{"id":418524,"date":"2026-07-29T15:00:31","date_gmt":"2026-07-29T15:00:31","guid":{"rendered":"https:\/\/ucm.one\/where-the-waves-took-her-nonfy-documentaries\/"},"modified":"2026-08-06T09:22:10","modified_gmt":"2026-08-06T09:22:10","slug":"where-the-waves-took-her-nonfy-documentaries","status":"publish","type":"page","link":"https:\/\/ucm.one\/en\/where-the-waves-took-her-nonfy-documentaries\/","title":{"rendered":"Where the Waves Took Her | NONFY Documentaries"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;3\/4&#8243; css=&#8221;.vc_custom_1561291995466{padding-right: 30px !important;}&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h1><span style=\"color: #000000;\">Where the Waves Took Her<\/span><\/h1>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: justify;\">For many people, crossing the Mediterranean is their last hope\u2014and at the same time the world\u2019s most dangerous escape route. As more and more women and children undertake this journey, a midwife is now a permanent member of the crew aboard a search-and-rescue vessel. <strong>\u201cWhere the Waves Took Her\u201d<\/strong> follows midwife Anne-Katrin on her first mission, portrays a strong all-female team on board, and gives refugee women the space to tell their own stories.<\/p>\n<p>[\/vc_column_text][vc_row_inner disable_element=&#8221;yes&#8221;][vc_column_inner width=&#8221;4\/5&#8243;][vc_message css=&#8221;.vc_custom_1785317860005{padding-bottom: 17px !important;}&#8221;]<strong>Theatrical Release:<\/strong> In theaters across Germany, Austria, and Switzerland beginning September 3, 2026.[\/vc_message][\/vc_column_inner][vc_column_inner width=&#8221;1\/5&#8243; css=&#8221;.vc_custom_1770213337653{padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_btn title=&#8221;Showtimes&#8221; color=&#8221;juicy-pink&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; css=&#8221;&#8221; button_block=&#8221;true&#8221; link=&#8221;url:%23showtimes|&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;10px&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][\/vc_column_inner][vc_column_inner][vc_single_image image=&#8221;418175&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3 style=\"text-align: justify;\">Synopsis<\/h3>\n<div>\n<p style=\"text-align: justify;\">For many people, crossing the Mediterranean to Europe is often their last hope of escaping war, persecution, and hunger. As increasing numbers of women and children are forced to undertake one of the world\u2019s most dangerous migration routes, a midwife has become a permanent member of the crew aboard a search-and-rescue vessel. &#8220;<strong>Where the Waves Took Her<\/strong>&#8221; follows Berlin-based midwife Anne-Katrin on her first rescue mission. Her journey unfolds in parallel with the women\u2019s stories of displacement.<\/p>\n<p style=\"text-align: justify;\">As we join Anne-Katrin in meeting the strong, all-female medical team on board and preparing with them for an emergency, the displaced women recount the suffering they endured on their journey to Europe through a distinctive visual approach involving long-exposure photography and a water-filled studio. The long exposures create blurred, poetic images that not only preserve the women\u2019s anonymity and protect their identities, but also convey the emotional intensity of their experiences in a new way. On board the ship, the worlds of the women and the crew briefly come together before the women arrive in Italy and begin another journey into the unknown.<\/p>\n<\/div>\n<p>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;418167&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_single_image image=&#8221;418169&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;10px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<h3 style=\"text-align: justify;\">Festival Selection &amp; Awards<\/h3>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\"><\/div>\n<\/div>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<div class=\"vc_row wpb_row vc_row-fluid\">\n<div class=\"wpb_column vc_column_container vc_col-sm-12\">\n<div class=\"vc_column-inner\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<ul>\n<li><strong>59th Hof International Film Festival 2025<\/strong> \u2014 Honorable Mention for the GRANIT Documentary Film Award<\/li>\n<li><strong>22nd achtung berlin Film Festival 2026<\/strong> \u2014 Documentary Competition (Berlin Premiere)<\/li>\n<li><strong>Human Rights Film Festival Berlin 2026<\/strong> \u2014 Official Selection<\/li>\n<li><strong>International Women\u2019s Film Festival Dortmund+Cologne 2026<\/strong> \u2014 Female Gaze \u2013 CineOne &amp; sPOTTlight National Award for Cinematographers (Cinematography: Sophia Fenn)<\/li>\n<li><strong>Hot Docs 2026<\/strong> \u2014 Persister Program (International Premiere)<\/li>\n<li><strong>55th Sehs\u00fcchte International Student Film Festival 2026<\/strong> \u2014 Documentary Competition<\/li>\n<li><strong>DOK.fest M\u00fcnchen 2026<\/strong> \u2014 Official Selection<\/li>\n<li><strong>SI STAR Emerging Female Director Award 2026<\/strong> (Director: Jana Stallein)<\/li>\n<li><strong>German Camera Award 2026<\/strong> \u2014 Nomination in the Theatrical Documentary category (Cinematography: Sophia Fenn)<\/li>\n<li><strong>DOK.fest M\u00fcnchen 2026<\/strong> \u2014 Nomination for the VFF Emerging Documentary Production Award (Producer: Charlotte Peters)<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;418171&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_single_image image=&#8221;418173&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_empty_space][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<h3 style=\"text-align: justify;\">Director\u2019s Statement \u2014 <span style=\"font-family: arial, helvetica, sans-serif;\">Jana Stallein<\/span><\/h3>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p style=\"text-align: justify;\"><em>\u201cIn 2019, I took part in a search-and-rescue mission at sea for the first time. In the middle of the night, we rescued 32 people, including five women and ten children, the youngest just three months old. Waves more than eleven feet high crashed over our small vessel. Only days later, a heavily pregnant woman admitted that she had not felt her baby move since the rescue. We had no midwife on board. That moment stayed with me and inspired me to explore this subject: a woman who feels guilty because she wants a better life for her children and risks everything to achieve it.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u2018I started writing down my story so I could share it with the world,\u2019 one woman said before I had even begun recording. \u2018It is social, spiritual, and educational. I believe it will resonate with you as well.\u2019 Every sentence that followed was harrowing, yet her words were chosen with the care of a poem. I want these stories to be heard.\u201d<\/em><\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1581030319933{margin-top: 15px !important;margin-bottom: 36px !important;background-color: #efefef !important;}&#8221;]<style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">.shortcode-single-image-wrap.shortcode-single-image-b6b826b583dbab5b8c682d2cbdd47390.enable-bg-rollover .rollover i,\n.shortcode-single-image-wrap.shortcode-single-image-b6b826b583dbab5b8c682d2cbdd47390.enable-bg-rollover .rollover-video i {\n  background: -webkit-linear-gradient();\n  background: linear-gradient();\n}\n.shortcode-single-image-wrap.shortcode-single-image-b6b826b583dbab5b8c682d2cbdd47390 .rollover-icon {\n  font-size: 32px;\n  color: #ffffff;\n  min-width: 44px;\n  min-height: 44px;\n  line-height: 44px;\n  border-radius: 100px;\n  border-style: solid;\n  border-width: 0px;\n}\n.dt-icon-bg-on.shortcode-single-image-wrap.shortcode-single-image-b6b826b583dbab5b8c682d2cbdd47390 .rollover-icon {\n  background: rgba(255,255,255,0.3);\n  box-shadow: none;\n}<\/style><div class=\"shortcode-single-image-wrap shortcode-single-image-b6b826b583dbab5b8c682d2cbdd47390 alignnone  vc_custom_1785317814384 enable-bg-rollover dt-icon-bg-off\" ><div class=\"shortcode-single-image\"><div class=\"fancy-media-wrap\" style=\"\"><a class=\"layzr-bg rollover rollover-zoom dt-pswp-item pswp-image\" href=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/P-Where-the-Waves-Took-Her.jpg\" title=\"P Where the Waves Took Her\" data-dt-img-description=\"\" data-large_image_width=\"699\" data-large_image_height = \"1000\"  style=\"\"><img fetchpriority=\"high\" decoding=\"async\" class=\"preload-me lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20699%20999&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/P-Where-the-Waves-Took-Her.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/P-Where-the-Waves-Took-Her.jpg 699w\" loading=\"eager\" style=\"--ratio: 699 \/ 999\" sizes=\"(max-width: 699px) 100vw, 699px\" width=\"699\" height=\"999\"  data-dt-location=\"https:\/\/ucm.one\/en\/kinoverleih\/kinostarts\/p-where-the-waves-took-her\/\" alt=\"\" \/><\/a><\/div><\/div><\/div>[vc_empty_space height=&#8221;10px&#8221;][vc_column_text css=&#8221;&#8221;]<strong>Title:<\/strong> Where the Waves Took Her<\/p>\n<p><strong>Director:<\/strong> Jana Stallein<br \/>\n<strong>Screenplay:<\/strong> Jana Stallein<br \/>\n<strong>Protagonists:<\/strong> Fahma Abdukader Farah, Jeanine Tchokotte, Joseline Cabry Fotsing, Julie Tankeu Yonga, Mariame Diallo, Anne-Katrin Klotzsch<br \/>\n<strong>Director of Photography:<\/strong> Sophia Fenn<br \/>\n<strong>Editor:<\/strong> Am\u00e9lie Richter<br \/>\n<strong>Production Design:<\/strong> Antonia Nestler<br \/>\n<strong>Production Sound:<\/strong> Jana Stallein, Henric Schleiner<br \/>\n<strong>Original Music and Sound Design: <\/strong>Henric Schleiner<br \/>\n<strong>Dialogue Editing and Re-Recording Mix: <\/strong>Henning Gro\u00dfmann<br \/>\n<strong>Vocals:<\/strong> Leen Al-Hassan<br \/>\n<strong>Producers:<\/strong> Charlotte Peters, Levin H\u00fcbner<br \/>\n<strong>Production Manager:<\/strong> Lena Gill<br \/>\n<strong>Commissioning Editor:<\/strong> Rolf Bergmann (rbb)<br \/>\n<strong>Genre:<\/strong> Documentary<br \/>\n<strong>Production Company: <\/strong>W\u00fcste Film West<br \/>\n<strong>Co-Production: <\/strong>Filmuniversit\u00e4t Babelsberg Konrad Wolf,<br \/>\nRundfunk Berlin-Brandenburg<\/p>\n<p><strong>Country of Production:<\/strong> Germany<br \/>\n<strong>Year of Production:<\/strong> 2025<br \/>\n<strong>Languages:<\/strong> Arabic, German, English, French, Italian, Somali<br \/>\n<strong>Subtitles: <\/strong>German or English<br \/>\n<strong>Rating:<\/strong> FSK 12 (approved for public holiday screenings)<br \/>\n<strong>Content Advisory: <\/strong>Distressing themes<br \/>\n<strong>Runtime:<\/strong> 83 minutes<br \/>\n<strong>Aspect Ratio:<\/strong> 2.39:1<br \/>\n<strong>Screening Formats:<\/strong> DCP (DCI 2K Scope), MP4 (Full HD 1080p)<br \/>\n<strong>Resolution: <\/strong>2048 \u00d7 858<br \/>\n<strong>Frame Rate:<\/strong> 25 fps<br \/>\n<strong>Audio:<\/strong> 5.1 Surround, 2.0 Stereo[\/vc_column_text][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#a0a0a0&#8243;][vc_column_text css=&#8221;&#8221;]<b>Premiere:<br \/>\n<\/b>October 22, 2025<br \/>\n59th Hof International Film Festival[\/vc_column_text][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#a0a0a0&#8243;][vc_column_text css=&#8221;&#8221;]Distribution and Worldwide Sales: <span style=\"font-family: 'arial black', sans-serif;\"><strong>UCM.ONE<br \/>\n<\/strong><\/span>Film Label: <span style=\"font-family: 'arial black', sans-serif;\"><strong><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-family: 'arial black', sans-serif;\">NONFY<\/span> Documentaries<\/span><br \/>\n<\/strong><\/span><\/p>\n<p><strong>Theatrical Release:<\/strong> September 3, 2026[\/vc_column_text][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#a0a0a0&#8243;][vc_btn title=&#8221;Press Materials&#8221; color=&#8221;white&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-download&#8221; css=&#8221;.vc_custom_1785325699816{margin-top: -15px !important;}&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fpresse%2Fnf_wtwth_presskit.zip|title:Press%20Kit%20WHERE%20THE%20WAVES%20TOOK%20HER|rel:nofollow|&#8221;][vc_btn title=&#8221;Social Media Kit&#8221; color=&#8221;white&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-download&#8221; css=&#8221;.vc_custom_1786005707769{margin-top: -15px !important;}&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fwww.dropbox.com%2Fscl%2Ffo%2Fp8wiyzq937wgl7gxmn2n9%2FAA0KvpIkhhlwq7bea2bfJBs%3Frlkey%3Dkfiltq40bazyqbicjhudvj5je%26st%3Dyzp3cc15%26dl%3D0|title:Social%20Media%20Kit|target:_blank|rel:nofollow|&#8221;][vc_btn title=&#8221;MP4 Trailer (Download)&#8221; color=&#8221;white&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-arrow-up-right-from-square&#8221; css=&#8221;.vc_custom_1785326016466{margin-top: -15px !important;}&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fwww.dropbox.com%2Fscl%2Ffo%2Fzba5wlohyolo5yxrobl20%2FAF2DPefIkZfyu5kK2ylYOPc%3Frlkey%3Dii2a6xb0535g2sudxsipk8iyn%26st%3Dmnxettyo%26dl%3D0%20_blank|title:MP4%20Trailer|target:_blank|rel:nofollow|&#8221;][vc_btn title=&#8221;DCP Trailer (Download)&#8221; color=&#8221;white&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-arrow-up-right-from-square&#8221; css=&#8221;.vc_custom_1785342322019{margin-top: -15px !important;}&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fwww.dropbox.com%2Fscl%2Ffo%2F6np0c9txtq5ehw2e1m0xk%2FANfF9IGOBK6fcTjK07EFSi4%3Frlkey%3D4mrywjrz9mwnx33bj9uwenrgj%26st%3Dq2tw3fgc%26dl%3D0|title:DCP%20Trailer|target:_blank|rel:nofollow|&#8221;][vc_btn title=&#8221;Instagram (Filmseite)&#8221; color=&#8221;white&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-arrow-up-right-from-square&#8221; css=&#8221;.vc_custom_1785332814198{margin-top: -15px !important;}&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fwww.instagram.com%2Fwherethewavestookher%2F|title:Instagram%20%28Filmseite%29|target:_blank|rel:nofollow|&#8221;][vc_btn title=&#8221;Kontakt Produktion&#8221; color=&#8221;white&#8221; size=&#8221;sm&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-arrow-up-right-from-square&#8221; css=&#8221;.vc_custom_1785332945142{margin-top: -15px !important;}&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:mailto%3Alotte.peters.wueste%40gmail.com|title:mailto%3Alotte.peters.wueste%40gmail.com|target:_blank|rel:nofollow|&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;418185&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;28px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>About <span style=\"font-family: arial, helvetica, sans-serif;\">Jana Stallein<\/span> (Director)<\/h3>\n<p>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: justify;\"><strong>Jana Stallein<\/strong> studied documentary directing at Film University Babelsberg KONRAD WOLF. Her film &#8220;<strong>Where the Waves Took Her<\/strong>&#8221; premiered at the Hof International Film Festival, where it received a Special Mention in the GRANIT Documentary Film Competition. Her first VR directing project, the immersive experience AFTER THE GAME (2025), premiered at the International Film Festival Rotterdam in 2026. In 2026, she received the SI STAR Young Talent Award for her work as a director.<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<span style=\"font-size: 12pt;\">Filmography (Selected Works)<\/span>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<table style=\"height: 22px; width: 100%; border-collapse: collapse;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2025<\/td>\n<td style=\"width: 88.0679%; height: 10px; vertical-align: top;\">WHERE THE WAVES TOOK HER (Documentary, 83 minutes)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2025<\/td>\n<td style=\"width: 88.0679%; height: 22px; vertical-align: top;\">AFTER THE GAME (VR Experience, 17 minutes)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2022<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">HI I\u2019M TOXIC (Experimental Film, 8 minutes)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2022<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">SHAPES OF LESBOS (Documentary, 70 minutes)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;5px&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;5px&#8221;][vc_single_image image=&#8221;418121&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; css=&#8221;.vc_custom_1785327011240{padding-bottom: -35px !important;}&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;418187&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;28px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>About <span style=\"font-family: arial, helvetica, sans-serif;\">Charlotte Peters<\/span> (Producer)<\/h3>\n<p>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;5px&#8221;][vc_single_image image=&#8221;418124&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: justify;\"><strong>Lotte<\/strong> is pursuing a master\u2019s degree in Film and Television Production at Film University Babelsberg KONRAD WOLF. She has worked for organizations including W\u00fcste Film, Achtung Panda!, and MOIN Film Fund, and was awarded the VFF Emerging Talent Scholarship for production students. Her first feature-length film, &#8220;<strong>Where the Waves Took Her<\/strong>,&#8221; premiered in Hof in 2025, was subsequently screened at Hot Docs, and will be released theatrically in the second half of 2026. Her work earned her a nomination for the VFF Emerging Producer Award. She is also the impact producer of the documentary INTERSECTION, which premiered at DOK Leipzig in 2025. She is currently producing her first narrative feature, <strong>&#8220;The Melting Mood of Easy,&#8221;<\/strong> which was filmed in early 2026. Lotte makes films with purpose\u2014preferably intimate, queer, and driven by a clear point of view.<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<span style=\"font-size: 12pt;\">Filmography (Selected Works)<\/span>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<table style=\"height: 22px; width: 100%; border-collapse: collapse;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2026<\/td>\n<td style=\"width: 88.0679%; height: 10px; vertical-align: top;\">THE MELTING MOOD OF ECSTASY (Director: Julian Dieterich, 90 min., in post-production, feature film funded by Leuchtstoff) \u2013 Producer<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2025<\/td>\n<td style=\"width: 88.0679%; height: 22px; vertical-align: top;\">WHERE THE WAVES TOOK HER (Director: Jana Stallein, 83 min., feature-length documentary funded by Leuchtstoff) \u2013 Producer<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2025<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">INTERSECTION \u2013 Alles ist politisch (Director: Karoline R\u00f6\u00dfler, 87 min., feature-length documentary and mobile game, funded by MBB) \u2013 Impact Producer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;5px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;28px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>About <span style=\"font-family: arial, helvetica, sans-serif;\">Sophia Fenn<\/span> (Director of Photography)<\/h3>\n<p>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: justify;\"><strong>Sophia Fenn<\/strong> earned both her bachelor\u2019s and master\u2019s degrees in Cinematography from Film University Babelsberg KONRAD WOLF. In 2025, she completed her studies with the documentary &#8220;<strong>Where the Waves Took Her<\/strong>,&#8221; which was nominated for the 36th German Camera Award and won the FEMALE GAZE Cinematography Award at the IFFF. She has also worked on international productions in Brazil, Ukraine, and the United States.<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<span style=\"font-size: 12pt;\">Filmography (Selected Works)<\/span>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<table style=\"height: 108px; width: 100%; border-collapse: collapse;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2026<\/td>\n<td style=\"width: 88.0679%; height: 10px; vertical-align: top;\">TABIR, Director: Natalija Yefimkina (Documentary, 35 min.)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2025<\/td>\n<td style=\"width: 88.0679%; height: 10px; vertical-align: top;\">WHERE THE WAVES TOOK HER, Director: Jana Stallein (Documentary, 82 min.)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2024<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">WUNSCHKINDER, Director: Hannah Wolny (Short Film, 7 min.)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2024<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">NIMICA FRUMOS, Director: Vanessa Gunesch (Documentary Short, 13 min.)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2023<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">I KNEW YOU WERE MY KIND, Director: Vanessa Gunesch (Short Film, 18 min.)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2023<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">FESTGEFAHREN, Director: Lina Drevs (Short Film, 14 min.)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;5px&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;5px&#8221;][vc_single_image image=&#8221;418128&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; css=&#8221;.vc_custom_1785329072660{padding-bottom: -35px !important;}&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;418157&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;418159&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;28px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>About <span style=\"font-family: arial, helvetica, sans-serif;\">Am\u00e9lie Richter<\/span> (Editor)<\/h3>\n<p>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;5px&#8221;][vc_single_image image=&#8221;418132&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: justify;\"><strong>Am\u00e9lie Richter<\/strong> developed a strong interest in cinema while studying Media and Cultural Studies in Germany and France. She subsequently studied Film Editing at Film University Babelsberg KONRAD WOLF and worked on documentaries including <em>Spaltung<\/em> (CPH 2025) and <strong>&#8220;Where the Waves Took Her&#8221;<\/strong> (Hof International Film Festival 2025 \/ Hot Docs 2026). She currently divides her time between Montreal and Berlin, working as both a film editor and a festival curator. Her work across different cultural and cinematic contexts informs her transdisciplinary and transnational approach to cinema.<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<span style=\"font-size: 12pt;\">Filmography (Selected Works)<\/span>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<table style=\"height: 64px; width: 100%; border-collapse: collapse;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2025<\/td>\n<td style=\"width: 88.0679%; height: 10px; vertical-align: top;\">WHERE THE WAVES TOOK HER (Documentary, 83 minutes)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2024<\/td>\n<td style=\"width: 88.0679%; height: 10px; vertical-align: top;\">SPALTUNG (Documentary, 75 minutes)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2025<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">FEMME SULFUREUSE (Short Film, 10 minutes)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2024<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">DEAD PERIOD (Short Film, 10 minutes)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.9321%; vertical-align: top;\">2024<\/td>\n<td style=\"width: 88.0679%; vertical-align: top;\">TRACES OF LIFE \u2013 HOW TO KILL (Installation, 5 minutes)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.9321%; vertical-align: top;\">2023<\/td>\n<td style=\"width: 88.0679%; vertical-align: top;\">LABSAL (Short Film, 26 minutes)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.9321%; vertical-align: top;\">2023<\/td>\n<td style=\"width: 88.0679%; vertical-align: top;\">STICKY (Short Film, 24 minutes)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;5px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;28px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>About <span style=\"font-family: arial, helvetica, sans-serif;\">Lena Gill<\/span> (Production Manager)<\/h3>\n<p>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: justify;\"><strong>Lena Gill<\/strong> (born 1997) earned her bachelor\u2019s degree in Media Management from Stuttgart Media University. After graduating, she moved to Berlin and worked as a production assistant on various theatrical and television productions. In 2022, she began a master\u2019s degree in Film and Television Production at Film University Babelsberg KONRAD WOLF. At the same time, she worked for X Filme Creative Pool as an assistant to the head of production. She currently works as a producer for the Berlin-based company Seven Elephants.<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<span style=\"font-size: 12pt;\">Filmography (Selected Works)<\/span>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<table style=\"height: 108px; width: 100%; border-collapse: collapse;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2026<\/td>\n<td style=\"width: 88.0679%; height: 10px; vertical-align: top;\">ARCHITECTURES OF MEMORY (Documentary Hybrid Project, in post-production) \u2013 Producer<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2026<\/td>\n<td style=\"width: 88.0679%; height: 10px; vertical-align: top;\">MAXIMINI (Short Film, in post-production) \u2013 Producer<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2025<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">WHERE THE WAVES TOOK HER (Documentary) \u2013 Production Manager<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2023<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">ZEIT VERBRECHEN (Miniseries) \u2013 Assistant to the Head of Production<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2022<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">SLEEPING DOGS (Netflix Miniseries) \u2013 Assistant Production Manager<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2021<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">WANN WIRD ES ENDLICH WIEDER SO, WIE ES NIE WAR (Feature Film) \u2013 Assistant Production Manager<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;5px&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;5px&#8221;][vc_single_image image=&#8221;418135&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; css=&#8221;.vc_custom_1785330796797{padding-bottom: -35px !important;}&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;418193&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;28px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>About <span style=\"font-family: arial, helvetica, sans-serif;\">Antonia Nestler<\/span> (Studio Production Design)<\/h3>\n<p>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;5px&#8221;][vc_single_image image=&#8221;418138&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: justify;\"><strong>Antonia<\/strong> is a Berlin-based production designer and mixed-media artist. Her work explores socially relevant issues through innovative and immersive approaches. Her creative focus lies in developing new spaces for storytelling by combining analog techniques such as model making and drawing with digital media including projection mapping and augmented reality.<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<span style=\"font-size: 12pt;\">Filmography (Selected Works)<\/span>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<table style=\"height: 64px; width: 100%; border-collapse: collapse;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2025<\/td>\n<td style=\"width: 88.0679%; height: 10px; vertical-align: top;\">ARCHITECTURES OF MEMORY AT (Documentary, 90 minutes) \u2013 Production Design: Studio Set and Model Making<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2025<\/td>\n<td style=\"width: 88.0679%; height: 10px; vertical-align: top;\">WHERE THE WAVES TOOK HER (Documentary, 83 minutes) \u2013 Production Design: Studio Set and Title Design<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2024<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">RECONSTRUCTION HOME (Interactive Documentary Installation) \u2013 Production Design<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;5px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;28px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>About <span style=\"font-family: arial, helvetica, sans-serif;\">Levin H\u00fcbner<\/span> (Producer)<\/h3>\n<p>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: justify;\"><strong>Levin H\u00fcbner<\/strong>, born in Hamburg in 1988, has served as a producer at Cologne-based W\u00fcste Film West GmbH since 2022 and as co-managing director since 2025. He is a graduate of the ifs Internationale Filmschule K\u00f6ln and has been, among other things, a fellow of the Mediengr\u00fcnderzentrum NRW and a participant in the Rotterdam Lab. His work has screened at festivals including the Berlinale and the Max Oph\u00fcls Prize and has received international awards. His productions at W\u00fcste Film include the bestselling novel adaptation DER BUCHSPAZIERER (Studiocanal), starring Christoph Maria Herbst and Yuna Bennett; the artistic documentary <strong>&#8220;Where the Waves Took Her&#8221;<\/strong>; and the ARD co-productions EIN SOMMER IN SOMMERBY and WEIHNACHTEN IN SOMMERBY, based on Kirsten Boie\u2019s successful children\u2019s book series.<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<span style=\"font-size: 12pt;\">Filmography (Selected Works)<\/span>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<table style=\"height: 108px; width: 100%; border-collapse: collapse;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2027<\/td>\n<td style=\"width: 88.0679%; height: 10px; vertical-align: top;\">SUPERBUSEN \u2013 Director: Constanze Klaue. Screenplay: Constanze Klaue, Anna Br\u00fcggemann, and Paula Irmschler (Feature Film)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2027<\/td>\n<td style=\"width: 88.0679%; height: 10px; vertical-align: top;\">SCHATTEN \u2013 Director: Ben Teske. Screenplay: Julia C. Kaiser (Feature Film)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2026<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">SOMMER AUF ASPHALT \u2013 Director: Simon Ostermann. Screenplay: Brix Vinzent Koethe (Feature Film)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2026<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">WEIHNACHTEN IN SOMMERBY \u2013 Director: Mia Spengler. Screenplay: Catharina Junk (TV Movie)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2025<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">WHERE THE WAVES TOOK HER \u2013 Written and directed by Jana Stallein (Documentary)<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2025<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">EIN SOMMER IN SOMMERBY \u2013 Director: Mara Eibl-Eibesfeldt. Screenplay: Catharina Junk (TV Movie)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.9321%; vertical-align: top;\">2024<\/td>\n<td style=\"width: 88.0679%; vertical-align: top;\">DER BUCHSPAZIERER \u2013 Director: Ngo The Chau. Screenplay: Andi Rogenhagen and Carsten Henn (Feature Film)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.9321%; vertical-align: top;\">2022<\/td>\n<td style=\"width: 88.0679%; vertical-align: top;\">LOUIS I. KING OF THE SHEEP \u2013 Written and directed by Markus Wulf (Stop-Motion Animated Film)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;5px&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;5px&#8221;][vc_single_image image=&#8221;418141&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; css=&#8221;.vc_custom_1785331351846{padding-bottom: -35px !important;}&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;418195&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;28px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>About <span style=\"font-family: arial, helvetica, sans-serif;\">Henric Schleiner &amp; Henning Gro\u00dfmann<\/span> (Music \/ Sound Design \/ Dialogue Editing \/ Re-Recording Mix)<\/h3>\n<p>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_empty_space height=&#8221;5px&#8221;][vc_single_image image=&#8221;418130&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; css=&#8221;&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: justify;\"><strong>Henric Schleiner<\/strong> and <strong>Henning Gro\u00dfmann<\/strong> founded the sound design studio ti:me:co:de in 2019 and have since worked on around 300 projects spanning commercials and film. For <strong>&#8220;Where the Waves Took Her&#8221;<\/strong>, they were responsible for the sound design, original music, and re-recording mix. Their other credits include the documentary GLEIS 11 and the series UNCIVILIZED, which received both the Grimme Award and the German Television Award. They are currently working on the WDR series ONKEL RUBEN UND DAS LOCH IM GARTEN.<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<span style=\"font-size: 12pt;\">Filmography (Selected Works)<\/span>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<table style=\"height: 45px; width: 100%; border-collapse: collapse;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 10px; vertical-align: top;\">2026<\/td>\n<td style=\"width: 88.0679%; height: 10px; vertical-align: top;\">ONKEL RUBEN UND DAS LOCH IM GARTEN (Drama Series, 6 episodes) \u2013 Production Sound, Sound Design, Re-Recording Mix<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; height: 13px; vertical-align: top;\">2025<\/td>\n<td style=\"width: 88.0679%; height: 13px; vertical-align: top;\">WHERE THE WAVES TOOK HER (Documentary, 83 minutes) \u2013 Sound Design, Original Music, Re-Recording Mix<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 11.9321%; vertical-align: top; height: 22px;\">2024<\/td>\n<td style=\"width: 88.0679%; vertical-align: top; height: 22px;\">UNCIVILIZED (Drama Series, 6 episodes) \u2013 Production Sound, Dialogue Editing, Re-Recording Mix<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.9321%; vertical-align: top;\">2023<\/td>\n<td style=\"width: 88.0679%; vertical-align: top;\">TENEZ (Short Film, 22 minutes) \u2013 Production Sound, Sound Design, Original Music, Re-Recording Mix<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.9321%; vertical-align: top;\">2022<\/td>\n<td style=\"width: 88.0679%; vertical-align: top;\">REBELS (Documentary Series, 3 \u00d7 30 minutes) \u2013 Sound Design, Re-Recording Mix<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.9321%; vertical-align: top;\">2021<\/td>\n<td style=\"width: 88.0679%; vertical-align: top;\">GLEIS 11 (Documentary, 61 minutes) \u2013 Production Sound, Sound Design, Re-Recording Mix<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;5px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221;][vc_column][vc_separator css=&#8221;&#8221;][vc_empty_space height=&#8221;5px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3>Filmgespr\u00e4ch: <span style=\"font-family: arial, helvetica, sans-serif;\">Amber Fares<\/span> und <span style=\"font-family: arial, helvetica, sans-serif;\">Rachel Leah Jones<\/span> im Interview mit <span style=\"font-family: arial, helvetica, sans-serif;\">Christoph Terhechte<\/span><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;5px&#8221;][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/obk0uzYMwjY&#8221; css=&#8221;&#8221;][vc_column_text css=&#8221;.vc_custom_1770473217568{margin-top: -22px !important;}&#8221;]<sup>\u00a9 2026 UCM.ONE \/ NONFY Documentaries<\/sup>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: justify;\">Im <strong>Filmgespr\u00e4ch zum Kinostart<\/strong> spricht <strong>Christoph Terhechte<\/strong> (bis 31.01.2026 Festivalleiter DOK Leipzig; zuvor Leiter des Berlinale-Forums) mit <strong>Amber Fares<\/strong> und <strong>Rachel Leah Jones<\/strong> \u00fcber &#8220;<strong>Coexistence, My Ass!<\/strong>&#8221; \u2013 und dar\u00fcber, wie Noam Shuster Eliassi als Protagonistin und ihre Comedy einen Film tr\u00e4gt, der \u00fcber f\u00fcnf Jahre reift und nach dem 7. Oktober 2023 neu nach Worten suchen muss. Fares schildert, wie sie Noam aus langj\u00e4hriger Bekanntschaft heraus in Harvard beim Aufbau der One-Woman-Show zu drehen begann, ohne fertigen dramaturgischen Plan; Jones beschreibt die enge Vor-Ort-Zusammenarbeit, das st\u00e4ndige Nachsch\u00e4rfen von Kontext und Verst\u00e4ndlichkeit und die St\u00e4rke eines diversen Teams zwischen Sprachen und Perspektiven. Klar wird: Der Film verzichtet auf Talking-Heads und macht Noams B\u00fchne zur Erz\u00e4hlmaschine \u2013 Selbstbefragung, Kommentar, Schutzraum und Risiko zugleich. In der Zuspitzung der Gegenwart zeigt sich die Radikalit\u00e4t dieses Prinzips: Comedy ist hier keine Flucht, sondern eine Methode, Widerspr\u00fcche sichtbar zu halten.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><span style=\"font-family: arial, helvetica, sans-serif;\">Protagonists &amp; Crew<\/span><\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;5px&#8221;][vc_single_image image=&#8221;418144&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; alignment=&#8221;right&#8221; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]From left to right: Julie Tankeu Yonga, Lena Gill, Mariame Diallo with her son, Antonia Nestler, Sophia Fenn, Joseline Cabry Fotsing, Anne-Katrin Klotzsch, Henric Schleiner, Jeanine Tchokotte, Jana Stallein, Charlotte PetersFrom left to right: Julie Tankeu Yonga, Lena Gill, Mariame Diallo with her son, Antonia Nestler, Sophia Fenn, Joseline Cabry Fotsing, Anne-Katrin Klotzsch, Henric Schleiner, Jeanine Tchokotte, Jana Stallein, Charlotte Peters[\/vc_column_text][vc_single_image image=&#8221;418203&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; alignment=&#8221;right&#8221; css=&#8221;&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: justify;\">Group photo of the crew and protagonists from the studio shoot at Studio Babelsberg. Protagonists pictured: Fahma Abdukader Farah, Jeanine Tchokotte, Joseline Cabry Fotsing, Julie Tankeu Yonga, and Mariame Diallo.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator css=&#8221;&#8221;][vc_empty_space height=&#8221;5px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_video link=&#8221;https:\/\/youtu.be\/K4bBkj8XPTw&#8221; css=&#8221;&#8221; title=&#8221;Where the Waves Took Her | Trailer (Original Version with German and English Subtitles)&#8221;][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221; el_id=&#8221;showtimes&#8221;][vc_column][vc_separator][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><span style=\"font-family: arial, helvetica, sans-serif;\">Screening Dates<\/span> \u2014 Germany \/ Austria \/ Switzerland (Updated Regularly)<\/h3>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221;][vc_column][vc_raw_html css=&#8221;&#8221;][\/vc_raw_html][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221;][vc_column][vc_empty_space height=&#8221;10px&#8221;][vc_column_text css=&#8221;&#8221;]<span style=\"font-size: 18pt;\">Pressestimmen und Reaktionen zum Film<\/span><\/p>\n<p><em><i><span style=\"font-weight: 400;\">\u201e<\/span>Dieser beklemmende Film tr\u00e4gt seine gesellschaftlich brennenden Themen nicht didaktisch vor sich her, sondern macht diese sinnlich erfahrbar. Hochspannend erz\u00e4hlt diese universelle Parabel von Ausbeutung und Wertelosigkeit, von Manipulation und Macht: zwischen Kontinenten, zwischen arm und reich, zwischen Menschen, zwischen M\u00e4nnern. Dabei lenkt sie den Blick auf unsere eigenen Abgr\u00fcnde und h\u00e4lt uns eiskalt den Spiegel vor.&#8221; <\/i><\/em><strong>(Laudatio Max Oph\u00fcls Filmpreis f\u00fcr gesellschaftlich relevanten Film)<\/strong><\/p>\n<p><em><i><span style=\"font-weight: 400;\">\u201eEin Post-Relotius-Film ist dies, und viel mehr, als sowas wie Tausend Zeilen je k\u00f6nnte: Denn \u201eGood News\u201c ist zwar sicherlich inspiriert vom Fall des Reporters, der f\u00fcr den Spiegel Artikel erfunden und f\u00fcr sich Preise eingeheimst hat. Aber er erz\u00e4hlt etwas anderes, und mehr.&#8221;<\/span><\/i><\/em>\u00a0(<strong>Kinozeit.de<\/strong>)<\/p>\n<p><em><i><span style=\"font-weight: 400;\">\u201eGood News\u201c ist ein sehenswerter Film \u00fcber beruflichen Druck, Gewissen, ethische und soziale Ungleichheiten.<\/span><\/i><\/em>\u201c (<strong>Saarbr\u00fccker Zeitung<\/strong>)<\/p>\n<p><em>&#8220;Atmosph\u00e4risch dicht f\u00fchrt uns Hannes Schilling in seinem klaustrophobischen Kammerspiel tief in menschliche Abgr\u00fcnde mitten in Thailands Dschungel.&#8221;<\/em> (<strong>WAZ<\/strong>)<\/p>\n<p><em>&#8220;Der Titel \u201eGood News\u201c zeigt dabei, welchen Ton Hannes Schillings kleines, feines Schwarzwei\u00df-Drama anschl\u00e4gt. Er l\u00e4sst seinen schwachen Helden nicht gnadenlos untergehen \u2013 sondern brutal zappeln.&#8221;<\/em> (<strong>Hamburger Abendblatt<\/strong>)<\/p>\n<p><em>&#8220;Dieser Film wird alle begl\u00fccken, die Reporter schon immer f\u00fcr Produzenten von Fake News gehalten haben.&#8221;<\/em>(<strong>Braunschweiger Zeitung<\/strong>)<\/p>\n<p><em>&#8220;Wie der Reporter mit unschuldigem Blick andere ins Verderben st\u00fcrzt wie ein Verbrecher, sich eine fremde Kultur aneignet wie ein Tourist, das ist nicht nur f\u00fcr \u201eFake News\u201c-Forscher absolut sehenswert.&#8221; <\/em>(<strong>Th\u00fcringer Allgemeine<\/strong>)<\/p>\n<p><em>&#8220;Relotius Reloaded: Ein ehrgeiziger Reporter erfindet eine starke Geschichte \u2013 mit Folgen: \u201eGood News\u201c ist starkes Kino.&#8221;<\/em> (<strong>Berliner Morgenpost<\/strong>)[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space 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.dt-css-grid .wf-cell,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-7a818ee834341ebcbc7993ff9af2cc58.resize-by-browser-width .dt-css-grid .wf-cell {\n    width: 100%;\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-7a818ee834341ebcbc7993ff9af2cc58.resize-by-browser-width .dt-css-grid .wf-cell.double-width,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-7a818ee834341ebcbc7993ff9af2cc58.resize-by-browser-width .dt-css-grid .wf-cell.double-width {\n    width: calc(100%)*2;\n  }\n}\n@media screen and (max-width: 767px) {\n  .blog-shortcode.blog-masonry-shortcode-id-7a818ee834341ebcbc7993ff9af2cc58.resize-by-browser-width .dt-css-grid {\n    grid-template-columns: repeat(1,1fr);\n  }\n  .blog-shortcode.blog-masonry-shortcode-id-7a818ee834341ebcbc7993ff9af2cc58.resize-by-browser-width .dt-css-grid .double-width {\n    grid-column: span 1;\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-7a818ee834341ebcbc7993ff9af2cc58.resize-by-browser-width .dt-css-grid .wf-cell,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-7a818ee834341ebcbc7993ff9af2cc58.resize-by-browser-width .dt-css-grid .wf-cell {\n    width: 100%;\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-7a818ee834341ebcbc7993ff9af2cc58.resize-by-browser-width .dt-css-grid .wf-cell.double-width,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-7a818ee834341ebcbc7993ff9af2cc58.resize-by-browser-width .dt-css-grid .wf-cell.double-width {\n    width: calc(100%)*2;\n  }\n}<\/style><div class=\"blog-shortcode blog-masonry-shortcode-id-7a818ee834341ebcbc7993ff9af2cc58 mode-grid classic-layout-list content-bg-on jquery-filter scale-img dt-css-grid-wrap dt-icon-bg-off resize-by-browser-width loading-effect-none description-under-image \" data-padding=\"15px\" data-cur-page=\"1\" data-post-limit=\"-1\" data-pagination-mode=\"none\" data-desktop-columns-num=\"2\" data-v-tablet-columns-num=\"1\" data-h-tablet-columns-num=\"2\" data-phone-columns-num=\"1\" data-width=\"0px\" data-columns=\"0\"><div class=\"dt-css-grid\" ><div class=\"visible wf-cell\" data-post-id=\"418410\" data-date=\"2026-08-01T13:34:04+00:00\" data-name=\"\ud83c\udfac Digital Movie and TV Series Releases in August 2026\"><article class=\"post project-odd visible post-418410 type-post status-publish format-standard has-post-thumbnail hentry category-film-en category-film-distribution-en category-media-distribution-en category-news-en tag-aggegator-2 tag-august-2026 tag-digital-film-distribution tag-digital-film-distribution-2 tag-est-en tag-fast-2 tag-vod-en category-942 category-15326 category-15324 category-941\" data-name=\"\ud83c\udfac Digital Movie and TV Series Releases in August 2026\" data-date=\"2026-08-01T13:34:04+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/digital-movie-and-tv-series-releases-in-august-2026\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/08\/Digitaler-Filmbertrieb-NEWS-2026-07-EN-990x309.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/08\/Digitaler-Filmbertrieb-NEWS-2026-07-EN-990x309.jpg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2026\/08\/Digitaler-Filmbertrieb-NEWS-2026-07-EN-1485x464.jpg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"Digitaler Filmbertrieb NEWS 2026-07 EN\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/digital-movie-and-tv-series-releases-in-august-2026\/\" title=\"\ud83c\udfac Digital Movie and TV Series Releases in August 2026\" rel=\"bookmark\">\ud83c\udfac Digital Movie and TV Series Releases in August 2026<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/\" >Film<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/media-distribution-en\/film-distribution-en\/\" >Film Distribution<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/media-distribution-en\/\" >Media Distribution<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by Joachim Keil\" rel=\"author\">By <span class=\"fn\">Joachim Keil<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2026\/08\/01\/\" title=\"13:34\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-08-01T13:34:04+00:00\">1. August 2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;] In the height of summer &#8211; August 2026 &#8211; our digital distribution lineup offers a wide variety of releases even during the hottest months of the year. The lineup combines gripping adventure, thriller, and horror films with animated movies and timeless film classics. A special highlight in the series category this month is&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/digital-movie-and-tv-series-releases-in-august-2026\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \ud83c\udfac Digital Movie and TV Series Releases in August 2026\">Mehr lesen<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"418450\" data-date=\"2026-07-27T15:00:02+00:00\" data-name=\"\ud83c\udfac &quot;Ascend&quot; (German title &quot;Flieg Steil&quot;) opens in German theaters on August 6, 2026\"><article class=\"post project-odd visible post-418450 type-post status-publish format-standard has-post-thumbnail hentry category-cinema category-darling-berlin category-film-en category-movie-distribution category-news-en tag-alexander-merbeth-2 tag-ceci-chuh-en tag-charlotte-roche tag-darling-berlin-en tag-feature-film-directorial-debut tag-flieg-steil tag-lana-cooper-en tag-martina-schoene-radunski-en category-1011 category-22 category-942 category-4630 category-941\" data-name=\"\ud83c\udfac &#8220;Ascend&#8221; (German title &#8220;Flieg Steil&#8221;) opens in German theaters on August 6, 2026\" data-date=\"2026-07-27T15:00:02+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/ascend-opens-in-german-theaters-on-august-6-2026\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/b_flgstl_ks01_26_en-990x309.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/b_flgstl_ks01_26_en-990x309.jpg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/b_flgstl_ks01_26_en-1485x464.jpg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"b_flgstl_ks01_26_en\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/ascend-opens-in-german-theaters-on-august-6-2026\/\" title=\"\ud83c\udfac &#8220;Ascend&#8221; (German title &#8220;Flieg Steil&#8221;) opens in German theaters on August 6, 2026\" rel=\"bookmark\">\ud83c\udfac &#8220;Ascend&#8221; (German title &#8220;Flieg Steil&#8221;) opens in German theaters on August 6, 2026<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/cinema\/\" >Cinema<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/darling-berlin\/\" >Darling Berlin<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/\" >Film<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/movie-distribution\/\" >Movie Distribution<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by robert.zimmermann\" rel=\"author\">By <span class=\"fn\">robert.zimmermann<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2026\/07\/27\/\" title=\"15:00\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-07-27T15:00:02+00:00\">27. July 2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;] UCM.ONE will release the award-winning feature film &#8220;Flieg Steil&#8221; (international title: Ascend), directed by Martina Sch\u00f6ne-Radunski and Lana Cooper, in theaters across Germany on Thursday, August 6, 2026, through its distribution label Darling Berlin. The film marks the label\u2019s 51st release. Booking and billing will be handled by CAMINO Filmverleih (Stuttgart). This is&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/ascend-opens-in-german-theaters-on-august-6-2026\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \ud83c\udfac &#8220;Ascend&#8221; (German title &#8220;Flieg Steil&#8221;) opens in German theaters on August 6, 2026\">Mehr lesen<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"417932\" data-date=\"2026-07-05T18:03:47+00:00\" data-name=\"\u25b6\ufe0e Top 10 most successful films on CiNENET and its partner channels on YouTube in the second quarter of 2026\"><article class=\"post project-odd visible post-417932 type-post status-publish format-standard has-post-thumbnail hentry category-cinenet category-film-en category-news-en tag-advertised-video-on-demand-en tag-avod-en tag-cinenet-en tag-cinenet-deutschland-en tag-ganze-filme-en tag-kostenlos-en tag-spielfilme-en tag-top-10-channels tag-top-10-films tag-youtube-en category-1272 category-942 category-941\" data-name=\"\u25b6\ufe0e Top 10 most successful films on CiNENET and its partner channels on YouTube in the second quarter of 2026\" data-date=\"2026-07-05T18:03:47+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/top-10-most-successful-films-on-cinenet-and-its-partner-channels-on-youtube-in-the-second-quarter-of-2026\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/B-CiNENET-Top-10-2026-Q2-990x309.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/B-CiNENET-Top-10-2026-Q2-990x309.jpg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/B-CiNENET-Top-10-2026-Q2-1485x464.jpg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"B CiNENET Top 10 2026 Q2\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/top-10-most-successful-films-on-cinenet-and-its-partner-channels-on-youtube-in-the-second-quarter-of-2026\/\" title=\"\u25b6\ufe0e Top 10 most successful films on CiNENET and its partner channels on YouTube in the second quarter of 2026\" rel=\"bookmark\">\u25b6\ufe0e Top 10 most successful films on CiNENET and its partner channels on YouTube in the second quarter of 2026<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/cinenet\/\" >CiNENET<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/\" >Film<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by Joachim Keil\" rel=\"author\">By <span class=\"fn\">Joachim Keil<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2026\/07\/05\/\" title=\"18:03\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-07-05T18:03:47+00:00\">5. July 2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]In the second quarter of 2026, the film \u2013 also known by its English title \u201cThe Witch: Revenge\u201d by Andriy Kolesnyk \u2013 was the clear frontrunner. As early as the fourth quarter of 2025, the Ukrainian film had already made it into the top 10 in its English-language version. In the second quarter of&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/top-10-most-successful-films-on-cinenet-and-its-partner-channels-on-youtube-in-the-second-quarter-of-2026\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \u25b6\ufe0e Top 10 most successful films on CiNENET and its partner channels on YouTube in the second quarter of 2026\">Mehr lesen<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"417862\" data-date=\"2026-07-01T20:30:20+00:00\" data-name=\"\ud83c\udfac Digital film and TV series releases in July 2026\"><article class=\"post project-odd visible post-417862 type-post status-publish format-standard has-post-thumbnail hentry category-film-en category-film-distribution-en category-media-distribution-en category-news-en tag-aggegator-2 tag-digital-film-distribution tag-est-en tag-fast-2 tag-juli-2026 tag-vod-en category-942 category-15326 category-15324 category-941\" data-name=\"\ud83c\udfac Digital film and TV series releases in July 2026\" data-date=\"2026-07-01T20:30:20+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/digital-film-and-tv-series-releases-in-july-2026\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/Digitaler-Filmbertrieb-NEWS-2026-07-EN-990x309.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/Digitaler-Filmbertrieb-NEWS-2026-07-EN-990x309.jpg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2026\/07\/Digitaler-Filmbertrieb-NEWS-2026-07-EN-1485x464.jpg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"Digitaler Filmbertrieb NEWS 2026-07 EN\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/digital-film-and-tv-series-releases-in-july-2026\/\" title=\"\ud83c\udfac Digital film and TV series releases in July 2026\" rel=\"bookmark\">\ud83c\udfac Digital film and TV series releases in July 2026<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/\" >Film<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/media-distribution-en\/film-distribution-en\/\" >Film Distribution<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/media-distribution-en\/\" >Media Distribution<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by Joachim Keil\" rel=\"author\">By <span class=\"fn\">Joachim Keil<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2026\/07\/01\/\" title=\"20:30\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-07-01T20:30:20+00:00\">1. July 2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;] July 2026 once again offers a wide variety of releases in the field of digital film distribution (aggregation). The programme brings together exciting adventure, thriller, science fiction and horror productions alongside arthouse films and film classics, as well as a thought-provoking documentary. The selection is complemented by numerous series, which usefully expand the&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/digital-film-and-tv-series-releases-in-july-2026\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \ud83c\udfac Digital film and TV series releases in July 2026\">Mehr lesen<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"417850\" data-date=\"2026-06-29T18:00:55+00:00\" data-name=\"\u25b6\ufe0e Simultaneously in 19 countries worldwide: \u2018Metal.Rocks\u2019 channel launches on Samsung TV Plus\"><article class=\"post project-odd visible post-417850 type-post status-publish format-standard has-post-thumbnail hentry category-company-en category-film-en category-film-distribution-en category-media-distribution-en category-metal-rocks-en category-music category-news-en tag-channel-2 tag-drama-2 tag-fast-2 tag-hauk-markus tag-joachim-keil-en tag-jochen-walter tag-metal-en tag-metal-rocks-2 tag-music-channel tag-patrick-walch-3 tag-patrick-walch-2 tag-plaion-pictures-2 tag-rock-en tag-samsung tag-samsung-tv-plus tag-television tag-tv-2 category-5599 category-942 category-15326 category-15324 category-19090 category-943 category-941\" data-name=\"\u25b6\ufe0e Simultaneously in 19 countries worldwide: \u2018Metal.Rocks\u2019 channel launches on Samsung TV Plus\" data-date=\"2026-06-29T18:00:55+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/simultaneously-in-19-countries-worldwide-metal-rocks-channel-launches-on-samsung-tv-plus\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/06\/B-MetalRocksSamsung-2606-990x309.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/06\/B-MetalRocksSamsung-2606-990x309.jpg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2026\/06\/B-MetalRocksSamsung-2606-1485x464.jpg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"B-MetalRocksSamsung 2606\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/simultaneously-in-19-countries-worldwide-metal-rocks-channel-launches-on-samsung-tv-plus\/\" title=\"\u25b6\ufe0e Simultaneously in 19 countries worldwide: \u2018Metal.Rocks\u2019 channel launches on Samsung TV Plus\" rel=\"bookmark\">\u25b6\ufe0e Simultaneously in 19 countries worldwide: \u2018Metal.Rocks\u2019 channel launches on Samsung TV Plus<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/company-en\/\" >Company<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/\" >Film<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/media-distribution-en\/film-distribution-en\/\" >Film Distribution<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/media-distribution-en\/\" >Media Distribution<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/music\/metal-rocks-en\/\" >Metal.Rocks<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/music\/\" >Music<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by Joachim Keil\" rel=\"author\">By <span class=\"fn\">Joachim Keil<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2026\/06\/29\/\" title=\"18:00\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-06-29T18:00:55+00:00\">29. June 2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;] Following the successful launch of the \u201cMetal.Rocks\u201d channel last year, the channel \u2013 operated by UCM.ONE in partnership with PLAION PICTURES \u2013 is expanding into 16 European countries, as well as Egypt, South Africa and the United Arab Emirates. The channel, which provides a TV home for all rock and metal fans, is&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/simultaneously-in-19-countries-worldwide-metal-rocks-channel-launches-on-samsung-tv-plus\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \u25b6\ufe0e Simultaneously in 19 countries worldwide: \u2018Metal.Rocks\u2019 channel launches on Samsung TV Plus\">Mehr lesen<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"417605\" data-date=\"2026-06-18T09:00:06+00:00\" data-name=\"\ud83c\udfac &quot;Slackers&quot; in German theaters starting June 18, 2026\"><article class=\"post project-odd visible post-417605 type-post status-publish format-standard has-post-thumbnail hentry category-darling-berlin category-film-en category-movie-distribution category-news-en category-world-sales tag-bella-lochmann tag-darling-berlin-en tag-nulpen-2 tag-pola-geiger tag-schulkinowochen tag-sorina-gajewsk category-22 category-942 category-4630 category-941 category-7530\" data-name=\"\ud83c\udfac &#8220;Slackers&#8221; in German theaters starting June 18, 2026\" data-date=\"2026-06-18T09:00:06+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/%f0%9f%8e%ac-slackers-in-german-theaters-starting-june-18-2026\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/06\/b_KS_Nulpen3_en-990x309.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2026\/06\/b_KS_Nulpen3_en-990x309.jpg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2026\/06\/b_KS_Nulpen3_en-1485x464.jpg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"b_KS_Nulpen3_en\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/%f0%9f%8e%ac-slackers-in-german-theaters-starting-june-18-2026\/\" title=\"\ud83c\udfac &#8220;Slackers&#8221; in German theaters starting June 18, 2026\" rel=\"bookmark\">\ud83c\udfac &#8220;Slackers&#8221; in German theaters starting June 18, 2026<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/darling-berlin\/\" >Darling Berlin<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/\" >Film<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/movie-distribution\/\" >Movie Distribution<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/movie-distribution\/world-sales\/\" >World Sales<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by robert.zimmermann\" rel=\"author\">By <span class=\"fn\">robert.zimmermann<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2026\/06\/18\/\" title=\"09:00\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-06-18T09:00:06+00:00\">18. June 2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;] UCM.ONE is bringing the award-winning feature film &#8220;Slackers&#8221; (German title: Nulpen) to German theaters nationwide on Thursday, June 18, 2026 via its distribution label Darling Berlin. Distribution is handled by CAMINO Filmverleih (Stuttgart). This marks the first collaboration between UCM.ONE \/ Darling Berlin and Camino. FELIX NEUNZERLING PR (Berlin) is handling national press&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/%f0%9f%8e%ac-slackers-in-german-theaters-starting-june-18-2026\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \ud83c\udfac &#8220;Slackers&#8221; in German theaters starting June 18, 2026\">Mehr lesen<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><\/div><!-- iso-container|iso-grid --><\/div>[vc_btn title=&#8221;All News&#8221; style=&#8221;flat&#8221; align=&#8221;right&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-newspaper&#8221; css=&#8221;.vc_custom_1762682603129{margin-top: 25px !important;}&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fen%2Fcompany%2Fnews%2Ffilm-news%2F|title:All%20News|&#8221;][vc_empty_space height=&#8221;15px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#0141a0&#8243;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1762682630568{margin-top: 65px !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_btn title=&#8221;Overview&#8221; style=&#8221;flat&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-house&#8221; css=&#8221;&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fen%2F|title:Overview|&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_btn title=&#8221;Movies&#8221; style=&#8221;flat&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-film&#8221; css=&#8221;&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fen%2Ffilm-labels%2F|title:Movies|&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_btn title=&#8221;Cinema&#8221; style=&#8221;flat&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-solid fa-landmark&#8221; css=&#8221;&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fen%2Ftheatrical-distribution%2Ftheatrical-releases%2F%23coexistence-my-ass|title:Coexistence%2C%20My%20Ass%21|&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_btn title=&#8221;IMDB&#8221; style=&#8221;flat&#8221; color=&#8221;sky&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-brands fa-imdb&#8221; css=&#8221;&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fwww.imdb.com%2Ftitle%2Ftt41022194%2F|title:IMDb|target:_blank|&#8221;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;middle&#8221; bg_type=&#8221;grad&#8221; ult_hide_row=&#8221;ult_hide_row_value&#8221; ult_hide_row_large_screen=&#8221;large_screen&#8221; ult_hide_row_desktop=&#8221;desktop&#8221; css=&#8221;.vc_custom_1518701755537{margin-top: 0px !important;padding-top: -50px !important;}&#8221; bg_grad=&#8221;background: -webkit-gradient(linear, left top, left bottom, color-stop(0%, #E3E3E3), color-stop(0%, #FFFFFF), color-stop(6%, #FFFFFF), color-stop(7%, #FFFFFF), color-stop(50%, #FFFFFF));background: -moz-linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);background: -webkit-linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);background: -o-linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);background: -ms-linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);background: linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);&#8221;][vc_column][vc_btn title=&#8221;contact&#8221; style=&#8221;flat&#8221; color=&#8221;juicy-pink&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fa fa-regular fa-envelope&#8221; css=&#8221;&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fen%2Fcompany%2Fcontact%2F|title:contact|&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;3\/4&#8243; css=&#8221;.vc_custom_1561291995466{padding-right: 30px !important;}&#8221;][vc_column_text css=&#8221;&#8221;] Where the Waves Took Her [\/vc_column_text][vc_column_text css=&#8221;&#8221;] For many people, crossing the Mediterranean is their last hope\u2014and at the same time the world\u2019s most dangerous escape route. As more and more women and children undertake this journey, a midwife is now a permanent member of the crew aboard a&hellip;<\/p>\n","protected":false},"author":513,"featured_media":418022,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-418524","page","type-page","status-publish","has-post-thumbnail","hentry","description-off"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Where the Waves Took Her (2025) | NONFY Documentaries<\/title>\n<meta name=\"description\" content=\"&quot;Where the Waves Took Her&quot; follows a midwife aboard a rescue ship and tells the story of the courage of women fleeing across the Mediterranean.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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