The fifth film at the Darling, Berlin! Berlin, Sayang! Berlin, Teerak! Online Festival is “Away You Go” (German title: Rückenwind von vorn”) by Philipp Eichholtz. In the film we accompany Charlie from Berlin, who finds it damn hard to keep the expectations of her surroundings and her own apart. Her friend Marco wants a child, and…
“Lotte” by Julius Schultheiß is the fourth film at the online festival Darling, Berlin! Berlin, Sayang! Berlin, Teerak! The film tells the story of Lotte. She is direct and edgy, while gracious and above all equipped with a metropolitan Schnodderschnauze. With all these qualities she is constantly in love with her colleagues, girlfriends and even…
The third film at the online festival Darling, Berlin! Berlin, Sayang! Berlin, Teerak! is “Rocket Perelman” (German title: “Rakete Perelman”) by Oliver Alaluukas. The film deals with the question of how we actually want to get together. In the middle of nowhere in Brandenburg between green meadows, techno and theater, ten people answer this question…
The second film at the Darling, Berlin! Berlin, Sayang! Berlin, Teerak! online festival is “Swimming” (German title: “Schwimmen”) by Luzie Loose. “Swimming” tells the story of Elisa and Anthea, two very different girls, whose friendship gives them support and orientation during a difficult phase in their lives. They become best friends and develop a game in which they…
“Datsche” by Lara Hewitt is the name of the opening film of the first Darling, Berlin! Berlin, Sayang! Berlin, Teerak! online festival. The film is about the Valentine, an out-of-work New York actor, who travels across the Atlantic in order to discover his German roots and stay at the ‘datsche’ or summer cottage that he inherited…
From 6 to 27 December 2020 the Goethe-Instituts Indonesien, Thailand and Malaysia are jointly presenting the online film festival entitled Darling, Berlin! Berlin Sayang! Berlin, Teerak! This year’s program screens six independent from the film label Darling Berlin located in the German capital. The films were mainly made by directors who had only one or two professional films to their…
