icon_fontawesome=&#8221;far fa-newspaper&#8221; css=&#8221;.vc_custom_1739402929638{margin-top: 25px !important;}&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fen%2Fcompany%2Fnews%2Ffilm-news%2F|title:All%20News|&#8221;][vc_empty_space height=&#8221;15px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#0141a0&#8243;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1518458873891{margin-top: 65px !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_btn title=&#8221;Cinema&#8221; style=&#8221;flat&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-film&#8221; css=&#8221;&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fen%2Ftheatrical-distribution%2Ftheatrical-releases%2F|title:Theatrical%20releases|&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_btn title=&#8221;M-Square Pictures&#8221; style=&#8221;flat&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-landmark&#8221; css=&#8221;&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fen%2Ffilm-labels%2Fm-square-pictures%2F|title:M-Square%20Pictures|&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_btn title=&#8221;Cinestrange Extreme&#8221; style=&#8221;flat&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-landmark&#8221; css=&#8221;&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fcinestrange-extreme.de%2F|title:Cinestrange%20Extreme&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_btn title=&#8221;IMDb&#8221; style=&#8221;flat&#8221; color=&#8221;blue&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-brands fa-imdb&#8221; css=&#8221;&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:http%3A%2F%2Fimdb.com%2Fde%2Ftitle%2Ftt0088993%2F|title:Day%20of%20the%20Dead|target:_blank|&#8221;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;middle&#8221; bg_type=&#8221;grad&#8221; ult_hide_row=&#8221;ult_hide_row_value&#8221; ult_hide_row_large_screen=&#8221;large_screen&#8221; ult_hide_row_desktop=&#8221;desktop&#8221; css=&#8221;.vc_custom_1518701755537{margin-top: 0px !important;padding-top: -50px !important;}&#8221; bg_grad=&#8221;background: -webkit-gradient(linear, left top, left bottom, color-stop(0%, #E3E3E3), color-stop(0%, #FFFFFF), color-stop(6%, #FFFFFF), color-stop(7%, #FFFFFF), color-stop(50%, #FFFFFF));background: -moz-linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);background: -webkit-linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);background: -o-linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);background: -ms-linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);background: linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);&#8221;][vc_column][vc_btn title=&#8221;Contact&#8221; style=&#8221;flat&#8221; color=&#8221;juicy-pink&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;far fa-envelope&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fen%2Fcompany%2Fcontact%2F|title:Contact|&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;3\/4&#8243; css=&#8221;.vc_custom_1561291995466{padding-right: 30px !important;}&#8221;][vc_column_text css=&#8221;&#8221;] Zombie 2 &#8211; Day of the Dead [\/vc_column_text][vc_column_text css=&#8221;&#8221;]George A. Romero brings his original \u201cDead\u201d trilogy to a spectacular conclusion\u2014after 40 years of being banned, Cinestrange Extreme and UCM.ONE are bringing the masterpiece \u201cZombie 2: Day of the Dead\u201d to German theaters, for the first time uncut and in&hellip;<\/p>\n","protected":false},"author":6262,"featured_media":419966,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"class_list":["post-420201","page","type-page","status-publish","has-post-thumbnail","hentry","description-off"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Zombie 2 - Day of the Dead | Cinestrange Extreme<\/title>\n<meta name=\"description\" content=\"After 40 years of being banned, Cinestrange Extreme and UCM.ONE are bringing \u201cZombie 2 - Day of the Dead\u201d to German theaters, for the first time uncut and in 4K.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ucm.one\/en\/zombie-2-day-of-the-dead-m-square-pictures\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zombie 2 - Day of the Dead | Cinestrange Extreme\" \/>\n<meta property=\"og:description\" content=\"After 40 years of being banned, Cinestrange Extreme and UCM.ONE are bringing \u201cZombie 2 - Day of the Dead\u201d to German theaters, for the first time uncut and in 4K.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ucm.one\/en\/zombie-2-day-of-the-dead-m-square-pictures\/\" \/>\n<meta property=\"og:site_name\" content=\"UCM.ONE\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-01T12:09:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/09\/P_Kinoplakat-A1-Zombie-2-Day-of-the-Dead-210x300.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Zombie 2 - Day of the Dead | Cinestrange Extreme\" \/>\n<meta name=\"twitter:description\" content=\"After 40 years of being banned, Cinestrange Extreme and UCM.ONE are bringing \u201cZombie 2 - Day of the Dead\u201d to German theaters, for the first time uncut and in 4K.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/09\/P_Kinoplakat-A1-Zombie-2-Day-of-the-Dead.jpg\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"20 minutes\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Zombie 2 - Day of the Dead | Cinestrange Extreme","description":"After 40 years of being banned, Cinestrange Extreme and UCM.ONE are bringing \u201cZombie 2 - Day of the Dead\u201d to German theaters, for the first time uncut and in 4K.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/ucm.one\/en\/zombie-2-day-of-the-dead-m-square-pictures\/","og_locale":"en_US","og_type":"article","og_title":"Zombie 2 - Day of the Dead | Cinestrange Extreme","og_description":"After 40 years of being banned, Cinestrange Extreme and UCM.ONE are bringing \u201cZombie 2 - Day of the Dead\u201d to German theaters, for the first time uncut and in 4K.","og_url":"https:\/\/ucm.one\/en\/zombie-2-day-of-the-dead-m-square-pictures\/","og_site_name":"UCM.ONE","article_modified_time":"2026-10-01T12:09:52+00:00","og_image":[{"url":"https:\/\/ucm.one\/wp-content\/uploads\/2026\/09\/P_Kinoplakat-A1-Zombie-2-Day-of-the-Dead-210x300.jpg","type":"","width":"","height":""}],"twitter_card":"summary_large_image","twitter_title":"Zombie 2 - Day of the Dead | Cinestrange Extreme","twitter_description":"After 40 years of being banned, Cinestrange Extreme and UCM.ONE are bringing \u201cZombie 2 - Day of the Dead\u201d to German theaters, for the first time uncut and in 4K.","twitter_image":"https:\/\/ucm.one\/wp-content\/uploads\/2026\/09\/P_Kinoplakat-A1-Zombie-2-Day-of-the-Dead.jpg","twitter_misc":{"Est. reading time":"20 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/ucm.one\/en\/zombie-2-day-of-the-dead-m-square-pictures\/","url":"https:\/\/ucm.one\/en\/zombie-2-day-of-the-dead-m-square-pictures\/","name":"Zombie 2 - Day of the Dead | Cinestrange Extreme","isPartOf":{"@id":"https:\/\/ucm.one\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/ucm.one\/en\/zombie-2-day-of-the-dead-m-square-pictures\/#primaryimage"},"image":{"@id":"https:\/\/ucm.one\/en\/zombie-2-day-of-the-dead-m-square-pictures\/#primaryimage"},"thumbnailUrl":"https:\/\/ucm.one\/wp-content\/uploads\/2026\/09\/P_Kinoplakat-A1-Zombie-2-Day-of-the-Dead.jpg","datePublished":"2026-09-30T10:21:02+00:00","dateModified":"2026-10-01T12:09:52+00:00","description":"After 40 years of being banned, Cinestrange Extreme and UCM.ONE are bringing \u201cZombie 2 - Day of the Dead\u201d to German theaters, for the first time uncut and in 4K.","breadcrumb":{"@id":"https:\/\/ucm.one\/en\/zombie-2-day-of-the-dead-m-square-pictures\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/ucm.one\/en\/zombie-2-day-of-the-dead-m-square-pictures\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/ucm.one\/en\/zombie-2-day-of-the-dead-m-square-pictures\/#primaryimage","url":"https:\/\/ucm.one\/wp-content\/uploads\/2026\/09\/P_Kinoplakat-A1-Zombie-2-Day-of-the-Dead.jpg","contentUrl":"https:\/\/ucm.one\/wp-content\/uploads\/2026\/09\/P_Kinoplakat-A1-Zombie-2-Day-of-the-Dead.jpg","width":699,"height":1000},{"@type":"BreadcrumbList","@id":"https:\/\/ucm.one\/en\/zombie-2-day-of-the-dead-m-square-pictures\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/ucm.one\/en\/"},{"@type":"ListItem","position":2,"name":"Zombie 2 &#8211; Day of the Dead | Cinestrange Extreme"}]},{"@type":"WebSite","@id":"https:\/\/ucm.one\/en\/#website","url":"https:\/\/ucm.one\/en\/","name":"UCM.ONE","description":"","publisher":{"@id":"https:\/\/ucm.one\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/ucm.one\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/ucm.one\/en\/#organization","name":"UCM.ONE","url":"https:\/\/ucm.one\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/ucm.one\/en\/#\/schema\/logo\/image\/","url":"https:\/\/ucm.one\/wp-content\/uploads\/2019\/10\/UCM.ONE-Logo-RGB.svg","contentUrl":"https:\/\/ucm.one\/wp-content\/uploads\/2019\/10\/UCM.ONE-Logo-RGB.svg","width":1,"height":1,"caption":"UCM.ONE"},"image":{"@id":"https:\/\/ucm.one\/en\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/pages\/420201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/users\/6262"}],"replies":[{"embeddable":true,"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/comments?post=420201"}],"version-history":[{"count":11,"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/pages\/420201\/revisions"}],"predecessor-version":[{"id":420264,"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/pages\/420201\/revisions\/420264"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/media\/419966"}],"wp:attachment":[{"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/media?parent=420201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}