{"id":101631,"date":"2024-02-13T00:01:04","date_gmt":"2024-02-13T00:01:04","guid":{"rendered":"https:\/\/ucm.one\/one-hundred-four-2023-by-jonathan-schornig-nonfy-documentaries\/"},"modified":"2025-03-06T19:08:46","modified_gmt":"2025-03-06T19:08:46","slug":"one-hundred-four","status":"publish","type":"page","link":"https:\/\/ucm.one\/en\/one-hundred-four\/","title":{"rendered":"One Hundred Four (2023) by Jonathan Sch\u00f6rnig | NONFY Documentaries"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;3\/4&#8243; css=&#8221;.vc_custom_1561291995466{padding-right: 30px !important;}&#8221;][vc_column_text]<\/p>\n<h1>One Hundred Four<span style=\"color: #ffffff;\">:<\/span><\/h1>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p style=\"font-weight: 400;\">How a sea rescue can take place is beyond imagination. The real-time documentary &#8220;<strong>One Hundred Four<\/strong>&#8221; (German original title: &#8220;<strong>Einhundertvier<\/strong>&#8220;) brings this dramatic situation closer. The film shows how agonisingly long it takes to rescue 104 people from a sinking rubber dinghy. Person by person, step by step, the action is accompanied by several parallel cameras. The situation comes to a head when the Libyan coastguard appears. The rescued people and the crew wait for days on the high seas, as no Mediterranean country allows them to dock. Only after a terrible storm does the ship reach a European harbour.<\/p>\n<p>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_single_image image=&#8221;101550&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;101560&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]Every year, the world&#8217;s most dangerous escape route claims thousands of lives. In the first half of 2023 alone, almost 2,000 people died in the Mediterranean because the <strong>European Union<\/strong>&#8216;s border policy systematically violates existing rights. Instead of helping the shipwrecked, <strong>Frontex<\/strong> carries out illegal pushbacks, supports the violent actions of the Libyan coastguard and massively combats private sea rescue missions that intervene where the EU fails. Despite media evidence, it remains incomprehensible to those who have not experienced this situation themselves: why are hundreds of people in mortal danger being denied help and the civilian helpers even threatened and criminalised?[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<strong>Jonathan Sch\u00f6rnig<\/strong> was affected by the dilemma of lack of awareness and decided to bring a sea rescue to the screen as a real-time documentary to show how agonisingly long it takes to rescue 104 people from a sinking rubber boat. The film accompanies the action person by person, step by step, with several parallel cameras.[\/vc_column_text][vc_column_text css=&#8221;&#8221;]The situation comes to a head when the Libyan coastguard turns up. The rescued people and the crew wait for days on the high seas, as no Mediterranean country allows them to dock. Only after a terrible storm does a harbour grant them entry. What sounds like a bad film script is actually the daily reality.[\/vc_column_text][vc_row_inner][vc_column_inner css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_single_image image=&#8221;101546&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Chronology of the pre-history<\/span><\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 308px;\">\n<tbody>\n<tr style=\"height: 22px;\">\n<td style=\"width: 14.654013%; height: 22px; vertical-align: top;\"><strong>\u00a02019<\/strong><\/td>\n<td style=\"width: 85.345987%; height: 22px;\">\n<p style=\"font-weight: 400;\">The ship is purchased by the MISSION LIFELINE International e.V. organisation. At the time, the &#8220;Eleonore&#8221; was called the &#8220;Western Star&#8221; and had to be extensively prepared and converted for the rescue. She was originally a Dutch fishing trawler.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 14.654013%; height: 22px; vertical-align: top;\"><strong>July 2019\u00a0\u00a0<\/strong><\/td>\n<td style=\"width: 85.345987%; height: 22px;\">\n<p style=\"font-weight: 400;\">Jonathan Sch\u00f6rnig agrees to document the rescue in order to produce film material for public broadcasting.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 14.654013%; height: 22px; vertical-align: top;\"><strong>02\/08\/2019<\/strong><\/td>\n<td style=\"width: 85.345987%; height: 22px;\">\n<p style=\"font-weight: 400;\">Jonathan Sch\u00f6rnig and Johannes Filous travelling to Spain as representatives of the press. The conversion work at the shipyard near Barcelona is delayed. At the same time, the &#8220;Eleonore&#8221; is registered in Germany under the German flag by Captain Claus-Peter Reisch.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 14.654013%; height: 22px; vertical-align: top;\"><strong>07\/08\/2019<\/strong><\/td>\n<td style=\"width: 85.345987%; height: 22px;\">\n<p style=\"font-weight: 400;\">The &#8220;Eleonore&#8221; is launched into the water.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 14.654013%; height: 22px; vertical-align: top;\"><strong>09\/08\/2019<\/strong><\/td>\n<td style=\"width: 85.345987%; height: 22px;\">\n<p style=\"font-weight: 400;\">Captain Claus-Peter Reisch flies to Spain with the registration documents. Construction work on the Eleonore continues to be delayed.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 14.654013%; height: 22px; vertical-align: top;\"><strong>16\/08\/2019<\/strong><\/td>\n<td style=\"width: 85.345987%; height: 22px;\">The ship is named &#8220;Eleonore&#8221;.<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 14.654013%; height: 22px; vertical-align: top;\"><strong>17\/08\/2019<\/strong><\/td>\n<td style=\"width: 85.345987%; height: 22px;\">\n<p style=\"font-weight: 400;\">The &#8220;Eleonore&#8221; departs with a crew of 9 for the crossing and test voyage to Cagliari\/Italy.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 14.654013%; height: 22px; vertical-align: top;\"><strong>20\/08\/2019<\/strong><\/td>\n<td style=\"width: 85.345987%; height: 22px;\">\n<p style=\"font-weight: 400;\">Arrival in the harbour of Cagliari. Final repairs are carried out.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 14.654013%; height: 22px; vertical-align: top;\"><strong>21\/08\/2019<\/strong><\/td>\n<td style=\"width: 85.345987%; height: 22px;\">Departure for the SAR (Search and Rescue) zone at 9.20 pm. The 9-strong Eleonore crew takes off, including the two press representatives.<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 14.654013%; height: 22px; vertical-align: top;\"><strong>24\/08\/2019<\/strong><\/td>\n<td style=\"width: 85.345987%; height: 22px;\">\n<p style=\"font-weight: 400;\">Reaching the SAR zone, start of the search, rescue exercise<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 14.654013%; height: 22px; vertical-align: top;\" rowspan=\"2\"><strong>25\/08\/2019<\/strong><\/td>\n<td style=\"width: 85.345987%; height: 22px;\">\n<p style=\"font-weight: 400;\">At 9.30 a.m., Clara Richter discovers an empty green inflatable boat with only one intact air chamber. No sign of a rescue could be found, so the crew assumes there are no survivors.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 85.345987%; height: 22px;\">\n<p style=\"font-weight: 400;\">Emergency call via NGO &#8220;Alarmphone&#8221; of an inflatable boat. The &#8220;Eleonore&#8221; immediately initiates the search and sets course for the indicated position. The search during the night remains unsuccessful.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 14.654013%; height: 22px; vertical-align: top;\"><strong>26\/08\/2019<\/strong><\/td>\n<td style=\"width: 85.345987%; height: 22px;\">\n<p style=\"font-weight: 400;\">Another distress call from a white inflatable boat is reported by &#8220;Alarmphone&#8221;. It is said to be a boat with 64 people, including 53 men and 11 women. Children were reported in another boat. The speedboat crew of the &#8220;Lifeline 3&#8221; therefore prepares to rescue children.<\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 22px;\">\n<td style=\"width: 14.654013%; height: 22px; vertical-align: top;\"><strong>12:59 pm<\/strong><\/td>\n<td style=\"width: 85.345987%; height: 22px;\">The live documentation with six cameras begins. On the way to the indicated position, the crew comes across the blue inflatable boat with 104 men<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1561286315715{margin-top: 15px !important;background-color: #efefef !important;}&#8221;]<style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">.shortcode-single-image-wrap.shortcode-single-image-7aeb3e5ee78d63d19855816dd4f6b510.enable-bg-rollover .rollover i,\n.shortcode-single-image-wrap.shortcode-single-image-7aeb3e5ee78d63d19855816dd4f6b510.enable-bg-rollover .rollover-video i {\n  background: -webkit-linear-gradient();\n  background: linear-gradient();\n}\n.shortcode-single-image-wrap.shortcode-single-image-7aeb3e5ee78d63d19855816dd4f6b510 .rollover-icon {\n  font-size: 32px;\n  color: #ffffff;\n  min-width: 44px;\n  min-height: 44px;\n  line-height: 44px;\n  border-radius: 100px;\n  border-style: solid;\n  border-width: 0px;\n}\n.dt-icon-bg-on.shortcode-single-image-wrap.shortcode-single-image-7aeb3e5ee78d63d19855816dd4f6b510 .rollover-icon {\n  background: rgba(255,255,255,0.3);\n  box-shadow: none;\n}<\/style><div class=\"shortcode-single-image-wrap shortcode-single-image-7aeb3e5ee78d63d19855816dd4f6b510 alignnone  vc_custom_1717068805380 enable-bg-rollover dt-icon-bg-off\" ><div class=\"shortcode-single-image\"><div class=\"fancy-media-wrap\" style=\"\"><a class=\"layzr-bg rollover rollover-zoom dt-pswp-item pswp-image\" href=\"https:\/\/ucm.one\/wp-content\/uploads\/2024\/05\/P-OneHundredFour-Cinema.jpg\" title=\"P OneHundredFour Cinema\" data-dt-img-description=\"\" data-large_image_width=\"699\" data-large_image_height = \"1000\"  style=\"\"><img fetchpriority=\"high\" decoding=\"async\" class=\"preload-me lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20699%20999&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2024\/05\/P-OneHundredFour-Cinema.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2024\/05\/P-OneHundredFour-Cinema.jpg 699w\" loading=\"eager\" style=\"--ratio: 699 \/ 999\" sizes=\"(max-width: 699px) 100vw, 699px\" width=\"699\" height=\"999\"  data-dt-location=\"https:\/\/ucm.one\/en\/documentary-film-one-hundred-four-nonfy-documentaries-opens-in-german-cinemas\/p-onehundredfour-cinema\/\" alt=\"\" \/><\/a><\/div><\/div><\/div>[vc_empty_space height=&#8221;10px&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p id=\"u3084-2\"><strong>Original title: <\/strong>One Hundred Four<\/p>\n<p><strong>Director: <\/strong><span lang=\"EN-US\">Jonathan Sch\u00f6rnig<\/span><\/p>\n<p><strong>Cinematography: <\/strong><span lang=\"EN-US\">Jonathan Sch\u00f6rnig, Johannes Filous<\/span><\/p>\n<p><strong>Editing:<\/strong><em> no editing (real-time documentary)<\/em><\/p>\n<p><strong>Sound: <\/strong><em>Real-time audio<\/em><\/p>\n<div><b>Cast: <\/b>Crew of the rescue ship ELEONORE: Claus-Peter Reisch (captain), Martin Ernst (1st officer (RHIB driver), Thorsten Smikalla (2nd officer), Gerald Karl (3rd officer \/ deck manager), Clara Richter (cultural mediator \/ cook), Georg Albiez (ship&#8217;s doctor), Kostis Plevris (RHIB communications)<\/div>\n<div><\/div>\n<p><strong>Producer: <\/strong><span lang=\"EN-US\">Uwe Nitschke<\/span><\/p>\n<p><strong>Co-Producer:<\/strong> <span lang=\"EN-US\">Adrian Then<\/span><\/p>\n<p><strong>Year of production: <\/strong>2023<\/p>\n<p><strong>Genre:<\/strong> Dokumentary<\/p>\n<p><strong>Country:<\/strong> Germany<\/p>\n<p><strong>Languages:<\/strong> English, Germany<\/p>\n<p><strong>Subtitles:<\/strong> German, English, French, Spanish, Portuguese, Russian, Arabic, Chinese<\/p>\n<p><strong>Length:<\/strong> 93 Min<\/p>\n<p><strong>Rating: <\/strong>FSK 12<\/p>\n<p><strong>Aspect ratio \/ resolution: <\/strong>1,85:1 (4K: 3996&#215;2160 \/ 2K:1998&#215;1080)<\/p>\n<p><strong>DCP \/ Projektions-mp4: <\/strong>DCI 4K\/2K-F Stereo (2.0) \/ 1080P LB185 (Letterboxed)[\/vc_column_text][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#a0a0a0&#8243;][vc_column_text]<em>International title: <\/em><\/p>\n<p><strong>English:<\/strong> One Hundred Four[\/vc_column_text][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#a0a0a0&#8243;][vc_column_text css=&#8221;&#8221;]<em>Awards:<\/em><\/p>\n<p><b>2023 DOK Leipzig:<\/b> Deutscher Wettbewerb Dokumentarfilm <em>&#8220;Goldene Taube Langfilm&#8221;<\/em> -&gt; Einhundertvier<\/p>\n<p><b>2023 DOK Leipzig:<\/b> <em>&#8220;Filmpreis Leipziger Ring&#8221;<\/em> -&gt; Einhundertvier<\/p>\n<p><b>2023 DOK Leipzig:<\/b> <em>&#8220;Dokumentarfilmpreis des Goethe-Instituts<\/em>&#8221; -&gt; Einhundertvier<\/p>\n<p><b>2023 DOK Leipzig:<\/b> <em>&#8220;ver.di Preis f\u00fcr Solidarit\u00e4t, Menschlichkeit und Fairness&#8221;<\/em> -&gt; Einhundertvier<\/p>\n<p><b>2024 &#8220;It&#8217;s all True&#8221; Int. Documentary Film Festival, S\u00e3o Paolo, Brazil<\/b>: Best International Documentary -&gt; Einhundertvier[\/vc_column_text][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#a0a0a0&#8243;][vc_column_text css=&#8221;&#8221;]<strong>Film label:<\/strong> <span style=\"font-family: 'arial black', sans-serif;\"><strong>NONFY<\/strong><\/span> <strong>Documentaries<\/strong><\/p>\n<p><strong>Distribution:<\/strong> <span style=\"font-family: 'arial black', sans-serif;\"><strong>UCM.ONE<\/strong><\/span>[\/vc_column_text][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#a0a0a0&#8243;][vc_btn title=&#8221;Press Material&#8221; color=&#8221;white&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fas fa-download&#8221; css=&#8221;.vc_custom_1707780979108{margin-top: -15px !important;}&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fwww.ucm.one%2Fpresse%2Fnf_einhundertvier.zip|target:_blank|&#8221;][vc_empty_space height=&#8221;10px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text css=&#8221;.vc_custom_1707785145456{margin-bottom: -5px !important;}&#8221;]<span style=\"font-size: 14pt;\">About the director and author <b>Jonathan Sch\u00f6rnig<\/b><\/span>[\/vc_column_text][vc_empty_space height=&#8221;25px&#8221;][vc_row_inner css=&#8221;.vc_custom_1707784994791{margin-top: -5px !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_empty_space height=&#8221;5px&#8221;][vc_single_image image=&#8221;101587&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;3\/4&#8243;][vc_column_text]<\/p>\n<p style=\"font-weight: 400;\"><strong>Jonathan Sch\u00f6rnig<\/strong> was born in Leipzig in 1991. After graduating from high school in 2011, he began gaining directing experience through several assistantships and internships in television and film.<\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p style=\"font-weight: 400;\">In 2015, he successfully completed his training as a media designer for image\/sound with his graduation film &#8220;<strong>Herr Lindner und sein Garten<\/strong>&#8221; and won the <strong><em>FineX trainee award<\/em><\/strong>. He then worked as a cameraman on various television formats and documentaries. In 2020, he achieved his first successful festival release with the short documentary &#8220;<strong>Never give up<\/strong>&#8220;.<\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p style=\"font-weight: 400;\"><strong>Jonathan Sch\u00f6rnig<\/strong> has been studying at the<strong> Bauhaus University in Weimar<\/strong> since 2021.<\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"font-weight: 400;\">With &#8220;<strong>One Hundred Four<\/strong>&#8220;, <strong>Jonathan Sch\u00f6rnig<\/strong> won the <strong><em>Golden Dove<\/em><\/strong> at the <strong>66th International Leipzig Festival for Documentary and Animated Film, <\/strong>\u00a0the <strong><em>Goethe-Institut Documentary Film Prize<\/em><\/strong>, the v<strong><em>er.di Prize for Solidarity, Humanity and Fairness<\/em><\/strong> and the <strong><em>Leipziger Ring Film Prize <\/em><\/strong>and most recently the main prize <em>&#8220;<\/em><b><em>It&#8217;s all true<\/em><\/b><em>&#8220;<\/em><b> for the <em>&#8220;Best International Documentary Film<\/em><\/b><em>&#8221; <\/em>at the <b>International Documentary Film Festival 2024<\/b>, S\u00e3o Paolo, Brazil.<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator][vc_empty_space height=&#8221;15px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;.vc_custom_1707785538754{margin-bottom: -5px !important;}&#8221;]<span style=\"font-size: 14pt;\">About the author and co-producer <b>Adrian Then<\/b><\/span>[\/vc_column_text][vc_empty_space height=&#8221;25px&#8221;][vc_row_inner css=&#8221;.vc_custom_1707784994791{margin-top: -5px !important;}&#8221;][vc_column_inner width=&#8221;3\/4&#8243;][vc_column_text]<strong>Adrian Then<\/strong> was born in Leipzig in 1985 and produced his first feature film as a cameraman with &#8220;<strong>Romeo and Juliet<\/strong>&#8221; at the age of 17. In 2009, he started his own business with AV productions and educational media projects.[\/vc_column_text][vc_column_text]<\/p>\n<p style=\"font-weight: 400;\">After graduating with a degree in media technology engineering from <strong>HTWK Leipzig<\/strong>, he initially worked in live broadcasting, animation, camera and editing and has been working as a media educator at the <strong>Evangelical Church in Central Germany<\/strong> (<strong>EKM<\/strong>) since 2011.<\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p style=\"font-weight: 400;\">As a freelance production manager, <strong>Adrian Then<\/strong> produced history and documentaries full-time for <strong>MDR<\/strong> in Leipzig from 2015-2020. <strong>Adrian Then<\/strong> temporarily worked as a production manager at the film agency and produced image and advertising films as well as the <strong>Kika<\/strong> series &#8220;<strong>Freundschaft Spezial<\/strong>&#8220;. In addition to various media projects, Adrian Then is once again working full-time for the <strong>EKM Media Centre<\/strong>.<\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p style=\"font-weight: 400;\"><strong>Adrian Then<\/strong> and <strong>Jonathan Sch\u00f6rnig<\/strong> got to know each other during film projects in their youth. Since then, their paths have crossed on individual productions. With &#8220;<strong>One Hundred Four<\/strong>&#8220;, they made their first feature-length film together.<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_empty_space height=&#8221;5px&#8221;][vc_single_image image=&#8221;101597&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221;][\/vc_column_inner][\/vc_row_inner][vc_separator][vc_empty_space height=&#8221;15px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;.vc_custom_1707786678082{margin-bottom: -5px !important;}&#8221;]<span style=\"font-size: 14pt;\">About producer <b>Uwe Nitsche<\/b><\/span>[\/vc_column_text][vc_empty_space height=&#8221;25px&#8221;][vc_row_inner css=&#8221;.vc_custom_1707784994791{margin-top: -5px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_empty_space height=&#8221;5px&#8221;][vc_single_image image=&#8221;101602&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<strong>Uwe Nitschke<\/strong>, born and raised in Leipzig, has been working as a cameraman since the mid-90s. He has been running the production company <strong>U.N TV-Produktion<\/strong> since 1998, which is active both nationally and internationally.[\/vc_column_text][vc_column_text]<\/p>\n<p style=\"font-weight: 400;\">Under his direction, he has produced numerous reports, documentaries and magazine programmes for public and private broadcasters. Their content covers a wide range of social, political, scientific, environmental and sporting topics.<\/p>\n<p>[\/vc_column_text][vc_column_text]<br \/>\nFocal points included the documentation of the genocide in Rwanda, the social development of Easter Island and the consequences of the reactor accident in Fukushima<br \/>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator][vc_empty_space height=&#8221;15px&#8221;][vc_row_inner][vc_column_inner css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_single_image image=&#8221;101581&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1706481908377{margin-top: 15px !important;border-top-width: 2px !important;border-right-width: 2px !important;border-bottom-width: 2px !important;border-left-width: 2px !important;padding-top: 3px !important;padding-right: 3px !important;padding-bottom: 3px !important;padding-left: 3px !important;background-color: #fcfcfc !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;border-left-color: #efefef !important;border-left-style: solid !important;border-right-color: #efefef !important;border-right-style: solid !important;border-top-color: #efefef !important;border-top-style: solid !important;border-bottom-color: #efefef !important;border-bottom-style: solid !important;border-radius: 10px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;15px&#8221;][vc_column_text]<span style=\"font-size: 14pt;\">Interview with director <strong>Jonathan Sch\u00f6rnig<\/strong><\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<br \/>\n<em><strong>&#8220;How did the film come about?&#8221;<\/strong><\/em><\/p>\n<p><em>&#8220;I was on this rescue mission as a journalist in 2019. The footage I shot was also used to make several reports for MDR and I realised afterwards that, on the one hand, I hadn&#8217;t quite finished with the topic and that the raw footage had a lot more to offer. Whenever I watched excerpts from the raw material, I realised that I myself stayed with it for a very long time and that I found the rescue operation itself exciting.<\/em><\/p>\n<p><em>When a rescue like this is shown, it&#8217;s always heavily compressed by the editing. I thought that was the best way to show the whole thing, uncut. So that the viewer can experience and understand it. We were only able to view the material properly through the montage in tile mode and noticed in the edit how the tension is carried through the film.<\/em><\/p>\n<p><em>I think that people who have seen the film also get a bit of a feel for what it&#8217;s like to be involved in a rescue operation like this.&#8221;<\/em><br \/>\n[\/vc_column_text][vc_column_text]<br \/>\n<strong><em>&#8220;Why did you set up and install six cameras?&#8221;<\/em><\/strong><\/p>\n<p><em>&#8220;I knew that I wouldn&#8217;t have many opportunities to adequately document all situations during the rescue. That&#8217;s why I worked with Johann&#8217;s Filous to think about where we could install cameras so that we wouldn&#8217;t miss anything. It was also important for me to document what was happening on the bridge. Johannes was in the speedboat and I stayed on board. Together with the other cameras, we had a very good overview.&#8221;<\/em><br \/>\n[\/vc_column_text][vc_column_text]<strong><em>&#8220;How did you feel on board?&#8221;<\/em><\/strong><\/p>\n<p><em>&#8220;You&#8217;re part of the process the whole time and it&#8217;s difficult to be a neutral observer. For Johannes and me as journalists on board, it wasn&#8217;t easy to concentrate on the documentary.<\/em><\/p>\n<p><em>We are part of the whole thing and we eat and sleep on the same ship, but we still have a duty of neutrality.<\/em><\/p>\n<p><em>Because we were few crew members and only nine instead of twelve, we had to subordinate ourselves to the ship&#8217;s daily routine like everyone else.<\/em>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<em>The question that preoccupied me shortly before setting sail for the SAR zone was: What happens if someone drowns in front of me? Do I film or do I intervene and try to save them? I didn&#8217;t make a clear decision beforehand, but I had a feeling that if such a case occurred, I would intervene in the situation and leave my observer position.&#8221;<\/em>[\/vc_column_text][vc_column_text]<br \/>\n<em><strong>&#8220;What memories do you have of the people you rescued?&#8221;<\/strong><\/em><\/p>\n<p><em>&#8220;There were a few that have stayed with me. For example, Fahad, who became a kind of spokesman for the group and always presented us with solutions when there were problems. In general, we were very lucky with the rescued people. Although they came from different countries and didn&#8217;t know each other, they were all very disciplined and patient.<\/em><\/p>\n<p><em>We had a day when we wanted to play different board games together that we had on board. After a few minutes, I noticed that there was a disturbance in one group and playing cards were being thrown overboard. After Gerald Karl (deck manager) calmed the situation down, we put Fahad in charge and left the deck as a crew. After a 5-minute discussion among ourselves, Fahad came to us with all the games and said that because it hadn&#8217;t worked out, they had decided that they didn&#8217;t want to play any more and handed Gerald the neatly packed games.&#8221;<\/em><br \/>\n[\/vc_column_text][vc_column_text]<br \/>\n<strong><em>&#8220;What was the mood like after the rescue?&#8221;<\/em><\/strong><\/p>\n<p><em>&#8220;Right after the rescue, everyone was very euphoric. However, the adrenalin didn&#8217;t wear off until the Libyan coastguard was no longer chasing us. First, everyone was given water and Georg Albiez (the ship&#8217;s doctor) took care of the very weak cases. The next day there was a &#8220;consultation hour&#8221; where all the rescued people came to see the doctor and injuries were documented and wounds treated.<\/em><\/p>\n<p><em>Unfortunately, we couldn&#8217;t find the lifeboat we were actually looking for.&#8221;<\/em><br \/>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1570471672721{margin-top: 15px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;30px&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_single_image image=&#8221;101548&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;101554&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]<span style=\"font-size: 14pt;\">Comments on the premiere in Leipzig<\/span><\/p>\n<p><em>&#8220;I was expecting something completely different. But to be there for an hour and a half and see how it really happens, with such meticulousness and dedication, it&#8217;s simply amazing.&#8221;<\/em><\/p>\n<p><em>&#8220;I am very impressed by the clarity with which the film reflects the brutal reality.&#8221;<\/em><\/p>\n<p><em>&#8220;It was a very different style to what you usually see on TV.&#8221;<\/em><\/p>\n<p><em>&#8220;It&#8217;s a very poignant and heavy subject, but I&#8217;m really glad to have seen the film.&#8221;<\/em><\/p>\n<p><em>&#8220;I immediately start crying again when I think about how this young woman tirelessly and successfully calmed people down time and time again.&#8221;<\/em><br \/>\n[\/vc_column_text][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;20px&#8221;][vc_column_text css=&#8221;.vc_custom_1707787831384{margin-bottom: -5px !important;}&#8221;]<span style=\"font-size: 14pt;\">Jury statements <strong>DOK Leipzig\u00a0<\/strong><\/span>[\/vc_column_text][vc_empty_space height=&#8221;20px&#8221;][vc_row_inner css=&#8221;.vc_custom_1707784994791{margin-top: -5px !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1561290391124{border-right-width: -15px !important;}&#8221;][vc_empty_space height=&#8221;5px&#8221;][vc_single_image image=&#8221;101605&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_image&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;3\/4&#8243;][vc_column_text]<\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 12pt;\"><strong>Golden Dove feature film:<\/strong> <\/span><em>&#8220;It takes an infinitely long time to rescue 104 people from a boat sinking in the Mediterranean. We experience this rescue in real time, simultaneously on six split screens. The film team and the crew of the rescue ship clearly show us what it means to look away every day. But they also show that help is possible and necessary.&#8221;<\/em><\/p>\n<p>[\/vc_column_text][vc_column_text]<br \/>\n<span style=\"font-size: 12pt;\"><strong>ver.di award for solidarity, humanity and fairness:<\/strong><\/span> <em>&#8220;We experience a special rescue operation &#8211; conveyed with classic documentary means that today&#8217;s technology allows. We are very close to the people in this scene in real time and are at the mercy of the natural dramaturgy.<\/em><\/p>\n<p><em>As we know, this is only the first act of a human drama with an uncertain outcome. The film makes it possible to understand the dimensions of this everyday tragedy in the Mediterranean.&#8221;<\/em><br \/>\n[\/vc_column_text][vc_column_text]<\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 12pt;\"><strong>Goethe-Institut Documentary Film Award:<\/strong> <\/span><em>&#8220;One Hundred Four&#8221; meticulously documents a sea rescue of refugees in the Mediterranean. With his consistent approach of filming 90 minutes with several cameras in parallel, director Jonathan Sch\u00f6rnig allows us to experience the action at close quarters and thus creates a deep understanding of the urgency of the humanitarian mission. An appeal to world politics, but also to us!&#8221;<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 12pt;\"><strong>Leipzig Ring Film Prize:<\/strong><\/span> <em>&#8220;For an outstanding documentary film about human rights, democracy or civic engagement, donated by the Leipzig Peaceful Revolution Foundation.&#8221;<\/em><\/p>\n<p>[\/vc_column_text][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;16px&#8221;][vc_column_text css=&#8221;&#8221;]<span style=\"font-size: 14pt;\">Trailer<\/span>[\/vc_column_text][vc_empty_space height=&#8221;-10px&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/MQ4EhZdZAIQ?si=XecP9jweb3g4v1UW&#8221; css=&#8221;.vc_custom_1716815436251{margin-top: -10px !important;}&#8221; title=&#8221;Festival Trailer&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/mKOvjlUYiBk?si=O8jzJ-epS84jXrAJ&#8221; css=&#8221;.vc_custom_1716815555832{margin-top: -10px !important;}&#8221; title=&#8221;Theatrical Trailer&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;20px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][vc_column_text]<\/p>\n<h2><span style=\"font-family: arial, helvetica, sans-serif;\">News<\/span><\/h2>\n<p>[\/vc_column_text]<style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.dividers-on.classic-layout-list article {\n  padding-top: 0;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.dividers-on.classic-layout-list article:first-of-type {\n  margin-top: 0;\n  padding-top: 0;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.classic-layout-list.mode-list .post-entry-content {\n  width: calc(100% - );\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.classic-layout-list.mode-list .no-img .post-entry-content {\n  width: 100%;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .filter-bg-decoration .filter-categories a.act {\n  color: #fff;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7:not(.mode-masonry) article:first-of-type,\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7:not(.mode-masonry) article.visible.first:not(.product) {\n  margin-top: 0;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.dividers-on:not(.mode-masonry) article {\n  margin-top: 0;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.dividers-on:not(.mode-masonry) article:first-of-type,\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.dividers-on:not(.mode-masonry) article.visible.first:not(.product) {\n  margin-top: 0;\n  padding-top: 0;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .post-thumbnail-wrap {\n  padding: 0px 0px 0px 0px;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.enable-bg-rollover .post-thumbnail-rollover:after {\n  background: -webkit-linear-gradient();\n  background: linear-gradient();\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .gallery-zoom-ico {\n  width: 44px;\n  height: 44px;\n  line-height: 44px;\n  border-radius: 100px;\n  margin: -22px 0 0 -22px;\n  border-width: 0px;\n  color: #ffffff;\n}\n.bottom-overlap-layout-list.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .gallery-zoom-ico {\n  margin-top: -72px;\n}\n.gradient-overlay-layout-list.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .gallery-zoom-ico,\n.content-rollover-layout-list.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .gallery-zoom-ico {\n  margin: 0 0 10px;\n}\n.content-align-center.gradient-overlay-layout-list.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .gallery-zoom-ico,\n.content-align-center.content-rollover-layout-list.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .gallery-zoom-ico {\n  margin: 0 auto 10px;\n}\n.dt-icon-bg-on.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .gallery-zoom-ico {\n  background: rgba(255,255,255,0.3);\n  box-shadow: none;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .gallery-zoom-ico > span,\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .gallery-zoom-ico:before {\n  font-size: 32px;\n  line-height: 44px;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .gallery-zoom-ico > span,\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .gallery-zoom-ico:before {\n  color: #ffffff;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .entry-title,\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.owl-carousel .entry-title {\n  margin-bottom: 5px;\n  font-weight: bold;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .entry-meta {\n  margin-bottom: 15px;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .portfolio-categories {\n  margin-bottom: 15px;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .entry-excerpt {\n  margin-bottom: 5px;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7:not(.centered-layout-list) .post-entry-content {\n  padding: 25px 30px 30px 30px;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7:not(.centered-layout-list):not(.content-bg-on):not(.mode-list) .no-img .post-entry-content {\n  padding: 0;\n}\n@media screen and (max-width: ) {\n  .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 article {\n    -ms-flex-flow: column nowrap;\n    flex-flow: column nowrap;\n    margin-top: 20px;\n  }\n  .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.dividers-on article {\n    border: none;\n  }\n  .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.content-bg-on.centered-layout-list article {\n    padding: 0;\n  }\n  .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.blog-shortcode.dividers-on article,\n  .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.dividers-on.classic-layout-list article {\n    margin-top: 20px;\n    padding: 0;\n  }\n  .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.blog-shortcode.dividers-on article:first-of-type,\n  .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.dividers-on.classic-layout-list article:first-of-type {\n    padding: 0;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .post-thumbnail-wrap,\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .post-entry-content {\n    width: 100%;\n    margin: 0;\n    top: 0;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .post-thumbnail-wrap {\n    padding: 0;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .post-entry-content:after {\n    display: none;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .project-even .post-thumbnail-wrap,\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.centered-layout-list .post-thumbnail-wrap {\n    -ms-flex-order: 0;\n    order: 0;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.centered-layout-list .post-entry-title-content {\n    -ms-flex-order: 1;\n    order: 1;\n    width: 100%;\n    padding: 20px 20px 0;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.centered-layout-list .post-entry-content {\n    -ms-flex-order: 2;\n    order: 2;\n    padding-top: 0;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .fancy-categories {\n    top: 10px;\n    left: 10px;\n    bottom: auto;\n    right: auto;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .fancy-date a {\n    top: 10px;\n    right: 10px;\n    left: auto;\n    bottom: auto;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .post-entry-content {\n    padding: 20px;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .entry-title {\n    margin: 3px 0 5px;\n    font-size: 20px;\n    line-height: 26px;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .entry-meta {\n    margin: 5px 0 5px;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .entry-excerpt {\n    margin: 15px 0 0;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .post-details {\n    margin: 5px 0 10px;\n  }\n  #page .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 .post-details.details-type-link {\n    margin-bottom: 2px;\n  }\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7:not(.resize-by-browser-width) .dt-css-grid {\n  grid-row-gap: 30px;\n  grid-column-gap: 30px;\n  grid-template-columns: repeat(auto-fill,minmax(,1fr));\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7:not(.resize-by-browser-width) .dt-css-grid .double-width {\n  grid-column: span 2;\n}\n.cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7:not(.resize-by-browser-width) .dt-css-grid,\n.no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7:not(.resize-by-browser-width) .dt-css-grid {\n  display: flex;\n  flex-flow: row wrap;\n  margin: -15px;\n}\n.cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7:not(.resize-by-browser-width) .dt-css-grid .wf-cell,\n.no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7:not(.resize-by-browser-width) .dt-css-grid .wf-cell {\n  flex: 1 0 ;\n  max-width: 100%;\n  padding: 15px;\n  box-sizing: border-box;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid {\n  grid-template-columns: repeat(2,1fr);\n  grid-template-rows: auto;\n  grid-column-gap: 30px;\n  grid-row-gap: 30px;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .double-width {\n  grid-column: span 2;\n}\n.cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid {\n  margin: -15px;\n}\n.cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .wf-cell {\n  width: 50%;\n  padding: 15px;\n}\n.cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .wf-cell.double-width {\n  width: calc(50%) * 2;\n}\n.blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width:not(.centered-layout-list):not(.content-bg-on) .dt-css-grid {\n  grid-row-gap: 0px;\n}\n@media screen and (max-width: 1199px) {\n  .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid {\n    grid-template-columns: repeat(2,1fr);\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .wf-cell,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .wf-cell {\n    width: 50%;\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .wf-cell.double-width,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .wf-cell.double-width {\n    width: calc(50%)*2;\n  }\n}\n@media screen and (max-width: 991px) {\n  .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid {\n    grid-template-columns: repeat(1,1fr);\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .wf-cell,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .wf-cell {\n    width: 100%;\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .wf-cell.double-width,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .wf-cell.double-width {\n    width: calc(100%)*2;\n  }\n}\n@media screen and (max-width: 767px) {\n  .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid {\n    grid-template-columns: repeat(1,1fr);\n  }\n  .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .double-width {\n    grid-column: span 1;\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .wf-cell,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .wf-cell {\n    width: 100%;\n  }\n  .cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .wf-cell.double-width,\n  .no-cssgridlegacy.no-cssgrid .blog-shortcode.blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7.resize-by-browser-width .dt-css-grid .wf-cell.double-width {\n    width: calc(100%)*2;\n  }\n}<\/style><div class=\"blog-shortcode blog-masonry-shortcode-id-05841ffcfd79ee5260ae26ee962219c7 mode-grid classic-layout-list content-bg-on jquery-filter scale-img dt-css-grid-wrap dt-icon-bg-off resize-by-browser-width loading-effect-none description-under-image \" data-padding=\"15px\" data-cur-page=\"1\" data-post-limit=\"-1\" data-pagination-mode=\"none\" data-desktop-columns-num=\"2\" data-v-tablet-columns-num=\"1\" data-h-tablet-columns-num=\"2\" data-phone-columns-num=\"1\" data-width=\"0px\" data-columns=\"0\"><div class=\"dt-css-grid\" ><div class=\"visible wf-cell\" data-post-id=\"211486\" data-date=\"2025-03-06T18:24:59+00:00\" data-name=\"\ud83c\udfac \u2018One Hundred Four\u2019 by Jonathan Sch\u00f6rnig wins the 2025 Grimme Award in the category \u201cInformation &amp; Culture\u201d\"><article class=\"post project-odd visible post-211486 type-post status-publish format-standard has-post-thumbnail hentry category-cinema category-documentaries category-film-en category-news-en category-nonfy-documentaries-en category-world-sales tag-adrian-then-2 tag-castaway tag-documentary tag-dokumentarfilm-2 tag-dokumentarfilm-en tag-einhundertvier-2 tag-eleonore-2 tag-european-union tag-frontex-2 tag-grimme-preis-en tag-jonathan-schornig tag-mediterranean-sea tag-nonfy-documentaries-en tag-one-hundred-four-2 tag-oscars-2 tag-sea-rescue tag-shortlist-2 category-1011 category-6286 category-942 category-941 category-4627 category-7530\" data-name=\"\ud83c\udfac \u2018One Hundred Four\u2019 by Jonathan Sch\u00f6rnig wins the 2025 Grimme Award in the category \u201cInformation &#038; Culture\u201d\" data-date=\"2025-03-06T18:24:59+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/one-hundred-four-by-jonathan-schoernig-wins-the-2025-grimme-award-in-the-category-information-culture\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2025\/03\/B-Onehundredfour-Grimme-Preis-2025-990x309.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2025\/03\/B-Onehundredfour-Grimme-Preis-2025-990x309.jpg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2025\/03\/B-Onehundredfour-Grimme-Preis-2025-1485x464.jpg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"B Onehundredfour Grimme Preis 2025\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/one-hundred-four-by-jonathan-schoernig-wins-the-2025-grimme-award-in-the-category-information-culture\/\" title=\"\ud83c\udfac \u2018One Hundred Four\u2019 by Jonathan Sch\u00f6rnig wins the 2025 Grimme Award in the category \u201cInformation &#038; Culture\u201d\" rel=\"bookmark\">\ud83c\udfac \u2018One Hundred Four\u2019 by Jonathan Sch\u00f6rnig wins the 2025 Grimme Award in the category \u201cInformation &#038; Culture\u201d<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/cinema\/\" >Cinema<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/documentaries\/\" >Documentaries<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/\" >Film<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/nonfy-documentaries-en\/\" >NONFY Documentaries<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/movie-distribution\/world-sales\/\" >World Sales<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by Joachim Keil\" rel=\"author\">By <span class=\"fn\">Joachim Keil<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2025\/03\/06\/\" title=\"18:24\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-03-06T18:24:59+00:00\">6. March 2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_row_inner][vc_column_inner][vc_column_text css=&#8221;&#8221;]The real-time documentary \u2018One Hundred Four\u2019 (German Original title: &#8220;Einhundertvier&#8220;) by Jonathan Sch\u00f6rnig, which was released on the NONFY Documentaries label, has been awarded this year&#8217;s Grimme Prize in the category \u2018Information &amp; Culture\u2019. The jury praised the film for its powerful examination of socially relevant topics and its convincing narrative design.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;3\/4&#8243;][vc_column_text css=&#8221;&#8221;]&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/one-hundred-four-by-jonathan-schoernig-wins-the-2025-grimme-award-in-the-category-information-culture\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \ud83c\udfac \u2018One Hundred Four\u2019 by Jonathan Sch\u00f6rnig wins the 2025 Grimme Award in the category \u201cInformation &#038; Culture\u201d\">More<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"172036\" data-date=\"2025-01-27T10:00:16+00:00\" data-name=\"\ud83c\udfac Documentary \u201cOne Hundred Four\u201d (NONFY Documentaries) nominated for the Grimme Award 2025\"><article class=\"post project-odd visible post-172036 type-post status-publish format-standard has-post-thumbnail hentry category-cinema category-documentaries category-film-en category-news-en category-nonfy-documentaries-en category-world-sales tag-adrian-then-2 tag-castaway tag-dokumentarfilm-2 tag-einhundertvier-2 tag-eleonore-2 tag-european-union tag-frontex-2 tag-grimme-preis-en tag-jonathan-schornig tag-mediterranean-sea tag-nonfy-documentaries-en tag-oscars-2 tag-sea-rescue tag-shortlist-2 category-1011 category-6286 category-942 category-941 category-4627 category-7530\" data-name=\"\ud83c\udfac Documentary \u201cOne Hundred Four\u201d (NONFY Documentaries) nominated for the Grimme Award 2025\" data-date=\"2025-01-27T10:00:16+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/documentary-one-hundred-four-nonfy-documentaries-nominated-for-the-grimme-award-2025\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2025\/01\/OneHundredFour-Grimme-1920x600-1-990x309.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2025\/01\/OneHundredFour-Grimme-1920x600-1-990x309.jpg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2025\/01\/OneHundredFour-Grimme-1920x600-1-1485x464.jpg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"OneHundredFour Grimme 1920&#215;600\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/documentary-one-hundred-four-nonfy-documentaries-nominated-for-the-grimme-award-2025\/\" title=\"\ud83c\udfac Documentary \u201cOne Hundred Four\u201d (NONFY Documentaries) nominated for the Grimme Award 2025\" rel=\"bookmark\">\ud83c\udfac Documentary \u201cOne Hundred Four\u201d (NONFY Documentaries) nominated for the Grimme Award 2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/cinema\/\" >Cinema<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/documentaries\/\" >Documentaries<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/\" >Film<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/nonfy-documentaries-en\/\" >NONFY Documentaries<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/movie-distribution\/world-sales\/\" >World Sales<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by Joachim Keil\" rel=\"author\">By <span class=\"fn\">Joachim Keil<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2025\/01\/27\/\" title=\"10:00\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-01-27T10:00:16+00:00\">27. January 2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_row_inner][vc_column_inner][vc_column_text css=&#8221;&#8221;]\u201cOne Hundred Four\u201d by Jonathan Sch\u00f6rnig has been nominated for the Grimme Award 2025 in the category \u201cInformation &amp; Culture Competition\u201d. The film is the only entry in this competition that was realized without the involvement of a broadcasting station \u2013 a special recognition of independent film production. The film was also recently longlisted&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/documentary-one-hundred-four-nonfy-documentaries-nominated-for-the-grimme-award-2025\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \ud83c\udfac Documentary \u201cOne Hundred Four\u201d (NONFY Documentaries) nominated for the Grimme Award 2025\">More<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"127912\" data-date=\"2024-11-21T13:56:27+00:00\" data-name=\"\ud83c\udfac \u2018One Hundred Four\u2019 by Jonathan Sch\u00f6rnig in the running for the 2025 Oscars in the category \u2018Documentary Feature Film\u2019\"><article class=\"post project-odd visible post-127912 type-post status-publish format-standard has-post-thumbnail hentry category-cinema category-documentaries category-film-en category-news-en category-nonfy-documentaries-en category-world-sales tag-adrian-then-2 tag-castaway tag-dokumentarfilm-2 tag-einhundertvier-2 tag-eleonore-2 tag-eu-2 tag-european-union tag-frontex-2 tag-its-all-true-2 tag-jonathan-schornig tag-mediterranean-sea tag-nonfy-documentaries-en tag-oscars-2 tag-sea-rescue tag-shortlist-2 tag-south-america category-1011 category-6286 category-942 category-941 category-4627 category-7530\" data-name=\"\ud83c\udfac \u2018One Hundred Four\u2019 by Jonathan Sch\u00f6rnig in the running for the 2025 Oscars in the category \u2018Documentary Feature Film\u2019\" data-date=\"2024-11-21T13:56:27+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/one-hundred-four-by-jonathan-schoernig-in-the-running-for-the-2025-oscars-in-the-category-documentary-feature-film\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2024\/11\/TN-Einhundertvier-Oscar-nov24-990x309.jpg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2024\/11\/TN-Einhundertvier-Oscar-nov24-990x309.jpg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2024\/11\/TN-Einhundertvier-Oscar-nov24-1485x464.jpg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"TN Einhundertvier Oscar nov24\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/one-hundred-four-by-jonathan-schoernig-in-the-running-for-the-2025-oscars-in-the-category-documentary-feature-film\/\" title=\"\ud83c\udfac \u2018One Hundred Four\u2019 by Jonathan Sch\u00f6rnig in the running for the 2025 Oscars in the category \u2018Documentary Feature Film\u2019\" rel=\"bookmark\">\ud83c\udfac \u2018One Hundred Four\u2019 by Jonathan Sch\u00f6rnig in the running for the 2025 Oscars in the category \u2018Documentary Feature Film\u2019<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/cinema\/\" >Cinema<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/documentaries\/\" >Documentaries<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/\" >Film<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/nonfy-documentaries-en\/\" >NONFY Documentaries<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/movie-distribution\/world-sales\/\" >World Sales<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by Joachim Keil\" rel=\"author\">By <span class=\"fn\">Joachim Keil<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2024\/11\/21\/\" title=\"13:56\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2024-11-21T13:56:27+00:00\">21. November 2024<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_row_inner][vc_column_inner][vc_column_text css=&#8221;&#8221;]Great honour for the documentary \u2018One Hundred and Four (German title: &#8220;Einhundertvier&#8221;)\u2019: The film is on the official list of qualifying documentaries for the 97th Academy Awards 2025, clearing the first hurdle on the way to a possible Oscar nomination in the prestigious &#8220;Documentary Feature Film \u2019 category.[\/vc_column_text][vc_column_text css=&#8221;&#8221;]A total of 169 documentary films&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/one-hundred-four-by-jonathan-schoernig-in-the-running-for-the-2025-oscars-in-the-category-documentary-feature-film\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \ud83c\udfac \u2018One Hundred Four\u2019 by Jonathan Sch\u00f6rnig in the running for the 2025 Oscars in the category \u2018Documentary Feature Film\u2019\">More<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"104561\" data-date=\"2024-05-23T13:32:03+00:00\" data-name=\"\ud83c\udfac Documentary film \u201cOne Hundred Four\u201d (NONFY Documentaries) opens in German cinemas\"><article class=\"post project-odd visible post-104561 type-post status-publish format-standard has-post-thumbnail hentry category-cinema category-documentaries category-film-en category-news-en category-nonfy-documentaries-en category-world-sales tag-adrian-then-2 tag-castaway tag-dok-fest-muenchen-2 tag-dokumentarfilm-2 tag-einhundertvier-2 tag-eleonore-2 tag-eu-2 tag-european-union tag-fish-festival-2 tag-frontex-2 tag-jonathan-schornig tag-mediterranean-sea tag-muenchen-en tag-nonfy-documentaries-en tag-one-hundred-four-2 tag-rostock-2 tag-sea-rescue tag-uwe-nitschke-2 category-1011 category-6286 category-942 category-941 category-4627 category-7530\" data-name=\"\ud83c\udfac Documentary film \u201cOne Hundred Four\u201d (NONFY Documentaries) opens in German cinemas\" data-date=\"2024-05-23T13:32:03+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/documentary-film-one-hundred-four-nonfy-documentaries-opens-in-german-cinemas\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2024\/05\/OneHundredFour-in-cinemas-1920x600-1-990x309.jpeg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2024\/05\/OneHundredFour-in-cinemas-1920x600-1-990x309.jpeg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2024\/05\/OneHundredFour-in-cinemas-1920x600-1-1485x464.jpeg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"OneHundredFour in cinemas 1920&#215;600\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/documentary-film-one-hundred-four-nonfy-documentaries-opens-in-german-cinemas\/\" title=\"\ud83c\udfac Documentary film \u201cOne Hundred Four\u201d (NONFY Documentaries) opens in German cinemas\" rel=\"bookmark\">\ud83c\udfac Documentary film \u201cOne Hundred Four\u201d (NONFY Documentaries) opens in German cinemas<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/cinema\/\" >Cinema<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/documentaries\/\" >Documentaries<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/\" >Film<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/nonfy-documentaries-en\/\" >NONFY Documentaries<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/movie-distribution\/world-sales\/\" >World Sales<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by Joachim Keil\" rel=\"author\">By <span class=\"fn\">Joachim Keil<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2024\/05\/23\/\" title=\"13:32\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2024-05-23T13:32:03+00:00\">23. May 2024<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_row_inner][vc_column_inner][vc_column_text css=&#8221;&#8221;]Jonathan Sch\u00f6rnig&#8217;s Oscar 2025-qualifying documentary \u201cOne Hundred Four\u201d (German title: &#8220;Einhundertvier&#8220;) opens today in German cinemas nationwide on the NONFY Documentaries film label. The film team will be guests at the Wolf Kino in Berlin this evening to present the film on its theatrical release. An extensive cinema tour will follow in the coming&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/documentary-film-one-hundred-four-nonfy-documentaries-opens-in-german-cinemas\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \ud83c\udfac Documentary film \u201cOne Hundred Four\u201d (NONFY Documentaries) opens in German cinemas\">More<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"103823\" data-date=\"2024-04-25T12:53:48+00:00\" data-name=\"\u201cOne Hundred Four\u201d (NONFY Documentaries) wins at the international \u201cIt&#039;s all true\u201d film festival in Brazil\"><article class=\"post project-odd visible post-103823 type-post status-publish format-standard has-post-thumbnail hentry category-cinema category-documentaries category-film-en category-news-en category-nonfy-documentaries-en category-world-sales tag-adrian-then-2 tag-brazil tag-castaway tag-documentary-film tag-dokumentarfilm-en tag-einhundertvier-2 tag-eleonore-2 tag-eu-2 tag-european-union tag-festival-en tag-frontex-2 tag-its-all-true-2 tag-jonathan-schornig tag-mediterranean tag-mediterranean-sea tag-nonfy-documentaries-en tag-one-hundred-four-2 tag-rio-de-janeiro-2 tag-sao-paulo-2 tag-sea-rescue tag-shipwrecked-people tag-south-america tag-uwe-nitschke-2 category-1011 category-6286 category-942 category-941 category-4627 category-7530\" data-name=\"\u201cOne Hundred Four\u201d (NONFY Documentaries) wins at the international \u201cIt&#8217;s all true\u201d film festival in Brazil\" data-date=\"2024-04-25T12:53:48+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/one-hundred-four-nonfy-documentaries-wins-at-the-international-its-all-true-film-festival-in-brazil\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2024\/04\/B-Einhundertvier-Brasilien-990x309.jpeg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2024\/04\/B-Einhundertvier-Brasilien-990x309.jpeg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2024\/04\/B-Einhundertvier-Brasilien-1485x464.jpeg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"B Einhundertvier Brasilien\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/one-hundred-four-nonfy-documentaries-wins-at-the-international-its-all-true-film-festival-in-brazil\/\" title=\"\u201cOne Hundred Four\u201d (NONFY Documentaries) wins at the international \u201cIt&#8217;s all true\u201d film festival in Brazil\" rel=\"bookmark\">\u201cOne Hundred Four\u201d (NONFY Documentaries) wins at the international \u201cIt&#8217;s all true\u201d film festival in Brazil<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/cinema\/\" >Cinema<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/documentaries\/\" >Documentaries<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/\" >Film<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/nonfy-documentaries-en\/\" >NONFY Documentaries<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/movie-distribution\/world-sales\/\" >World Sales<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by Joachim Keil\" rel=\"author\">By <span class=\"fn\">Joachim Keil<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2024\/04\/25\/\" title=\"12:53\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2024-04-25T12:53:48+00:00\">25. April 2024<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_row_inner][vc_column_inner][vc_column_text]The documentary sea rescue drama \u201cOne Hundred Four\u201d (NONFY Documentaries) by Jonathan Sch\u00f6ning has won the main prize at the \u201cIt&#8217;s all true\u201d film festival 2024, the leading documentary film festival in South America. The festival took place in Rio de Janeiro and S\u00e3o Paulo, where the film was named best feature film at the&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/one-hundred-four-nonfy-documentaries-wins-at-the-international-its-all-true-film-festival-in-brazil\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \u201cOne Hundred Four\u201d (NONFY Documentaries) wins at the international \u201cIt&#8217;s all true\u201d film festival in Brazil\">More<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"103797\" data-date=\"2024-04-23T16:11:08+00:00\" data-name=\"\ud83c\udfac Documentary film \u201cOne hundred four\u201d (NONFY Documentaries) at festivals in Munich and Rostock\"><article class=\"post project-odd visible post-103797 type-post status-publish format-standard has-post-thumbnail hentry category-cinema category-documentaries category-film-en category-news-en category-nonfy-documentaries-en category-world-sales tag-adrian-then-2 tag-castaway tag-documentary-film tag-dok-fest-muenchen-2 tag-dokumentarfilm-2 tag-einhundertvier-2 tag-eleonore-2 tag-eu-2 tag-european-union tag-fish-festival-2 tag-frontex-2 tag-jonathan-schornig tag-mediterranean tag-mediterranean-sea tag-muenchen-en tag-nonfy-documentaries-en tag-one-hundred-four-2 tag-rostock-2 tag-sea-rescue tag-shipwrecked-people tag-uwe-nitschke-2 category-1011 category-6286 category-942 category-941 category-4627 category-7530\" data-name=\"\ud83c\udfac Documentary film \u201cOne hundred four\u201d (NONFY Documentaries) at festivals in Munich and Rostock\" data-date=\"2024-04-23T16:11:08+00:00\">\n\n<div class=\"post-thumbnail-wrap\">\n\t<div class=\"post-thumbnail\">\n\t\t\n\t\t\n\t\t<a href=\"https:\/\/ucm.one\/en\/documentary-film-one-hundred-four-nonfy-documentaries-at-festivals-in-munich-and-rostock\/\" class=\"post-thumbnail-rollover layzr-bg layzr-bg\" ><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20990%20309&#39;%2F%3E\" data-src=\"https:\/\/ucm.one\/wp-content\/uploads\/2024\/04\/B-OneHundredFour-News-Festivals-990x309.jpeg\" data-srcset=\"https:\/\/ucm.one\/wp-content\/uploads\/2024\/04\/B-OneHundredFour-News-Festivals-990x309.jpeg 990w, https:\/\/ucm.one\/wp-content\/uploads\/2024\/04\/B-OneHundredFour-News-Festivals-1485x464.jpeg 1485w\" loading=\"eager\" style=\"--ratio: 990 \/ 309\" sizes=\"(max-width: 990px) 100vw, 990px\" alt=\"\" title=\"B OneHundredFour News Festivals\" width=\"990\" height=\"309\"  \/><\/a>\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/ucm.one\/en\/documentary-film-one-hundred-four-nonfy-documentaries-at-festivals-in-munich-and-rostock\/\" title=\"\ud83c\udfac Documentary film \u201cOne hundred four\u201d (NONFY Documentaries) at festivals in Munich and Rostock\" rel=\"bookmark\">\ud83c\udfac Documentary film \u201cOne hundred four\u201d (NONFY Documentaries) at festivals in Munich and Rostock<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta\"><span class=\"category-link\"><a href=\"https:\/\/ucm.one\/en\/category\/news-en\/cinema\/\" >Cinema<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/documentaries\/\" >Documentaries<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/\" >Film<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/\" >News<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/film-en\/nonfy-documentaries-en\/\" >NONFY Documentaries<\/a>, <a href=\"https:\/\/ucm.one\/en\/category\/news-en\/movie-distribution\/world-sales\/\" >World Sales<\/a><\/span><a class=\"author vcard\" href=\"\" title=\"View all posts by Joachim Keil\" rel=\"author\">By <span class=\"fn\">Joachim Keil<\/span><\/a><a href=\"https:\/\/ucm.one\/en\/2024\/04\/23\/\" title=\"16:11\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2024-04-23T16:11:08+00:00\">23. April 2024<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_row_inner][vc_column_inner][vc_column_text]The documentary \u201cOne Hundred Four\u201d (German title: &#8220;Einhundertvier&#8220;) by director Jonathan Sch\u00f6rnig will be shown as a preview at various film festivals in Germany at the beginning of May before its official theatrical release on May 23, 2024. Visitors will have the opportunity to see the film at Dok.fest Munich and the Fish Festival in&hellip;<\/p>\n<\/div>\n\t\n<a href=\"https:\/\/ucm.one\/en\/documentary-film-one-hundred-four-nonfy-documentaries-at-festivals-in-munich-and-rostock\/\" class=\"post-details details-type-link\" aria-label=\"Read more about \ud83c\udfac Documentary film \u201cOne hundred four\u201d (NONFY Documentaries) at festivals in Munich and Rostock\">More<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n\n<\/div><\/article><\/div><\/div><!-- iso-container|iso-grid --><\/div>[vc_btn title=&#8221;Alle News&#8221; style=&#8221;flat&#8221; align=&#8221;right&#8221; i_icon_fontawesome=&#8221;far fa-newspaper&#8221; css=&#8221;.vc_custom_1741288122350{margin-top: 25px !important;}&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:%2Fen%2Ftag%2Feinhundertvier|title:Alle%20News&#8221;][vc_empty_space height=&#8221;30px&#8221;][vc_separator color=&#8221;custom&#8221; accent_color=&#8221;#1e73be&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1636251645775{margin-top: 45px !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_btn title=&#8221;Overview&#8221; style=&#8221;flat&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fas fa-home&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fen%2F|title:Overview|&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_btn title=&#8221;Movies&#8221; style=&#8221;flat&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fas fa-film&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fen%2Ffilm-labels%2F|title:Movies|&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_btn title=&#8221;Cinema&#8221; style=&#8221;flat&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fas fa-star&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fen%2Ftheatrical-distribution%2Ftheatrical-releases%2F%23einhundertvier|title:Theatrical%20Distribution|&#8221; el_id=&#8221;https:\/\/ucm.one\/de\/kinoverleih\/kinostarts\/#dreamers&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_btn title=&#8221;NONFY Documentaries&#8221; style=&#8221;flat&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;fas fa-arrow-right&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fen%2Ffilm-labels%2Fnonfy-documentaries%2F|title:NONFY%20Documentaries|&#8221;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;middle&#8221; bg_type=&#8221;grad&#8221; ult_hide_row=&#8221;ult_hide_row_value&#8221; ult_hide_row_large_screen=&#8221;large_screen&#8221; ult_hide_row_desktop=&#8221;desktop&#8221; css=&#8221;.vc_custom_1518701755537{margin-top: 0px !important;padding-top: -50px !important;}&#8221; bg_grad=&#8221;background: -webkit-gradient(linear, left top, left bottom, color-stop(0%, #E3E3E3), color-stop(0%, #FFFFFF), color-stop(6%, #FFFFFF), color-stop(7%, #FFFFFF), color-stop(50%, #FFFFFF));background: -moz-linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);background: -webkit-linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);background: -o-linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);background: -ms-linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);background: linear-gradient(top,#E3E3E3 0%,#FFFFFF 0%,#FFFFFF 6%,#FFFFFF 7%,#FFFFFF 50%);&#8221;][vc_column][vc_btn title=&#8221;Contact&#8221; style=&#8221;flat&#8221; color=&#8221;juicy-pink&#8221; size=&#8221;lg&#8221; align=&#8221;center&#8221; i_icon_fontawesome=&#8221;far fa-envelope&#8221; button_block=&#8221;true&#8221; add_icon=&#8221;true&#8221; link=&#8221;url:https%3A%2F%2Fucm.one%2Fen%2Fcompany%2Fcontact%2F|title:Contact|&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;3\/4&#8243; css=&#8221;.vc_custom_1561291995466{padding-right: 30px !important;}&#8221;][vc_column_text] One Hundred Four: [\/vc_column_text][vc_column_text] How a sea rescue can take place is beyond imagination. The real-time documentary &#8220;One Hundred Four&#8221; (German original title: &#8220;Einhundertvier&#8220;) brings this dramatic situation closer. The film shows how agonisingly long it takes to rescue 104 people from a sinking rubber dinghy. Person by person, step&hellip;<\/p>\n","protected":false},"author":2,"featured_media":104737,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-101631","page","type-page","status-publish","has-post-thumbnail","hentry","description-off"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>One Hundred Four (2023) by Jonathan Sch\u00f6rnig<\/title>\n<meta name=\"description\" content=\"How a sea rescue can take place is beyond imagination. The real-time documentary &quot;One Hundred Four&quot; brings this dramatic situation closer.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ucm.one\/en\/one-hundred-four\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"One Hundred Four (2023) by Jonathan Sch\u00f6rnig\" \/>\n<meta property=\"og:description\" content=\"How a sea rescue can take place is beyond imagination. The real-time documentary &quot;One Hundred Four&quot; brings this dramatic situation closer.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ucm.one\/en\/one-hundred-four\/\" \/>\n<meta property=\"og:site_name\" content=\"UCM.ONE\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-06T19:08:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ucm.one\/wp-content\/uploads\/2024\/02\/P-One-Hundred-Four.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"One Hundred Four (2023) by Jonathan Sch\u00f6rnig\" \/>\n<meta name=\"twitter:description\" content=\"How a sea rescue can take place is beyond imagination. The real-time documentary &quot;One Hundred Four&quot; brings this dramatic situation closer.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/ucm.one\/wp-content\/uploads\/2024\/02\/P-One-Hundred-Four.jpg\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"16 minutes\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"One Hundred Four (2023) by Jonathan Sch\u00f6rnig","description":"How a sea rescue can take place is beyond imagination. The real-time documentary \"One Hundred Four\" brings this dramatic situation closer.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/ucm.one\/en\/one-hundred-four\/","og_locale":"en_US","og_type":"article","og_title":"One Hundred Four (2023) by Jonathan Sch\u00f6rnig","og_description":"How a sea rescue can take place is beyond imagination. The real-time documentary \"One Hundred Four\" brings this dramatic situation closer.","og_url":"https:\/\/ucm.one\/en\/one-hundred-four\/","og_site_name":"UCM.ONE","article_modified_time":"2025-03-06T19:08:46+00:00","og_image":[{"url":"https:\/\/ucm.one\/wp-content\/uploads\/2024\/02\/P-One-Hundred-Four.jpg","type":"","width":"","height":""}],"twitter_card":"summary_large_image","twitter_title":"One Hundred Four (2023) by Jonathan Sch\u00f6rnig","twitter_description":"How a sea rescue can take place is beyond imagination. The real-time documentary \"One Hundred Four\" brings this dramatic situation closer.","twitter_image":"https:\/\/ucm.one\/wp-content\/uploads\/2024\/02\/P-One-Hundred-Four.jpg","twitter_misc":{"Est. reading time":"16 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/ucm.one\/en\/one-hundred-four\/","url":"https:\/\/ucm.one\/en\/one-hundred-four\/","name":"One Hundred Four (2023) by Jonathan Sch\u00f6rnig","isPartOf":{"@id":"https:\/\/ucm.one\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/ucm.one\/en\/one-hundred-four\/#primaryimage"},"image":{"@id":"https:\/\/ucm.one\/en\/one-hundred-four\/#primaryimage"},"thumbnailUrl":"https:\/\/ucm.one\/wp-content\/uploads\/2024\/05\/P-OneHundredFour-Cinema.jpg","datePublished":"2024-02-13T00:01:04+00:00","dateModified":"2025-03-06T19:08:46+00:00","description":"How a sea rescue can take place is beyond imagination. The real-time documentary \"One Hundred Four\" brings this dramatic situation closer.","breadcrumb":{"@id":"https:\/\/ucm.one\/en\/one-hundred-four\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/ucm.one\/en\/one-hundred-four\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/ucm.one\/en\/one-hundred-four\/#primaryimage","url":"https:\/\/ucm.one\/wp-content\/uploads\/2024\/05\/P-OneHundredFour-Cinema.jpg","contentUrl":"https:\/\/ucm.one\/wp-content\/uploads\/2024\/05\/P-OneHundredFour-Cinema.jpg","width":699,"height":1000},{"@type":"BreadcrumbList","@id":"https:\/\/ucm.one\/en\/one-hundred-four\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/ucm.one\/en\/"},{"@type":"ListItem","position":2,"name":"One Hundred Four (2023) by Jonathan Sch\u00f6rnig | NONFY Documentaries"}]},{"@type":"WebSite","@id":"https:\/\/ucm.one\/en\/#website","url":"https:\/\/ucm.one\/en\/","name":"UCM.ONE","description":"","publisher":{"@id":"https:\/\/ucm.one\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/ucm.one\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/ucm.one\/en\/#organization","name":"UCM.ONE","url":"https:\/\/ucm.one\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/ucm.one\/en\/#\/schema\/logo\/image\/","url":"https:\/\/ucm.one\/wp-content\/uploads\/2019\/10\/UCM.ONE-Logo-RGB.svg","contentUrl":"https:\/\/ucm.one\/wp-content\/uploads\/2019\/10\/UCM.ONE-Logo-RGB.svg","width":1,"height":1,"caption":"UCM.ONE"},"image":{"@id":"https:\/\/ucm.one\/en\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/pages\/101631","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/comments?post=101631"}],"version-history":[{"count":17,"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/pages\/101631\/revisions"}],"predecessor-version":[{"id":211498,"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/pages\/101631\/revisions\/211498"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/media\/104737"}],"wp:attachment":[{"href":"https:\/\/ucm.one\/en\/wp-json\/wp\/v2\/media?parent=101631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}